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Posts Tagged ‘museum’

Tonight is the debut of the ballyhooed BBC1 programme “Attenborough and the Giant Dinosaur“, featuring Sir David and The Titanosaur-With-No-Name, at 6:30pm. Furthermore, this week I presided over a showing of “T. rex Autopsy” to our RVC undergrad Zoological Society, with a very enjoyable Q&A afterwards. So it seemed timely for me to do a post about a theme that links these two documentaries that I helped with, my own research, and science communication and palaeontological research more generally. But first let’s get this out of the way:

It was great.

It was great. I could gush more but that’s not what this post is about.

Stomach-Churning Rating: ~7/10; mainly the elephant leg dissection that’s not far below, which is a bit messy.

For the titanosaur documentary with Sir David, and the incomparable Ben Garrod as well, we had an old elephant “friend” of mine (subject of many biomechanics studies we’d done) walk across a pressure pad to demonstrate how the elephant locomotion works and some of the basic similarities with how a giant sauropod dinosaur might walk:

A broader feature of that documentary, which elephants are linked into, is how we can use the skeleton to reconstruct some general aspects of the soft tissue anatomy, and thereby the physiology or even behaviour, of a giant titanosaur. Which brings me to this post’s subject: We dig up dinosaurs all the time, but what about digging into dinosaurs and using what’s preserved to reconstruct what isn’t? 

The "G-suit" compressive stocking that the fascia wrapped around elephant, and other large mammals, creates, and the underlying, interwoven muscles and tendons (hindlimb of a young Asian elephant).

Some of the “G-suit” compressive stocking that the fascia wrapped around elephant, and other large mammals, creates, and the underlying, interwoven muscles and tendons (hindlimb of a young Asian elephant that sadly died in captivity). Did some larger dinosaurs have something like this? I’d expect so.

Another view, more superficially, of that G-suit/stocking under the thick, tight skin of an elephant's leg.

Another view, more superficially, of that G-suit/stocking under the thick, tight skin of an elephant’s leg. You’ll hear more about this in the Attenborough show…

Once the documentary airs, I may be able to share some more images from it showing what they did for the titanosaur, but this BBC photo gives a good idea.

Once the documentary airs, I may be able to share some more images from it showing what they did for the titanosaur, but this BBC photo gives a good idea. Here, blood vessels and other tissues surrounding the skeleton. How would a titanosaur pump blood around its body? A good question.

I’ve covered the science behind these reconstructions before, along with the art (in numerous posts, actually). Here I want to inspect how it’s communicated through the media: what are good (and not so good?) ways to cover it, especially now that displaying raw anatomy is more tolerable on TV and other media? I’m not writing about Thanksgiving dinner dinosaur dissections; not really; or in technical terms how we build a dinosaur to dissect/depict internally (digitally or physically).

I wanted to focus more on the end product; the imagery or even physical object; and how it conveys what we think we know about dinosaur anatomy. I’ll do that via examples, using photos of dinosaur anatomy that I’ve collected over the years from museums or other media. There won’t be any profound points or long musings; it’s mainly a photo blog:

What your (inner?) child most needs is a dinosaur to dissect yourself! Why not a T. rex toy like this?

What your (inner?) child most needs is a dinosaur to dissect yourself! Why not a T. rex toy like this?

I could quibble, but for the price they did a good job.

For the price (~$30 in USA), the 4D Vision dinosaurs deliver a pretty good bargain, and the anatomy is satisfactory. I’ve been collecting this series. I could quibble, but hey: it’s a dinosaur you get to build/dissect yourself, and with many major organs in reasonable positions! Not so easy to put/keep together, but it’s fine. I would not pay a ton for it, though.

Poster of Velociraptor's anatomy I've had since grad school, adorning my office. For ~1996, it's damn good, mostly... (placeholder photos until I get to the office tomorrow and take better ones!)

Poster of Velociraptor’s anatomy I’ve had since grad school, adorning my office. For ~1996 (no feathers; “zombie hands“), it’s damn good, mostly… Closer views below (sorry, photo quality is crap– taking photos of wall poster turned out to be harder than I expected! Bad lighting.) :

Closeup of the leg muscles- hey, not bad!

Closeup of the leg muscles- hey, not bad! Pretty much the right muscles in the right places more or less, and plausible proportions. No air sacs in the torso, but again, this is mid-1990’s science shown. BUT…

I was happy with this poster until I got it home and read this final bit of text... Oh, America! You silly place.

I was happy with this poster until I got it home from the western-USA museum I bought it at and read this final bit of text… Oh, America! You silly place. (And unfortunately, these dinosaurs are not from the very end of the Cretaceous anyway, so “global catastrophe” is not implicated.)

Ornithomimid in Barcelona natural history museum. This was unexpected and got me excited when I first saw it.

Ornithomimid in Barcelona natural history museum. This was unexpected and got me excited when I first saw it.

Looking down onto the opened torso of the Barcelona ornithomimid. Strikingly realistic!

Looking down onto the opened torso of the Barcelona ornithomimid. Strikingly realistic! Breastbone, heart, liver, intestines; not unreasonable positions and sizes. No feathers, but again hey– this was made in the earlier days.

Skinned Albertosaurus from the Drexel Academy of Sciences. I forget where I got this pic but I like the display.

Albertosaurus from the Drexel Academy of Sciences. I forget where I got this pic but I like the display– this is an impressive full-scale physical model. The transition from skeleton-only on the left to skinned in the middle to fully-fleshed and popping out atcha on the right is clever.

?T. rex? leg, photo that I took ages ago as a PhD student, if memory serves. Can anyone remind me where this was? California Academy of Sciences?

?T. rex? leg, photo that I took ages ago as a PhD student, if memory serves. Can anyone remind me where this was? California Academy of Sciences? I am embarrassed that I cannot recall. I remember geeking out about it. It has a toy-ish look, but I reckon they had to build this to withstand kids touching it.

Perhaps the best example I've seen in a museum: the AMNH's sauropod with internal organs and their functions projected onto it. Bravo!

Perhaps the best dino-dissection example I’ve seen in a museum: the AMNH’s sauropod Mamenchisaurus with internal organs and their functions projected onto it, in the “World’s Largest Dinosaurs” exhibit. Bravo! I stood and watched it for quite a while.

This is far from comprehensive– just several kinds of imagery that I mostly like. There’s the tension between showing too much realism, which science simply can’t back up, and being too cartoonish, losing the viewer’s immersion in the time-travelling fantasy. I do, however, like other kinds of more abstract, schematic depictions of dinosaur anatomy that simplify the details to focus on the basics of what organs should have been where and how they may have worked, such as this depiction from T. rex Autopsy, which also took the other extreme favouring ultra-realism (but with physical models, not so much with the CGI):

AIr flow through a T. rex: simplified but clear.

Air flow through a T. rex: simplified but clear. CGI used to explain, not abused. The real air sac anatomy would be too complex to show. You may see something similar with the titanosaur show.

That’s enough for now. I’ve stuck with relatively recent examples; of course in my particular field I also think back to Romer’s wonderful 1920’s drawings, which I covered in this post.

So, blog readers, help me out here: what examples of dinosaur internal, squishy anatomy from museums, documentaries or other not-entirely-done-by-nitpicky-scientists venues do you like, or not like so much? What works for you, or at least is memorable in some way?

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Goat morphology is cool! (from work with local artist)

I posted the above photo once before, but didn’t explain any of the fun details of artist-designer Thomas Thwaites‘s visit to the RVC to dissect a goat with us. Now his show has just finished in London, celebrating the end of his project and the near-completion of his book about his experience trying to live life as a goat. This week, I went to his east side gallery and had some time to chat with Thomas about his transhuman experiences. Because the project has a strong biomechanics, anatomy, art and science theme to it, I’m posting a photo-blog post about all of that. It’s goat to be seen to be believed! I for one wouldn’t mind being a goat right now; I could use a break from my decrepit body…

Stomach-Churning Rating: Too late, there’s the goat pic above and more like it below. I’d give those a 8/10; no kidding. The puns make it worse, too.

The context

The context. Thomas never did get to gallop (sorry, spoiler!) but he did manage a trot, and some other capricious behaviours. I forgot to ask him if he’d tried the Goat Simulator. I have; it’s good for an hour of fun hircosity.

Starting the dissection at the RVC.

Starting the dissection at the RVC, to get inside a goat.

Hide.

Hide.

Fore- and hindlimbs.

Fore- and hindlimbs; comparative design for inspiring prosthetics.

Dissections!

Dissections on display!

Prototype goat-suits. Their mobility was too limited.

Prototype goat-suits. Their mobility was too limited.

The prototype in the foreground could not move without falling down.

The prototype in the foreground could not move without falling down.

Goat-suit shots.

Inhabited-goat-suit shots.

The Goat-Suit: custom made prothetics, a helmet, and some form-fitting casts.

The final Goat-Suit: custom prosthetics, a helmet, and some form-fitting casts.

Thomas Thwaites with the goat-suit.

Thomas Thwaites with the goat-suit.

The forelimb prosthesis. I was worried it would hurt his wrists but apparently it transferred the loads mainly to the forearms.

The forelimb prosthesis. I was worried it would hurt his wrists but apparently it transferred the loads mainly to the forearms. It was made by a prosthetics clinic up in Salford.

Showroom

Photos from rambling around the Swiss Alps in the goat-suit with goats.

Trip-trap-trip-trap...

Trip-trap-trip-trap… (but no trolls)

Goat-suit in action!

Goat-suit in action! With Goat-Pro camera, I see.

Acceptance?

Acceptance?

And the goat that we had dissected, skeletonized at RVC and re-articulated by Thomas:

Do goats wish they were human?

Do goats wish they were human?

What are you looking at?

What are you looking at?

Close-up of goat head.

Close-up of goat head and shoulders.

Goat hooves-on-hips

Goat hooves-on-hips; a gruff pose.

So like us.

So like us.

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I have an impression that there is a large disparity between how the public views museums and how scientists who use museums view them. Presumably there are survey data on public attitudes, but surely the common impression is that museums mainly exist to exhibit cool stuff and educate/entertain the public. Yet, furthermore, I bet that many members of the public don’t really understand the nature of museum collections (how and why they are curated and studied) or what those collections even look like. As a researcher who tends to do heavily specimen-oriented and often museum-based research, I thought I’d take the opportunity to describe my experience at one museum collection recently. This visit was fairly representative of what it’s like, as a scientist, to visit a museum with the purpose of using its collection for research, rather than mingling with the public to oggle the exhibits — although I did a little of that at the end of the day…

Stomach-Churning Rating: 4/10; mostly bones except a jar of preserved critters, but also some funky bone pathologies! Darwin hurls once, totally blowing chunks, but only in text.

Early camel is sitting down on the job at the NHMLA.

Early camel is sitting down on the job at the NHMLA.

About two weeks ago, I had the pleasure to spend a fast-paced day in the Ornithology collection of the Natural History Museum of Los Angeles County (NHMLA or LACM). I arranged the visit (you have to be a credible researcher to get access; luckily I seemed to be that!) via email, took an Uber car to the museum, and was quickly cut loose in the collection. I was hosted by the Collections Manager Kimball Garrett, who is an avid birder (adept at citizen science, too!) and a longtime LA native.

Amongst museum curators and collections managers (there can be a distinction between the two but here I’ll refer to them all as “curators”), there is a wide array of attitudes toward and practices with museum collections, regarding how the curators balance their varied duties of not only making the museum collection accessible to researchers (via behind-scenes studies) and the public (via exhibits and behind-scenes tours etc.), but also curation (maintaining a record of what they have in their collection, adding to it, and keeping the specimen in good condition), research, admin, teaching and other duties.

Most curators I’ve known, like Kimball, are passionate about all of these things, and very generous with their time to help scientists make the most of the collection during their visit, offering hospitality and cutting through the bureaucracy as much as possible to ensure that the science gets done. There are those few curators that aren’t great hosts because they’ve had a bad day or a bad attitude (e.g. obsession with paperwork and finding obstacles to accessing specimens for research; or just not responding to communication), but they are few and far between in my experience.

Regardless, the curator is the critical human being that keeps the wheels of specimen-based museum research rolling, and I am appreciative of how deeply dedicated and efficient most curators are. Indeed, I enjoy meeting and chatting with them because they tend not only to be fun people but also incredibly knowledgeable about their collection, museum, and area of expertise. Sadly, this trip was so time-constrained that I didn’t get much time at all for socializing. I had about five hours to get work done so I plunged on in!

Images, as always, can be clicked to emu-biggen them. Thanks to the NHMLA for access!

My initial look down the halls of the osteology storage. Rolling cabinets (on the right) are a typical sight.

My initial look down the halls of the osteology storage. Rolling cabinets (on the right) are a typical sight.

Freezers ahoy!

Freezers ahoy! With Batman watching over them.

A jar of bats? Why not? Batman approves.

A jar of bats? Why not? Batman approves.

The curator cleared a space on a table for me to set bones on. Then the anatomizing and photographing began!

The curator cleared a space on a table for me to set bones on. Then the anatomizing and photographing began!

On entering a museum collection, one quickly gets a sense of its “personality” and the culture of the museum itself, which emerges from the curator, the collection’s history, and the museum’s priorities. There are fun human touches like the ones in the photos below, interspersed between the stinking carcasses awaiting skeletonization, the crumbling bone specimens on tables that need repair or new ID tags, or the rows upon rows of coffee cups ready to fuel the staff’s labours.

Yet another reason why Darwin kicks ass.

Yet another reason why Darwin kicks ass. And fine curator-humour!

Ironic bird pic posted on the wall.

Ironic bird pic posted on the wall.

Below a typical wall-hanging of a bovid skull, an atypical display of a clutch of marshmallow peeps. Contest to see whether the mammalian or pseudo-avian specimens last longest?

Below a typical wall-hanging of a bovid skull, an atypical display of a clutch of marshmallow peeps. Contest to see whether the mammalian or pseudo-avian specimens last longest?

The NHMLA’s collection is a world-class one, which I why I chose it as the example for this post. When I entered the collection, I got that staggering sense of awe that I love feeling, to look down the halls of cabinets full of skeletonized specimens of birds and be overwhelmed by the vast scientific resource it represents, and the effort it has taken to create and maintain it. Imagine entering a library in which every book had the librarian’s hand in writing and printing it, and that those books’ contents were largely mysteries to humanity, only some of which you could investigate during your visit. Museum collections exist to fuel generations of scientific inquiry in this way. Their possibilities are endless. And that is why I love visiting them, because every trip is an adventure into the unknown– you do not know what you will find. Like these random encounters I had in the collection’s shelves:

Sectioned moa thigh bones, showing thick walls and spars of trabecular bone criss-crossing the marrow cavities.

Sectioned moa thigh bones, showing thick walls and spars of trabecular bone criss-crossing the marrow cavities.

My gut reaction was that this is a moa wishbone (furcula)- not often seen! It is definitely not a shoulder girdle (scapulocoracoid), which would be larger and more robust, and have a proper shoulder joint. It could, though, be a small odd rib, I suppose.

My gut reaction was that this is a moa wishbone (furcula)- not often seen! It is definitely not a shoulder girdle (scapulocoracoid), which would be larger and more robust, and have a proper shoulder joint. It could, though, be a small odd rib, I suppose. EDIT: Think again, John! See 1st comment below, and follow-ups. I seem to be totally wrong and the ID of scapulocoracoid is right.

A cigar box makes an excellent improvised container for moa toe bones- why not?

A cigar box makes an excellent improvised container for moa toe bones- why not?

Moa feet: all the moa to love!

Moa feet: all the moa to love!

May the skull of the magpie goose (Anseranas semipalmata) haunt your nightmares.

May the skull of the magpie goose (Anseranas semipalmata) haunt your nightmares.

Double-owie: headed shank (tibiotarsus) bone of a magpie goose (Anseranas semipalmata). No mystery why this guy died: vet staff at the zoo tried to fix a major bone fracture, and it had time to heal (frothy bone formation) but presumably succumbed to these injuries/infection.

Healed shank (tibiotarsus) bone of the same magpie goose as above. It had its own nightmares! No mystery why this guy died: vet staff at the zoo tried to fix a major bone fracture (bracing it with tubes and metal spars), and it had time to heal (see the frothy bone formation) but presumably succumbed to these injuries/infection.

Kiwi (Apteryx australis mantelli) hand, showing feather attachments and remnant of finger(s).

Kiwi (Apteryx australis mantelli) hand, showing feather attachments and remnant of finger(s).

Now that I’m in the collection shelves area, it brings me to this trip and my purpose for it! I wanted to look at some “basal birds” for our ongoing patella (kneecap) evolution project, to check which species (or individuals, such as juveniles/adults) have patellae. Every museum visit as a scientist is fundamentally about testing whether what you think you know about nature is correct or not. We’d published on how the patella evolved in birds, but mysteries remain about which species definitely had a patella or how it develops. Museum collections often have the depth and breath of individual variation and taxonomic coverage to be able to address such mysteries, and every museum collection has different strengths that can test those ideas in different, often surprising, ways. So I ventured off to see what the NHMLA would teach me.

Shelves full of boxes, begging to be opened- but unlike Pandora's box, they release joyous science!

Shelves full of boxes, begging to be opened- but unlike Pandora’s box, they release joyous science!

Boxes of kiwis, oh frabjous day! A nice sample size like this for a "rare" (to Northern hemispherites) bird is a pleasure to see.

Boxes of kiwis, oh frabjous day! A nice sample size like this for a “rare” (to Northern hemispherites) bird is a pleasure to see.

Well, in my blitz through this museum collection I didn’t see a single damn patella!

As that kneecap bone is infamously seldom preserved in nice clean museum specimens, this did not surprise me. So I took serendipity by the horns to check some of my ideas about how the limb joints in birds in general develop and evolve. One thing I’ve been educating myself about with my freezer specimens and with museum visits (plus the scientific literature) is how the ends (epiphyses) of the limb bones form in different species of land vertebrates (tetrapods). There are complex patterns linked with evolution, biomechanics and development that still need to be understood.

Left side view of the pelvis of a very mature, HUGE Casuarius casuarius (cassowary). The space between the ilium (upper flat bone) and ischium (elongate bone on middle right side) has begun to be closed by a mineralization of the membrane that spanned those bones in life. A side effect of maturity, most likely. But cool- I've never seen this in a ratite bird before, that I can recall.

Left side view of the pelvis of a very mature, HUGE Casuarius casuarius (cassowary). The space between the ilium (upper flat bone) and ischium (elongate bone on middle right side) has begun to be closed by a mineralization of the membrane that spanned those bones in life. A side effect of maturity, most likely. But cool- I’ve never seen this in a ratite bird before, that I can recall.

Hatchling ostrich thigh bones (femora), showing the un-ossified ends that in life would be occupied by thick cartilage.

Hatchling ostrich thigh bones (femora), showing the pitted, un-ossified ends that in life would be occupied by thick cartilage.

A more adult ostrich's femora, with more ossified ends and thinner cartilages.

A more adult ostrich’s femora, with more ossified ends and thinner cartilages.

Rhea pennata (Darwin's rhea) femora (thigh bones), left (top) one with major pathology on the knee end; overgrown bone. Owie!

Rhea pennata (Darwin’s rhea) femora; right (top) one with a major pathology on the knee end; overgrown bone (osteoarthritis?). Owie!

Also very-unfused knee joints of a Darwin's rhea. Cool Y-shape!

Also very-unfused knee joints of a Darwin’s rhea hatchling. Cool Y-shape!

In birds, most of the bones don’t have anything that truly could be called an epiphysis– the bone ends are capped with thick cartilage that only gradually becomes bone as the birds get older, and even old-ish birds can still have a lot of cartilage (see photos above)– no “secondary centre” (true epiphysis) of bone mineralization ever forms inside that cartilage. However, there are two curious apparent exceptions to this absence of true epiphyses in avian limbs:

(1) in the knee joint, something like an epiphysis forms on the upper end of the tibia (shank bone) and fuses during growth (shown below). Sometimes that unfused epiphysis is confused with a patella, as our recent paper discussed; in any case, where that “epiphysis” came from in avian evolution is unclear. But also:

(2) in the ankle joint, several bones on both sides (shank and foot) of the joint fuse to the long-bones of the limbs, acting like epiphyses. It is well documented by the fossil record of non-avian and avian dinosaurs that these were the tarsals: at least five different bones (astragalus, calcaneum and distal tarsals) were individual bones for millions of years in various dinosaurs, then these all fused to form the “epiphyses” of the shank and foot, eventually completing this gradual fusion within the bird lineage. Modern birds obliterate the boundaries between these five or more bones as they grow.

These are worthwhile questions to pursue because they show us (1) how odd, little-explored features of the avian skeleton came to be; and (2) potentially more generally why limb bones develop the many ways they do in vertebrates, and how they might develop incorrectly — or heal if damaged.

Images below from the NHMLA collections show how this is the case. Fortunately(?) for me, they supported how I thought the “epiphyses” of avian limbs develop/evolved; there were no big surprises. But I still learned neat details about how this happens in individual species or lineages, especially for the knee joint.

Juvenile kiwi's shank (tibiotarsus) bones viewed from the top (proximal) ends, showing the bubbly nubbins of bone (very bottom of each bone image) that are the "cranial tibial epiphyses" often mistaken for patellae.

Juvenile kiwi’s shank (tibiotarsus) bones viewed from the top (proximal) ends, showing the bubbly nubbins of bone (very bottom of each bone image; lighter region) that are the “cranial tibial epiphyses” often mistaken for patellae.

Subadult kiwi's tibiotarsi in same view as above, showing the epiphyses fusing onto the tibiae.

Subadult kiwi’s tibiotarsi in same view as above, showing the smooth triangular epiphyses fusing onto the tibiae.

Adult kiwi's tibiotarsi (sorry, blurry photo) in which all fusion is complete.

Adult kiwi’s tibiotarsi (sorry, blurry photo) in which all fusion is complete.

Looking down at the top/ankle end of the tarsometatarsal (sole) bones in a hatchling ostrich: the three bones are separate and hollow, where "cartilage cones" would have filled them in.

Looking down at the top/ankle end of the tarsometatarsal (sole) bones in a hatchling ostrich: the three bones are separate and hollow, where “cartilage cones” would have filled them in. The left and right bones have different amounts of ossification; not unusual in such a young bird.

Ossified tendons (little spurs of long, thin bone) on the soles of the feet (tarsometatarsal bones) of a brush-turkey (Alectura lathami)- seldom described in this unusual galliform bird or its close relatives, and thus nice to see. These would be parts of the toe-flexor tendons.

Ossified tendons (little spurs of long, thin bone) on the soles of the feet (tarsometatarsal bones) of a brush-turkey (Alectura lathami)- seldom described in this unusual galliform bird or its close relatives, and thus nice to see. These would be parts of the toe-flexor tendons. Another nice thing about these two tarsometatarsus specimens is that their fusion is basically complete- each is one single bone unit, as in normal adult birds, rather than five or more.

My visit to the NHMLA bird bone collection was a lot of fun, because I got to do what I love: opening box after box of bone specimens, with bated breath wondering what would be inside. In this case, familiarity was inside, but my knowledge of avian bone development and evolution still improved. I got to look at a lot of ostriches, rheas, cassowaries and kiwis, more than I’d seen in one museum before, and that broadened my sample of young, juvenile and adult animals that I’d seen for these species. Their knees and ankles all grew in grossly similar ways, supporting this assumption in my prior work and building my confidence in published ideas. It’s always good to check such things. Each box opened takes some careful observation and cross-checking against all the facts and ideas swirling around in your head. You take notes, scale photos, measurements, do comparisons between specimens, and just explore; letting your curiosity run unleashed as you assemble knowledge, Tetris-like, in your mind.

And I had a lot of fun because a museum collection visit is like swimming in anatomy. You’re surrounded by more specimens than you could ever fully comprehend. Sometimes you run across an odd specimen whose anatomy tells you something about its life, like pathologies such as the terrible fractured magpie goose leg shown above. Or you see some curatorial touch that makes you chuckle at an apparent inside joke or mutter respect for their careful organization in tending their charges. That feeling of pulling open a museum drawer or box lid and peering inside is like few others in science — there might be disappointment inside (e.g. “Crap, that specimen sucks!”), boredom (“Oh. Another one of these!?”) or the joy of discovery (“Holy *@$£, I’ve never seen that before!”). My first scientific publication (in 1998) came from rummaging through the UCMP museum collections as a grad student and spotting an obscure pelvic bone that turned out to be highly diagnostic for the equally obscure clade of bird-like dinosaurs called alvarezsaurids. I happened to open that drawer with the alvarezsaurid specimen at the right time, shortly after the first ever specimen of that dinosaur had been described in the literature (~1994). Before then, no one could have identified what that bone was!

There is time for hours of quiet introspection during museum collection studies, immersed in this wealth of anatomical resources and isolated in a silent, climate-controlled tomb-like hall. It is relaxing and overwhelming at the same time. Especially in my case with just five hours to survey numerous species, you have to budget your time and think efficiently. It’s a unique challenge to explore a museum collection as a researcher. If you don’t learn something — especially in a good museum collection — you’re doing it wrong. In this time of tight finances and trends to close museums or stow away precious collections, it is important to vocally celebrate what a vast treasure museum collections are, and how the people that maintain them are vital stewards of those treasures.

I set the cat amongst the pigeons by also visiting the Page Museum at the La Brea Tar Pits in LA, to study fossil cats-- like this American lion (Panthera atrox) code-named "Fluffy", that we CT scanned during my LA visit-- more about that later!

I set the cat amongst the pigeons by also visiting the Page Museum at the La Brea Tar Pits in LA, to study fossil cats– like this American lion (Panthera atrox), code-named “Fluffy”, that we CT scanned during my LA visit– more about that later!

EDIT: I hurried this post off during my free time today, and still feel I didn’t fully capture the deep, complex feelings I have regarding museum collections and the delight I get from studying them. Other freezerinos, please add your thoughts in the Comments below!

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Owing Owen

It’s Darwin Day 2015 (or will be shortly), and also on this blog it’s Freezermas, a time of contemplative dissection of morphology and its history. This year I won’t be doing the crazy 7 posts in 7 days that I’ve done before (see 14 past ones here), and I won’t be doing a customary homage to Darwin. Instead, I’m dedicating today’s post to Richard Owen, oft characterized as Darwin’s greatest nemesis. Blasphemy? Nah. I’m a Darwin fan, sure, but today Owen gets his due from me. This post is like a “Top ten things you didn’t know about Richard Owen” post, but without the list, and some of them might be things you know, and I’m not even sure if there are ten of them, but they tend to be about Richard Owen. I feature a bunch of Owen’s papers’ coolest artwork, with links to the free versions of those papers, too. Bone up!

Stomach-Churning Rating: 3/10 for woodcuts that would otherwise be graphic. 7+/10 for rabid Darwin fans.

Owen was one of greatest (vertebrate) anatomists ever, if not the greatest (Alfred Romer gives him a run for his money in my opinion, but was less of a conceptual revolutionary). He was a key player in the divorce of the Natural History Museum from the British Museum and thus its move to its current South Kensington home in London as well as its autonomy and rise to scientific and cultural prominence. Hence, like today’s post’s title indicates, we owe Owen a lot as morphologists and as fans of biology (i.e. natural history). Indeed, his contributions are often undersold in deference to Darwin’s, and in service to a conventional narrative (written by the victorious Darwinians) in which he plays a villainous role. Even if one cannot admire the man as a touchy-feely kind of dude, his work demands respect and historiographic justice.

Rupke

I was inspired to write this post after reading a biography of Richard Owen some months ago: “Richard Owen: Biology Without Darwin, a revised edition”. It’s a fascinating read, and makes some points that challenged my naïve views of the history of biology, especially evolution and Victorian science. Author Nicolaas Rupke hammers home that pro-Darwin propaganda relegated Owen to a more minor and infamous position in the history of science than he deserved, defaming him as a cold-hearted, scheming, inconsistent jerk. This biography admits truth to Owen lacking some social graces and playing tough politics sometimes, but reminds us of his eminence in British science, which reverberated globally and was in no small part due to his determined drive and strategic rigour. I recommend the book to any fans of natural history and science, especially morphology. Indeed, Rupke’s 2009 edition was released in paperback for the Darwinian centennial, as an abridgement of his 1994 book. If you want to know more about Rupke’s 2009 book, there are informative reviews by Switek here and Lynch here. This biography humanizes Owen and casts away some of the demonizing. Scandalous snippets of Darwinians politicking against Owen are memorable– e.g. Owen’s “contest against the surrounding agencies” was a predecessor to Darwin’s “struggle for existence” and natural selection, which Darwin downplayed (Rupke, pp.157,169-171).

As Rupke’s work emphasizes, Owen was a pre-Darwininan evolutionary biologist, not a creationist. He devised an “axiom of the continuous operation of the ordained becoming of living things” that qualifies as evolutionist, but not transmutationist. He had ideas about evolution that just seem odd to a post-Darwinian mind, especially an “internalist” driving mechanism for evolution (something about the embryo that causes evolution to proceed; not a primarily external, environmental impetus as Darwin favoured), leading to orderly patterns of evolution, not the higgledy-piggledy bushy evolution of Darwin and his successors (e.g. Gould). To a modern evolutionary morphologist, Owen’s “transcendental morphology” echoes of earlier continental European work by Oken (& fellow Germanics), Cuvier (& fellow French) and others, and as such often feels strange – even mystically religious (pantheistic) or unscientific. And, like many Victorians, the idea of apes including, and a subset being ancestral to, humans repulsed Owen. That revulsion seems to have clouded his judgement on the scientific matters involved, which he famously sparred over with Thomas Huxley.

Forelimbs of Archaeopteryx compared with falcon, Pterodactylus, and humerus of a raven (left to right). From: Owen, R. (1863). On the Archéoptéryx of von Meyer, with a description of the fossil remains of a long-tailed species, from the lithographic stone of Solenhofen. Philosophical Transactions of the Royal Society of London, 33-47. http://www.jstor.org/stable/108788 FREE!

Forelimbs of Archaeopteryx compared with falcon, Pterodactylus, and humerus of a raven (left to right). Owen classifed the former as a bird, with potential relationships to pterosaurs (Rupke, pp.175-6); Darwinians like Huxley instead saw the dinosaurian, reptilian ancestry.
From:
Owen, R. (1863). On the Archéoptéryx of von Meyer, with a description of the fossil remains of a long-tailed species, from the lithographic stone of Solenhofen. Philosophical Transactions of the Royal Society of London, 33-47.
http://www.jstor.org/stable/108788
FREE!

However, we can credit Owen- like Lamarck and Geoffroy Saint-Hiliare in France- as an early “evo-devo” scientist trying to link transformation across lineages with developmental mechanisms. We can also celebrate Owen as one of the foremost early champions of the study of osteology as a worthy scientific pursuit in and of itself. Much of Rupke’s biography is structured to focus on the institutional structures that Owen played such a pivotal role in creating, especially the curated collections of the Natural History Museum (which Owen spent ~1856-1881 fighting to establish as its own facility!). Owen’s vast monographs on Cretaceous Reptilia, the flightless moa (e.g. Dinornis; with papers covering 40 years of research that continued almost up until Owen’s demise) and odd Gondwanan mammals of the Australian colonies (many of these specimens having been shipped to the museum by Darwin for Owen’s own studies) cement his status as an integrative collections-based researcher who did not eschew palaeontological research “because biologists don’t do that”, or some such divisive nonsense that we still encounter today.

Skull of a crocodile, exploded to show homologies of the bones; and a forelimb for added context. From: Richard Owen, Report on the archetype and homologies of the vertebrate skeleton. BAAS. https://archive.org/details/reportonarchetyp00owen FREE!

Skull of a crocodile, exploded to show homologies of the bones; and a forelimb for added context.
From:
Richard Owen, Report on the archetype and homologies of the vertebrate skeleton. BAAS.
https://archive.org/details/reportonarchetyp00owen
FREE!

Foetal skeleton of a human, with skull exploded for comparison of homologies. From Owen 1847 as above.

Foetal skeleton of a human, with skull exploded for comparison of homologies.
From Owen 1847 as above.

Speaking of palaeontology, and science communication, 1841 was when Owen coined the “Dinosauria”, tying together disparate forms such as Hylaeosaurus, Megalosaurus and Iguanodon by the recognition that they were not “typical reptiles” but rather advanced in many distinct ways (e.g. locomotor adaptations) that united them as a group. We owe a lot to that early recognition, which was no facile achievement considering how fragmentary most of the early (pre-“Bone Wars”) dinosaur fossil discoveries were. Like Darwin, Owen realized that the giant ground sloths that he described (and Darwin found many of during his Beagle voyage), such as Megatherium, were related animals, too, and in this case having extant relatives.

Most broadly, within comparative biology, Owen searched for the principles of and codified the concept he called homology, which was part of his very French/Germanic quest for “unity of type” as an fairly essentialist (but not always Platonic, as Rupke cautions- pp. 126-7,130), typological (even teleological?) principle underlying common themes in comparative anatomy. His tome on the “archetype” and vertebral components of the skull (see pics above) is lavishly detailed and a challenging but rewarding read, with fascinating (even if sometimes quite wrong) ideas about homologous parts of vertebrate heads. Again, Owen’s work in comparative anatomy easily became an integral part of evolutionary theory– homology as a consequence of (and reciprocally, evidence for) common ancestry featured prominently. As Rupke notes (p.179), “With little more than a flick of the fingers, Owen’s archetype could be turned into an ancestor.”

Tail sheath/club of Meiolania! from Owen, R. (1888). On parts of the skeleton of Meiolania platyceps (Ow.). Philosophical Transactions of the Royal Society of London. B, 181-191. http://www.jstor.org/stable/91676 FREE!

Tail sheath/club of Meiolania! Reminiscent of this…
from
Owen, R. (1888). On parts of the skeleton of Meiolania platyceps (Ow.). Philosophical Transactions of the Royal Society of London. B, 181-191.
http://www.jstor.org/stable/91676 FREE!

Jawsome! Thylacoleo, marsupial lion. From: Richard Owen, Additional Evidence of the Affinities of the Extinct Marsupial Quadruped Thylacoleo carnifex (Owen). Phil. Trans. R. Soc. Lond. B: 1887; 178: 1-3 http://rstb.royalsocietypublishing.org/content/178/1 FREE!

Jawsome!
Thylacoleo, marsupial lion.
From: Richard Owen,
Additional Evidence of the Affinities of the Extinct Marsupial Quadruped Thylacoleo carnifex (Owen).
Phil. Trans. R. Soc. Lond. B: 1887; 178: 1-3
http://rstb.royalsocietypublishing.org/content/178/1 FREE!

This year (2015) is the 350th anniversary of the journal Philosophical Transactions of the Royal Society, in which Owen published key studies of exotic Gondwanan animals such as the giant, tail-clubbed early turtle Meiolania and the “marsupial lion” Thylacoleo (see pics above). Some of Owen’s most outstanding and earliest work, likewise published in Phil. Trans., concerned seemingly aberrant mammals like the platypus (Ornithorhynchus), whose egg-laying and milk-excreting organs he detailed in 1832-1834 (see pics below). Like so many of his discoveries, these detailed descriptions and gorgeous commissioned woodcut illustrations often were sound, groundbreaking work, and are still cited and comprehensible today. Yet Owen’s interpretations sometimes became re-evaluated in a Darwinian rather than transcendentalist light, ironically building the case for Darwinian-style evolution (transmutation). Was the platypus a mammal, reptile or bird? Owen correctly assigned it to the Mammalia and recognized its relationship with the spiny anteaters (echidnas), but today we understand it better as a member of an early branch off the mammalian stem that includes a broad diversity of other species such as the multituberculates. Brian Hall wrote a review of the history of the “platypus paradox” here— it’s a fascinating story.

"Areola" of the female platypus in the abdominal region, with embiggened version below. From: Richard Owen, On the Mammary Glands of the Ornithorhynchus paradoxus. Philosophical Transactions of the Royal Society of London Vol. 122 (1832), pp. 517-538 http://www.jstor.org/stable/107974 FREE!

“Areola” of the female platypus in the abdominal region, with embiggened version below.
From:
Richard Owen, On the Mammary Glands of the Ornithorhynchus paradoxus.
Philosophical Transactions of the Royal Society of London
Vol. 122 (1832), pp. 517-538
http://www.jstor.org/stable/107974 FREE!

Dissection of a female platypus, showing the egg-laying apparatus. From: On the Ova of the Ornithorhynchus paradoxus Richard Owen Philosophical Transactions of the Royal Society of London Vol. 124 (1834), pp. 555-566. http://www.jstor.org/stable/108077 FREE!

Dissection of a female platypus, showing the egg-laying apparatus.
From:
On the Ova of the Ornithorhynchus paradoxus
Richard Owen
Philosophical Transactions of the Royal Society of London
Vol. 124 (1834), pp. 555-566.
http://www.jstor.org/stable/108077 FREE!

As a PhD student of Prof. Kevin Padian, a Richard Owen afficionado and historian, I couldn’t escape awareness of Owen. His visage decorated many parts of Padian’s office and we were often reminded of Owen’s prodigious prowess (and his sly politics- e.g., his “Parthian shot” letter that Padian described). But I didn’t go back and read much Owen until recently, while researching the evolution of the avian patella with my own PhD student Sophie Regnault. Owen described a patella in the moa Dinornis, but we re-interpreted this as an ankle sesamoid bone (common in moa)– although the described fossil “patella” itself seems to have been lost. Then Owen’s patella research came up in a later, often vitriolic, debate (featuring the eminent bird anatomist Shufeldt as well as other scientists Jeffries and Gill) in Science magazine over what bones cormorants and other birds have in their knees– read more about it here. In perusing Owen’s moa and other anatomical work, I gained a deep appreciation for it and now I’m a fan. I even feel a special kinship with Owen– like me, various zoos sent him their specimens for scientific study via dissection, and he was an active science communicator. I’m sure he’d have appreciated my freezers. Not so sure about this blog…

Find the "patella"! From Professor Owen C.B., F.R.S., F.Z.S., &c. (1883), On Dinornis (Part XXIV.): containing a Description of the Head and Feet, with their dried Integuments, of an Individual of the species Dinornis didinus, Owen. The Transactions of the Zoological Society of London, 11: 257–261. http://onlinelibrary.wiley.com/doi/10.1111/j.1096-3642.1883.tb00360.x/abstract FREE!

Find the “patella”!
From Professor Owen C.B., F.R.S., F.Z.S., &c. (1883), On Dinornis (Part XXIV.): containing a Description of the Head and Feet, with their dried Integuments, of an Individual of the species Dinornis didinus, Owen. The Transactions of the Zoological Society of London, 11: 257–261.
http://onlinelibrary.wiley.com/doi/10.1111/j.1096-3642.1883.tb00360.x/abstract FREE!

So that’s my ode to Owen, which lightly touches on highlights of his storied career. Opinions vary on how fun he would have been to quaff pints of ale with (what do you think?), but as fabled (if flawed) heroes of science go, he deserves the label, and morphologists should continue to imbibe and savour his scholarly works, seeking draughts of inspiration within their contents as gourmands of Owen-ia. With some 600 papers published by Owen, there’s surely more for us all to discover.

Morphologists and friends, what’s your favourite Owen paper and why? Speak up!

[If you remain silent, at least do that while reading some Owen today!]

And happy Darwin Day!

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Construction of the Phyletisches Museum in Jena, Germany began on Goethe’s birthday on August 28, 1907. The Art Nouveau-styled museum was devised by the great evolutionary biologist, embryologist and artist/howthefuckdoyousummarizehowcoolhewas Ernst Haeckel, who by that time had earned fame in many areas of research (and art), including coining the terms ontogeny (the pattern of development of an organism during its lifetime) and phylogeny (the pattern of evolution of lineages of organisms through time) which feature prominently in the building’s design and exhibits (notice them intertwined in the tree motif below, on the front of the museum). Ontogeny and phylogeny, and the flamboyant artistic sensibility that Haeckel’s work exuded, persist as themes in the museum exhibits themselves. Haeckel also came up with other popular words such as Darwinism and ecology, stem cell, and so on… yeah the dude kept busy.

Cavorting frogs from Haeckel's masterpiece Kunstformen der Natur (1904).

Cavorting frogs from Haeckel’s masterpiece Kunstformen der Natur (1904).

I first visited the Phyletisches Museum about 10 years ago, then again this August. Here are the sights from my latest visit: a whirlwind ~20 minute tour of the museum before we had to drive off to far-flung Wetzlar. All images are click-tastic for embiggenness.

Stomach-Churning Rating: 3/10 for some preserved specimens. And art nouveau.

Willkommen!

Willkommen!

Frog ontogeny, illustrated with gorgeous handmade ?resin? models.

Frog ontogeny, illustrated with gorgeous handmade ?resin? models.

Fish phylogeny, illustrated with lovely artistry.

Phylogeny of Deuterostomia (various wormy things, echinoderms, fish and us), illustrated with lovely artistry.

Phylogeny of fish and tetrapods.

Phylogeny of fish and tetrapods.

Slice of fossil fish diversity.

Slice of fossil fish diversity.

Plenty of chondryichthyan jaws and bodies.

Plenty of chondrichthyan jaws/chondrocrania, teeth and bodies.

Awesome model of a Gulper eel (Saccopharyngiformes).

Awesome model of a Gulper Eel — or, evocatively, “Sackmaul” auf Deutsch (Saccopharyngiformes).

Lobe-finned fishes (Sarcopterygii)- great assortment.

Lobe-finned fishes (Sarcopterygii)- great assortment including a fossil coelacanth.

Lungfish body/model and skeleton.

Lungfish body and skeleton.

Coelacanth!

Coelacanth!

Coelacanth staredown!

Coelacanth staredown!

Fire salamander! We love em, and the museum had several on display- given that we were studying them with x-rays, seeing the skeleton and body together here in this nice display was a pleasant surprise.

On into tetrapods– a Fire Salamander (Salamandra salamandra)! We love ’em, and the museum had several on display- given that we were studying them with x-rays, seeing the skeleton and body together here in this nice display was a pleasant surprise.

A tortoise shell and skeleton, with a goofball inspecting it.

A tortoise shell and skeleton, with a goofball inspecting it.

In a subtle nod to recurrent themes in evolution, the streamlined bodies of an ichthyosaur and cetacean shown in the main stairwell of the museum, illustrating convergent evolution to swimming locomotor adaptations.

In a subtle nod to recurrent themes in evolution, the streamlined bodies of an ichthyosaur and cetacean shown in the main stairwell of the museum, illustrating convergent evolution to swimming adaptations.

Phylogeny of reptiles, including archosaurs (crocs+birds).

Phylogeny of reptiles, including archosaurs (crocs+birds).

Gnarly model of an Archaeopteryx looks over a cast of the Berlin specimen, and a fellow archosaur (crocodile).

Gnarly model of an Archaeopteryx looks over a cast of the Berlin specimen, and a fellow archosaur (crocodile). The only extinct dinosaur on exhibit!

Kiwi considers the differences in modern bird palates: palaeognathous like it and fellow ratites/tinamous (left), and neognathous like most living birds.

Kiwi considers the differences in modern bird palates: palaeognathous like it and fellow ratites/tinamous (left), and neognathous like most living birds.

Echidna skeleton. I can't get enough of these!

Echidna skeleton. I can’t get enough of these!

Skulls of dugong (above) and manatee (below).

Skulls of dugong (above) and manatee (below), Sirenia (seacows) closely related to elephants.

Fetal manatee. Awww.

Fetal manatee. Awww.

Adult Caribbean manatee, showing thoracic dissection.

Adult Caribbean manatee, showing thoracic dissection.

Hyraxes, which Prof. Martin Fischer, longtime curator of the Phyletisches Museum, has studied for many years.  Rodent-like elephant relatives.

Hyraxes, which Prof. Martin Fischer, longtime curator of the Phyletisches Museum, has studied for many years. Rodent-like elephant cousins.

Old exhibit at the Phyletisches Museum, now gone: Forelimbs of an elephant posed in the same postures actually measured in African elephants, for the instant of foot touchdown (left pic) and liftoff (right pic). Involving data that we published in 2008!

Old exhibit at the Phyletisches Museum, now gone: Forelimbs of an elephant posed in the same postures actually measured in African elephants, for the instant of foot touchdown (left pic) and liftoff (right pic). Involving data that we published in 2008!

Gorilla see, gorilla do. Notice "bent hip, bent knee" vs. "upright modern human" hindlimb postures in the two non-skeletal hominids.

Eek, primates! Gorilla see, gorilla do. Notice the primitive “bent hip, bent knee” vs. the advanced “upright modern human” hindlimb postures in the two non-skeletal hominids.

Phylogeny of select mammals, including the hippo-whale clade.

Phylogeny of artiodactyl (even-toed) mammals, including the hippo-whale clade.

Hand (manus) of the early stem-whale Ambulocetus.

Hand (manus) of the early stem-whale Ambulocetus.

Carved shoulderblade (scapula) of a bowhead whale (Balaena mysticetus), which apparently Goethe owned. Quite a relic!

Carved shoulderblade (scapula) of a bowhead whale (Balaena mysticetus), which apparently Goethe owned (click to emwhalen and read the fine print). Quite a relic!

One of Haeckel's residences. There is also a well-preserved house of his that one can visit, but I didn't make it there.

One of Haeckel’s residences, across the street from the museum. There is also a well-preserved house of his that one can visit, but I didn’t make it there. I heard it’s pretty cool.

Jena is tucked away in a valley in former East Germany, with no local airport for easy access- but get to Leipzig and take a 1.25 hour train ride and you’re there. Worth a trip! This is where not just ontogeny and phylogeny were “born”, but also morphology as a modern, rigorous discipline. Huge respect is due to Jena, and to Haeckel, whose quotable quotes and influential research still resonate today, in science as well as in art.

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This is the mammoth image I remember, from a 1971 book, with no artist credited. It's actually not as good as I remember, by modern standards at least.

This is the mammoth image I remember, from a 1971 book, with no artist credited. It’s actually not as good as I remember, by modern standards at least.

Mammoths and I go way back, not quite to the Ice Age but at least to the late 1970s with my family’s visits to the University of Wisconsin Geology Museum, and Milwaukee Public Museum, to name two prominent places that inspired me. And one of my favourite science books had a colourful mammoth painting on the cover (above), an image that has stayed with me as awesomely evocative.

Stomach-Churning Rating: 3/10. But there’s a butt below, but that’s too late for you now. And there’s poo and other scatological (attempts at) humour. Otherwise, bones and a baby mammothsicle.

Fast forward to the 2000’s and I’m studying mammoths, along with their other kin amongst the Proboscidea (elephants and relatives). I even bumped into a frozen mammoth in Sapporo, Japan, nine years ago–

Yep. That's what it looks like. Nope, not the front end. That orifice is not the mouth. This is the XXXXX mammoth.

Yep. That’s what it looks like. Nope, not the front end. That dark orifice is not the mouth. This is a mammoth that was found on Bolshoi Lyakhovsky island, in the east Siberian arctic (New Siberian Islands archipelago), in 2003. Just think of finding this and being all excited then realizing, “Jackpot! Wait… Oh man, I just found the ass. I’ve discovered a mammoth bunghole, dammit.” Still, it’s pretty damn amazing, as frozen Ice Age buttocks go. I’d love to find one. I would not be bummed.

found on Bolshoi Lyakhovskiy island in 2003

What I know now that I didn’t realize as a kid, is that a mammoth is an elephant in all but name. Mammoths are more closely related to Asian elephants than either is to African elephants, and all of these elephants are members of the group Elephantidae. If we saw a smallish Columbian mammoth, we’d probably mostly look upon it as similar to a slightly hairy Asian elephant (but a scientist would be able to spot the distinctive traits that each has). Only woolly mammoths adopted the uber-hirsute state that we tend to think of as a “mammoth” trait. Think about it: a big animal would benefit most from a thick hairy insulation in an extremely cold habitat, and Columbian mammoths ranged further south than Woolly ones. No mammoths were radically different from living elephants, unless you count the dwarf ones. But as a kid, like most people do, I saw them as something else: an exotic monster of the past, eerily unlike anything today, and bigger too. And mammoths have the added mystique of the extinct.

Now I see mammoths as neither exotic nor that far in the past. Giant ground sloths, now those are still alien and exotic to me. I don’t get them. I know elephants pretty well, and I can understand mammoths in their light and in light of mammoth fossils. Various mammoth species persisted as late as maybe 10,000 (for the Woolly and Columbian species; the latter seeming to vanish earlier) to <4000 (for isolated Siberian forms) years ago, into quasi-historic times. And only some mammoths got larger than African elephants (Loxodonta) do, such as Columbian mammoths (~10,000 kg or more maximal body mass; Loxodonta is closer to 7-10 tonnes at best).

Lately, coincidence has brought me new knowledge of – and even greater interest in – mammoths.

First, a fortunate last-minute visit to Waco, Texas’s “Mammoth Site” (see my Flickr photo tour here) two weeks ago during a short visit to give a talk in that fine central Texan city.

Second, the subject of today’s post: the Natural History Museum’s new special exhibit “Mammoths: Ice Age Giants“, which is open until 7 September. The exhibit was created by the Field Museum in Chicago, but the NHM has given it a special upgrade under the expert guidance of mammoth guru Prof. Adrian Lister of the NHM, who was very kind to give me a tour of the exhibit.

What follows is primarily a photo-blog post and review of the exhibit, but with some thoughts and facts and anecdotes woven through it. Dark setting, glass cases, caffeination, crowds, and mobile phone camera rather than nice SLR in hand means that the quality isn’t great in my images– but all the more reason to go see the exhibit yourself! All images can be clicked to em-mammoth them.

On entry, one views a mammoth skeleton with a timelapse video backdrop that shows how the landscape (somewhere in USA) has changed since ~10,000 BCE.

On entry, one views a mammoth skeleton with a timelapse video backdrop that shows how the landscape (somewhere in USA) has changed since ~10,000 BCE.

The first part of the exhibit does a nice job of introducing key species of Proboscidea (elephants and their closest extinct relatives), with a phylogeny and timescale to put them into context, starting with the earliest forms:

The first part of the exhibit does a nice job of introducing key species of Proboscidea: from early species like Moeritherium...

from species like the tapir-sized Moeritherium

Skull of Moeritherium, reconstructed. Not that different from an early sirenian (seacow) in some ways, and general shape.

Skull of Moeritherium, reconstructed. Not that different from an early sirenian (seacow) in some ways, and general shape, whereas still quite a long way from a modern elephant in form– but the hints of tusks and trunk are already there.

...To the early elephantiform Phiomia, here shown as a small animal but I'm told it actually got quite large. And continuing with giant terrestrial taxa...

…To the early elephantiform Phiomia, here shown as a smallish animal but I’m told it actually got quite large. And continuing with giant terrestrial taxa…

I was awed by this reconstruction of the giant early elephantiform relative Deinotherium, with the short, swollen trunk and downturned tusks-- so bizarre!

I was awed by this reconstruction of the huge early elephantiform-relative Deinotherium, with the short, swollen trunk and downturned tusks– so bizarre!

Looking down onto the roof of the mouth of a NHM specimen of Deinotherium.

Looking down onto the roof of the mouth of an NHM specimen of Deinotherium. Big, sharper-edged, almost rhino-like teeth; far from the single mega-molars of modern elephants.

The lower jaw (top) and fairly straight tusk (bottom) of the widespread, early elephantiform Gomphotherium.

The lower jaw (top) and fairly straight tusk (bottom) of the widespread, early elephantiform Gomphotherium.

The big "shovel-tusker" elephantiform Amebelodon. This was one of the earliest stem elephants I learned of as a kid; the odd tusks still give me a sense of wonder.

The big “shovel-tusked” elephantiform Amebelodon. This was one of the earliest stem elephants I learned of as a kid; the odd tusks still stir wonder in me.

Amebelodon lower jaw, sans shovel tusks.

Amebelodon lower jaw, sans shovel tusks. Extended chin looks like some sort of childrens’ fun-slide. To me, anyway.

Next, there are some fun interactive displays of elephant biomechanics!

How would a mammoth hold up its head? This lever demonstration shows how a nuchal ligament helps.

How would a mammoth hold up its head? This lever demonstration shows how a nuchal ligament helps. Tension on the nuchal ligament is a force that acts with a large lever (represented by the big neural spines on the vertebrae around the shoulders, forming the mammoths’ “hump” there), creating a large moment (i.e. torque; rotational force) that holds the head aloft.

I love this robotic elephant trunk demonstration. It captures some of the weirdness of having a muscular hydrostat attached to your lip.

I love this robotic elephant trunk demonstration. It captures some of the weirdness of having a muscular hydrostat attached to your lip and nostrils. Not so easy for a human to control!

But forget the myths about elephants having 40,000 to 150,000 muscles in their trunk. They have three muscle layers: a circumferential one, an oblique one and a longitudinal one. Like any muscles, especially ones this large, the layers each consist of many muscle fibres. That’s where the 40-150k myth comes from, but muscle fibres (cells) are at a more microscopic level than whole muscles (organs). Elephants do have excellent control of their trunks, but it’s not magical. It’s just different.

Then we come to the centrepiece of the exhibit, the ~42,000 year old Woolly mammoth (Mammuthus primigenius) baby “Lyuba“, which the NHM added to the original exhibit in this new version, as a star attraction — and a big win. Adrian Lister related to me how he’d never seen Lyuba in person before (access to it was tightly guarded for years). So when the NHM received the crate and held a press event to open it and reveal Lyuba, a journalist asked Adrian to act excited, to which he responded something like, “I don’t need to act! I’m very excited!” I would be, too! Full story on Lyuba’s arrival, by NHM site here. A key paper on Lyuba by Fisher et al. is here.

Studies of tooth growth in Lyuba reveal her gestation period (like living elephants, around 22 months), season of birth (early spring), and age at death (1 month), among other information.

Studies of tooth growth in Lyuba reveal her gestation period (like living elephants, ~22 months), season of birth (early spring), and age at death (~1 month), among other information.

Here we can see the right ear, which was gnawed off along with the tail by dogs of the reindeer herders that found and retrieved Lyuba. Regardless, there's loads of anatomy preserved! A hump of juvenile "brown fat" atop the head, very strange flanges on the trunk (also visible in 1 other frozen mammoth specimen, but here preserved very clearly!), and more visible postcranially...

Here we can see the right ear, which was gnawed off along with the tail by dogs of the reindeer herders that found and retrieved Lyuba in 2006. Regardless, there’s loads of anatomy preserved!

A hump of juvenile “brown fat” sits atop the head and neck of Lyuba. This probably was  metabolized during growth to warm the baby; brown fat is packed with mitochondria and thereby conducts what is called “non-shivering thermogenesis”. Furthermore, Lyuba has very strange flanges on the trunk (also visible in 1 other frozen mammoth specimen, but here preserved very clearly! What were they used for?). More details are visible postcranially…

The body was naturally “freeze-dried”, with the addition of later rounds of soaking in formalin and ethanol, leaving the body dessicated and stiff, permanently stuck in a lifelike pose as seen below:

Whole view from an exhibit panel (you cannot photograph the specimen but these are fair game!). Here we see hair on the right forearm and remnant of the ear, and the labia and nipples showing it is a female mammoth are also preserved. The head-hump is lost during growth, and the shoulder changes to change the Asian elephant-like convex curvature of the back into the characteristic humped-shoulder form of a mammoth. But ontogeny still reveals the evolutionary connection of Elephas and Mammuthus.

Whole view from an exhibit panel (you cannot photograph the specimen but these are fair game!). Here we see hair on the right forearm and remnant of the ear, and the labia and nipples showing it is a female mammoth are also preserved. The head-hump is lost during growth, and the shoulder changes to change the Asian elephant-like convex curvature of the back into the characteristic humped-shoulder form of a mammoth. But ontogeny still reveals the evolutionary connection of Elephas and Mammuthus.

Lyuba and scientists studying her, which also shows how rigid the carcass is.

Lyuba and scientists studying her, which also shows how rigid the carcass is; one can almost stand it up. Inside the digestive tract, researchers found chewed up plant material that was probably dung eaten by the baby to gain vital bacterial digestive flora, and Lyuba had plenty of body fat and ingested milk, indicating that she did not starve to death. Rather, vivianite in the respiratory tract indicates drowning as the cause of her demise. Perfusion of the body by these vivianites may have helped to preserve the body.

Answering an question the public may be wondering about: is the hype about cloning a mammoth very soon true? Nope. Well addressed, including what to me is the urgent question: would cloning a mammoth be ethical?

Answering a question the public may be wondering about: is the hype about cloning a mammoth very soon true? Nope. Well addressed, including what to me is the urgent question: would cloning a mammoth be ethical?

The fourth part of the exhibit takes on a largely North American focus to first illustrate what mammoths were like biologically, and second to wow the visitor with some huge beasts in full body, full scale glory, as we shall see!

Mammoth hair! These samples and recent molecular studies show that mammoths were not ginger-coloured as we long thought, but rather the ginger color comes as the dark grey-brown-black colour fades postmortem, as a preservational artefact. I didn't know that; cool.

Mammoth hair! These samples and recent molecular studies show that mammoths were not ginger-coloured as we long thought, but rather the ginger color comes as the dark grey-brown-black colour fades postmortem, as a preservational artefact (story here). I didn’t know that; cool.

Mammoth chow!

Mammoth chow! I liked this addition to the exhibit. This brought mammoth ecology closer to home for me.

Mammoth poop!

Mammoth poop!

After the biology explanations, let there be megafauna!

Mammoth skull! A nice one, too.

Mammoth skull! A nice one, too.

Top predators of Ice Age North America: Arctodus (short-faced bear) and Homotherium (sabre-toothed cat).

Top predators of Ice Age North America: Arctodus (short-faced bear– does the short face mean they were happy, unlike a long face? Sorry but they never are shown as very happy, unless it is the joy of whupass) and Homotherium (the other sabre-toothed cat; not the longer-toothed Smilodon).

Skulls of North American megafauna: left to right, top to bottom: horse, short-faced bear, giant sloth, then camel, sabretooth,  rabbit, direwolf (viva Ned Stark!), and pronghorn antelope.

Skulls of North American (mega)fauna: left to right, top to bottom: horse, short-faced bear, giant ground sloth, then camel, sabretooth cat, rabbit, direwolf (viva Ned Stark!), and pronghorn antelope.

Mastodon skeleton!

Mastodon (Mammut americanum) skeleton!

Mammoths seem to have been wiped out by a combination of climate change and habitat fragmentation, combined with what this item symbolizes: human hunting. This beautiful piece is the main part of an atlatl, or javelin-hurling lever. It would give Ice Age hunters the extra power they'd need to penetrate mammoth hide and cause mortal injuries.

Mammoths (and perhaps mastodons, etc.) seem to have been wiped out by a combination of climate change and habitat fragmentation, combined with what this item symbolizes: human hunting. This beautiful piece is the main part of an atlatl, or javelin-hurling lever. It would have given Ice Age hunters the extra power they’d need to penetrate mammoth hide and cause mortal injuries. It is also a great tie-in to my recent post on the British Museum’s odd-animals-in-art.

Finally, the exhibit surveys the kinds of mammoths that existed- there is a huge reconstruction of a Columbian mammoth near the mastodon (above), then smaller kinds and discussions of dwarfism, which is another strength of NHM mammoth research:

Woolly mammoth lower jaw (right) and its likely descendant, the pygmy mammoth of the Californian coastline, Mammuthus exilis.

Woolly mammoth lower jaw (right) and its likely descendant, the pygmy mammoth of the Californian coastline, Mammuthus exilis.

The world's smallest mammoth (left), molar tooth compared with that of its much larger ancestor Palaeoloxodon. The status of Mammuthus creticus as a dwarf mammoth from Crete was cemented by Victoria Herridge and colleagues, including Adrian Lister at the NHM.

The world’s smallest mammoth (left), molar tooth compared with that of its much larger ancestor Palaeoloxodon. The status of Mammuthus creticus as a dwarf mammoth from Crete was cemented by Victoria Herridge and colleagues, including Adrian Lister at the NHM.

Pygmy mammoth reconstruction. Shorter than me. I want one!

Pygmy mammoth reconstruction. Shorter than me. I want one!

In the end, from all that proboscidean diversity we were left with just 2 or 3 species (depending on your species concepts; it's probably worth calling the African forest elephant its own species, Loxodonta cyclotis). The exhibit closes with a consideration of their conservation and fate. Ironically, this elephant skull could not be mounted with its tusks on display, because that would be commercializing ivory usage-- even though the whole point of the exhibit's denouement is to explain why elephants need protection!

In the end, from all that glorious proboscidean diversity we were left with just 2 or 3 species of elephantids today (depending on your species concepts; it’s probably worth calling the African forest elephant its own species, Loxodonta cyclotis). The exhibit closes with a consideration of their conservation and fate. Ironically, this elephant skull could not be mounted with its tusks on display, because that would be commercializing ivory usage– even though the whole point of the exhibit’s denouement is to explain why elephants need protection!

Reactions to the exhibit: the photos tell the tale. It’s undeniably great, in terms of showing off the coolness of mammoths, other proboscideans and Ice Age beasties, to the general public. I felt like the factual content and learning potential was good. It didn’t feel at all like pandering to the lowest common denominator like some other exhibits I’ve seen (cough, Dino Jaws, cough). I loved the reconstructions, which were top quality in my opinion. I could have done with some more real skeletons, yet more realistically the exhibit hall was already large and full of cool stuff. But give me a break: Lyuba. This trumps everything. Going to see a real friggin’ frozen mammoth baby buries the needle of the awesomeness meter on the far right. That’s pretty much all I need to say. The spectacle was a spectacle.

This exhibit shows a lot of work, a lot of thought, and a personalized NHM touch that reflects the actual research (even very recent work!) that NHM staff like Prof. Lister are doing with collaborators around the globe. What more could we want, a herd of cloned mammoth babies frolicking around and tickling guests with their flanged trunks? Don’t hold your breath.

You’ve got just over 2 months to see the exhibit. Don’t come complaining on September 8 “BBBBBbbbut I didn’t know, I didn’t think it would be that cool! I just thought there’d be a guy in a Snuffleupagus suit signing autographs!” You have a duty as a Freezerino to go bask in the frozen glory of these Ice Age critters. There may be an exam at the end.🙂

Is the exhibit kid-friendly? More or less. The text is more targeted at teenager-level or so, but the visual impact is powerful without it. I’d warn a sensitive child about the withered baby mammoth body before showing it to them, so they aren’t caught off guard and scarred by the experience. I saw plenty of kids in the exhibit and they all seemed happy. Parents may want to linger longer and absorb all the interesting information, whereas kids may blitz through or goof around, so plan accordingly if you’re inbound with sprogs.

You know what I was eyeing up in the gift shop...

You know what I was eyeing up in the gift shop…

Aside: The frozen mammoths get me wondering- what else does the Siberian (or extreme northern Canadian/Scandinavian) permafrost conceal? There are a lot of awesome Ice Age megafauna I’d cut my left XXXXX off to study quasi-intact… think about how amazing it would be to find a giant ground sloth (not bloody likely), sabretooth cat, or other species. There’s a lot of north up north. A lot of space and ice. A lot could happen. And climate change will make discoveries like this more likely, while the melting (and humanity) lasts…

Wool we ever find the Lyuba of woolly rhinos? It could happen.

Wool we ever find the Lyuba of woolly rhinos (Coelodonta)? Cast of a mummified woolly rhino from the NHM’s entry hall. More of these finds are likely, I’d say.

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Welcome back to my two-part British Museum series; I covered crocodiles before. Here, I celebrate the less common creatures depicted in human art, design and culture. And we begin back in Egypt, with a bit of crocodile to provide a nice segue:

With the head and torso of a hippo, the legs of a lion and the tail of a crocodile, the Egyptian goddess Taweret just rocks. More info here- https://www.britishmuseum.org/explore/highlights/highlight_objects/aes/b/breccia_statue_of_taweret.aspx

With the head and torso of a hippo, the legs of a lion and the tail of a crocodile (not easily visible here), the Egyptian goddess Taweret just rocks. More info here.

Anatomy in art is best when the anatomy is actually used as a substrate for art, as in this later piece from Egypt, and another piece that follows it:

Scapula (shoulder blade) from an ox, from Roman Egypt. Click to embovine for closer examination and explantion.

Scapula (shoulder blade) from an ox, with Roman enscriptions. Click to embovine for closer examination and explanation.

~8000 BC red deer antler headdress from England (click to enstaggen for closer examination and text details).

~8000 BC red deer antler headdress from England (click to enstaggen for closer examination and text details in upper left). Picturing an Ice Age shaman wearing this gives me a sense of awe.

Human anatomy in our artwork, to my mind, reaches its pinnacle in Aztec religious masks like this, which was too cool to omit:

Use of a human skull to make a stunning mask decorated with obsidian, representing Tezcatlipoca, the Smoking Mirror and master of creation/destruction; slayer of Quetzalcoatl. Badass dial turned to 11!

Use of a human skull to make a stunning mask decorated with obsidian, representing Tezcatlipoca, the Smoking Mirror and master of creation/destruction; slayer of Quetzalcoatl. Badass dial turned to 11! He is also sometimes represented as a jaguar.

Continuing the mask theme, the following masks show off sawfish, sharks and other species from the region:

Awesome diversity of ceremonial fish masks from Africa.

Awesome diversity of ceremonial fish masks from Africa.

Lions find their way into plenty of artwork such as European royal heraldry. Yet the huge depictions of an Assyrian lion hunt in the British Museum are not only anatomically impressive but also evocative of a time long past, when Asian lions ranged far across human territories. In viewers today, however, they may inspire more sympathy for the fleeing lions than awe for the lordly charioteers, horsemen and archers that pursue them.

Assyrian lion hunt Royal Lion Hunt

I finish with some statues and other depictions of animals that are more globally uncommon than lions:

You don't see tapirs much in art but here seems to be one, as a bronze statuette from ~400s AD in China.

You don’t see tapirs much in art but here seems to be one, as a bronze statuette from ~400s AD in China.

Statue of the Indian elephant diety Ganesha from ~750 AD. As the placard explains, Ganesha got his elephant's head when Shiva freaked out and cut off the human one, then promised to make amends by substituting the head of the next animal he saw.

I love Indian artwork for its plethora of proboscideans. Here, a statue of the Indian elephant diety Ganesha from ~750 AD, engaged in a dance. As the placard explains, Ganesha got his elephant’s head when Shiva freaked out and cut off the human one, then promised to make amends by substituting the head of the next animal he saw.

North Chinese (~11-12th century) ceramic plate depicting a funky, vaguely humanoid dancing bear tied to a pole.

More dancing! North Chinese (~11-12th century) ceramic plate depicting a funky, vaguely humanoid dancing bear tied to a pole. The anatomical exaggerations here make the piece more memorable and vaguely demonic, but not so much as the next item.

The dance is over, thanks to ass demons. That’s right, ass demons. Many Burmese were surely frightened or inspired by these terracota warriors from 1400s AD. These warriors represented king Mara’s forces that attempted to disrupt the Buddha’s meditation. As ass demons would tend to do. (I hate it when that happens)

I hope you enjoyed this brisk dance through atypical animals and their anatomy in artwork! Coming next, a look at one of the greatest anatomists ever.

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