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Posts Tagged ‘museum’

I had a spare hour in Cambridge this weekend so I dared the crowds in the revamped UMZC’s upper floor. In my prior visit and post I’d experienced and described the lower floor, which is almost exclusively mammals. This “new” floor has everything else that is zoological (animal/Metazoa) and again is organized in an evolutionary context. And here is my photo tour as promised!

Inviting, soft lighting perfuses the exhibits from the entryway onwards.

All images can be clicked to mu-zoom in on them.

Stomach-Churning Rating: 5/10 for spirit animals, by which I mean dissected/ghostly pale whole specimens of animals in preservative fluids.

The exhibits are on a square balcony overlooking the lower floor, so you can get some nice views. It does make the balcony crowded when the museum is busy, so take that in mind if visiting. Strollers on this upper floor could be really difficult. But the ceiling is very tall so it is not cramped in a 3D sense. The lower floor is more spacious.

Like phylogenies? You got em! Tucked away at the beginning of each major group; not occupying huge valuable space or glaringly obvious like AMNH in NYC but still noticeable and useful. To me, it strikes a good balance; gives the necessary evolutionary context for the displayed specimens/taxa.

Introductory panels explain how names are given to specimens, how specimens are preserved and more.

The exhibits give due focus to research that the UMZC is doing or has been famous for. Hey I recognize that 3D tetrapod image in the lower left! ūüôā

There is ample coverage of diversity throughout Metazoa but my camera tended to be drawn to the Vertebrata. Except in some instances like these.

Some larger chelicerates.

Some smaller, shadowy sea scorpion (eurypterid) fossils.

Watch here for more about ophiuroids (brittlestars) in not too long!

A BIG fish brain! Interesting!
Before I go through specimens in evolutionary “sequence”, I will feature another thing i really liked: lots of dissected spirit-specimens that show off cool anatomy/evolution/adaptation (and technical skills in anatomical preparation). Mostly heads; mostly fish.

Salps and other tunicates! Our closest non-vertebrate relatives- and some insight into how our head and gut came to be.

Salp-reflection.

Lamprey head: not hard to spot the commonalities with the salps; but now into Vertebrata.

Hagfish head: as a fellow cyclostome/agnathan, much like a lamprey but never forget the slime glands!

Shark head. Big fat jaws; all the better to bite prey with!

Lungfish (Protopterus) head showing the big crushing tooth plates (above).

Sturgeon vertebrae: tweak some agnathan/shark bits and here you are.

Worm (annelid) anatomy model, displaying some differences from/similarities to Vertebrata. (e.g. ventral vs. dorsal nerve cord; segmentation)

Dissected flipper from a small whale/other cetacean. Still five fingers, but other specializations make it work underwater.

Wonderful diversity of tooth and jaw forms in sharks, rays and relatives. I like this display a lot.

More of the above, but disparate fossil forms!

On with the evolutionary context! Woven throughout the displays of modern animals are numerous fossils, like these lovely placoderms (lineage interposed between agnathans, sharks and other jawed fish).

Goblin shark head.

I seem to always forget what ray-finned fish this is (I want to say wolffish? Quick Googling suggests maybe I am right), but see it often and like its impressive bitey-ness.

Bichir and snakefish; early ray-finned fish radiations.

Armoured and similar fish today.

Armoured fish of the past; some convergent evolution within ray-fins.

Convergence- and homology- of amphibious nature in fish is another evolutionary pattern exemplified here.

Gorgeous fossils of ray-finned fish lineages that arose after the Permian extinctions, then went extinct later in the Triassic.

Note the loooooong snout on this cornetfish but the actual jaws are just at the tip.

Flying fish– those ray-fins are versatile.

Diversity of unusual ray-finned fish, including deep-water and bottom-dwelling forms.

Can you find the low-slung jaws of a dory?

Recent and fossil perch lineage fish.

It’s hard to get far into talking about evolution without bringing up the adaptive radiation of east African cichlid fish, and UMZC researchers are keen on this topic too.

Lobe-fins! Everybody dance!

Rhizodonts & kin: reasons to get out of Devonian-Carboniferous waters.

A Cretaceous fossil coelacanth (skull); not extremely different from living ones’.

Let’s admire some fossil and modern lungfish skulls, shall we? Big platey things¬† (here, mainly looking at the palate) with lots of fusions of tiny bones on the skull roof.

Eusthenopteron fossils aren’t that uncommon but they are still great to see; and very important, because…

OK let’s stop messing around. The UMZC has one of the best displays of fossil stem-tetrapods in the world! And it should.

Another look at the pretty Acanthostega models.

Acanthostega vs. primate forelimb: so like us.

Ichthyostega parts keep Acanthostega company.

A closer look at the “Mr. Magic” Ichthyostega specimen, which takes some unpacking but is incredibly informative and was a mainstay of our 2012 model. Back of skull, left forelimb, and thorax (from left to right here).

Eucritta, another stem-tetrapod.

Closer look at Eucritta‘s skull.

Weird stem-tetrapod Crassigyrinus, which we’re still trying to figure out. It’s a fabulous specimen in terms of completeness, but messy “roadkill” with too many damn bones.

The large skull of Crassigyrinus, in right side view.

Early temnospondyl (true amphibian-line) skulls and neck.

Nectrideans or the boomerangs of the Palaeozoic.

Cool fossil frogs.

Giant Japanese salamander!

Fire salamanders: not as colourful as the real thing, but here revealing their reproductive cycle in beautiful detail.

Closeup of oviduct in above.

Sexual dimorphism in Leptodactylus frogs: the males have bulging upper arms to (I am assuming) help them hold onto females during amplexus (grasping in mating competitions).

Did I forget that Leptodactylus has big flanges on the humerus in males, to support those muscles? Seems so.

An early stem-amniote, Limnoscelis (close to mammals/reptiles divergence); cast.

Grand sea turtle skeleton.

One of my faves on display: a real pareiasaurian reptile skeleton, and you can get a good 3D look around it.

Details on above pareiasaurian.

Mammals are downstairs, but we’re reminded that they fit into tetrapod/amniote evolution nonetheless.

Let there be reptiles! And it was good.

Herps so good.  (slow worm, Gila monster, glass lizard)

A curator is Dr Jason Head so you bet Titanoboa is featured!

Crocodylia: impressive specimens chosen here.

It ain’t a museum without a statuesque ratite skeleton. (There are ~no non-avian dinosaurs here– for those, go to the Sedgwick Museum across the street, which has no shortage!)

Avian diversity takes off.

Glad to see a tinamou make an appearance. They get neglected too often in museums- uncommon and often seemingly unimpressive, but I’m a fan.

I still do not understand hoatzins; the “cuckoo” gone cuckoo.

Dodo parts (and Great Auk) near the entrance.

Wow. What an oilbird taxidermy display! :-O

There we have it. Phew! That’s a lot! And I left out a lot of inverts. This upper floor is stuffed with specimens; easier there because the specimens are smaller on average than on the lower floor. Little text-heavy signage is around. I give a thumbs-up to that– let people revel in the natural glory of what their eyes show them, and give them nuggets of info to leave them wanting more so they go find out.

Now it’s in your hands– go find out yourself how lovely this museum is! I’ve just given a taste.

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If you’re in London, you still have almost one week left to hurry to the Valence House in Dagenham and see a great exhibit on Ray Harryhausen’s dinosaurs and other cool “Dynamation” stop-motion models and art!

This blog post is a photo tour of what I saw, in case you cannot go.

Like it? Click it. Bigger pic.

Stomach-Churning Rating: 1/10 nice stop-motion animation models. Medusa won’t hurt you here.

I loooooooooooove Ray Harryhausen’s work, ever since I was a child and saw “Jason and the Argonauts” and many other films, plus “Clash of the Titans” once it came into theatres. There is the attention to detail in anatomy and locomotion, and the wondrous fantastic nature of even the more mundane creatures he animated, and the rich mythology that he drew from to inspire his creations. Modern CGI is great in a different way, but nothing I can think of in recent special effects truly beats (1) the skeleton battle in ‘Jason, and (2) the Medusa encounter in ‘Clash (to name what might be my top two faves). And so when I learned that several of the original (restored) models from those films were on exhibit in northeastern London, I requested to go there with my family for Fathers Day. Results:

Boom! Ole’ stony-gazed, snaky-haired gorgon of yore.

No deadly bow here, but the rattlesnake tail is.

Medusa concept art by Harryhausen; the “bra” was there for American censors but Ray thought it looked wrong and removed it in the final version.

Look out, Jason! Here come the Children of the Hydra! Yep, original (restored) articulated models. Joints are visible. They look ready to kick some Iolcusian butt!

Context of the exhibit- local chap befriended Harryhausen and convinced him to let him restore his models; and so here we are. On with the dinosaurs! (and other palaeo-things)

Gwangi model made in resin; non-poseable but made around time of the “Valley of Gwangi” film to help design the poseable models.

Gwangi climactic scene in church; concept art by Harryhausen.

Other ‘Gwangi characters: “Eohippus” (Hyracotherium), Ornithomimus and boy.

Cowboy lassoing an Ornithomimus as per the movie scene in ‘Gwangi? Yes please. (Harryhausen original)¬† Jurassic Park had its¬†T. rex lurching out of a forest to grab a Struthiomimus, intentionally mirroring the scene in ‘Gwangi where the titular AllosaurusTyrannosaurus hybrid chomps the Ornithomimus.

Poseable “Eohippus” original- with real fur! Great Dynamation too; very lifelike in the film.

Original Harryhausen concept art of the “Eohippus” show demo.

Suddenly, Ceratosaurus! (from “One Million Years BC”)

Styracosaurus original resin model.¬†(from “One Million Years BC”)

Old school Polacanthus art by Alan Friswell. SPIKEY!

Old school Iguanodon art by Alan Friswell. MUSCLEY!

Panoply of archosaurs by Alan Friswell: pterodactyl, Tenontosaurus (made for the Frame Store special effects company in 2001) and tyrannosaur head (made at age 9).

Pterodactyl made at age 12, so don’t laugh.

Back to the fantastic beasts– original poseable hydra from ‘Jason!

Original Pegasus from ‘Clash! What a seamless blend of fur and feathers.

Original R2, I mean Bubo, from ‘Clash!

I forget the scene (the 1-eyed fates in ‘Clash?) but I like it. Original Harryhausen concept art.

Lunar leader from “First Men in the Moon.” (original)

Non-original (but based thereon) model by Alan Friswell, of nautiloid thingy from “Mysterious Island”.

Fiji mermaid by Alan Friswell.

“Hand of Glory” by Alan Friswell.

Pithecanthropus by Alan Friswell. Very Harryhausen in spirit.

Oddly, but somehow appropriately, there are ?350 year old whale bones on display in the hall next door, with a mysterious history.

WW2 bomb shelter in a “Victory Garden” outside the House. And the house is supposedly haunted. So take care when you visit…

What can I say? I loved it! Almost a religious experience; like seeing holy relics. Awesome in every sense of awesome.

Downside: you cannot grab the precious Dynamation models and play with them hands-on. I wanted to enact a furious Hydra-Gwangi battle. But alas, only in my imagination…

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One of my favourite museums in the world, and certainly one of the best natural history museums in the UK, is Cambridge’s Museum of Zoology, AKA “University Museum of Zoology at Cambridge” (UMZC). It is now nearing a lengthy completion of renovations; the old museum exhibits and collections were excellent but needed some big changes along with the re-fabbed “David Attenborough Building” that houses them. As a longtime fan of the exhibits and user of the collection (and microCT scanner), I hurried to see the new museum once it officially opened.

And that makes a great excuse to present a photo-shoot from my visit. This focuses on the “mammal floor” below the entrance- the upper floor(s?) are still being completed and will have the birds, non-avian tetrapods, fish, etc. But the UMZC is strong in mammals and so it is natural for them to feature them in this chock-full-o-specimens display. Less talk, more images. Here we go!

All images can be clicked to mu-zoom in on them.

Stomach-Churning Rating: 3/10; bones and taxidermy and innocuous jars.

The building. The whale skeleton that hung outside for years is now cleaned up and housed right inside; you walk under it as you enter.

Entrance.

First view past the entryway: lots of cool specimens.

View from the walkway down into the ground/basement level from the entry. As specimens-per-unit-volume goes, the UMZC still scores highly and that is GOOD!

Explanation of frog dissection image below.

Gorgeous old frog dissection illustration; such care taken here.

Leeuwenhoek’s flea woodcut; I think from Arcana Naturae Detecta (1695). There is an impressive display of classic natural history books near the entryway.

D√ľrer/other rhino art image and info.

Darwin was famed for collecting beetles when he should have been studying theology at Cambridge as a youth, and here is some of his collection. Dang.

Darwin’s finches!

Darwin kicked off some of his meticulous work with volumes on barnacles; specimens included here; which helped fuel insights into evolution (e.g. they are “retrograde” crustaceans, not mollusks).

Darwin’s voyage: fish & other preserved specimens.

I think this is a solitaire¬†weka (flightless island bird; see Comment below). I’ve never seen them displayed w/skeleton + taxidermy; it’s effective here.

Eryops cast. More early tetrapods will surely be featured on the upper floor; this one was on the timeline-of-life-on-Earth display.

I LOVE dioramas and this seabird nesting ground display is very evocative, especially now that I’ve visited quite a few such islands.

Mammal introduction; phylogenetic context.

Monotreme glory.

UMZC is well endowed with thylacines and this one is lovely.

“TAZ FEEL NAKED!”

Narwhal above!

Rhinocerotoidea past, present, and fading glory. ūüė¶

Ceratotherium white rhino. The horn is not real; sadly museums (and even zoos) across the world have to worry about theft of such things, given that some people think these horns are magic.

Ceratotherium staring match. You lose.

Ceratotherium stance.

Foot of a Sumatran rhino juxtaposed with a horse’s for Perissodactyla didaction.

A tapir. As a kid, I used to wander around the house pretending to be a tapir but I did not know what noise they’d make so I’d say “tape tape tape!”.

Big Southern Elephant Seal.

Squat little fur seal.

Hippopotamus for the lot of us. (baby included)

Hippo facedown.

Skull of a dwarf Madagascar hippo.

Cave bear and sabretooth cat make an impressive Ice Age demo.

It’s a wombat.

Ain’t no don like a Diprotodon! (also note its modern miniature cousin the wombat, below)

Diprotodon facial.

Diprotodon shoulder: big clavicles bracing that joint region.

Diprotodon knee: even in big marsupials, the “parafibula”/lateral sesamoid of the knee is still generally present. And why it is there/what it does deserves much more study.

Diprotodon hip. I just find this animal’s anatomy fascinating head-to-tail.

Diprotodon front foot. Absolutely freakish.

Diprotodon hind foot. Even weirder.

Your view after having been trampled in a supine position by a Diprotodon. Not a good way to go.

Diprotodon got back.

Elephant seal’s butt continues my series of photos of big animals’ bottoms.

Asian elephant’s butt view.

African elephant butt.

Sectioned elephant skull to show pneumatic resonating chambers.

Paenungulates: hyraxes, Sirenia, elephants & kin (evolutionary demo).

AND MY HYRAX!
Sorry. Had to.

Megatherium side view.

Megatherium. Yeah!

Megatherium hindlegs fascinate me. Well-heeled.

Tamandua duo.

Silky anteater; wonderful.

Armadillos.

Anteaters round out a fab display on Xenarthra.

The UMZC has everything from aardvarks to zebus. Here, conceptualized with other Afrotheria.

Golden moles: the more I read about them, the more they fascinate me.

We can all use some more solenodons in our lives!

Example of the phylogenetic context used throughout exhibits.

If you’ve got a good Okapi taxidermy, you’d better use it.

It’s a giraffe. Did you guess right?

Gerenuk showing off its bipedal capacity.

Warthogs have an inner beauty.

Pangolin. Glad to see it back on exhibit.

Nice little brown bear.

Double-barrelled shot of hyenas.

Colugo!

Nice to see some Scandentia featured.

My brain says this is a springhare (Pedetes) so I am going with what my brain says and anyway I really like this display.

When I saw this I thought, “That’s a nice… rodent thingy.” And so “rodent thing” it shall be labelled here. Enjoy the rodent thingy. Some serious taxidermy-fu in action.

Moonrats– now there’s something you seldom see a full display of. Well done!

That’s part I of this sneak peek at the evolving exhibits- I will put up a part II once the upper floor exhibits open. I highly encourage a visit!

For Mike: gimlet

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Back in November 2016 I got an exciting email from colleague Dr. Richard Thomas, who was building a team of experts for a proposed documentary on Jumbo the elephant; the famed proboscidean of the Victorian era (and arguably most famous elephant of all time, first international celebrity animal, etc.). I knew him from social media and from our mutual interests in chicken anatomy and evolution. And that exciting email, for once, worked out! Over coming months I chatted with the film producers and they could see a place for me in the programme, contributing my expertise in elephant (postcranial) anatomy, locomotion, health/welfare etc. Lo and behold, in May 2017 I met Sir David Attenborough at Heathrow and we flew out to New York City to film with the skeleton at the American Museum of Natural History. And to cap it off, I got to meet another childhood science communication hero: Professor David Suzuki of CBC’s “The Nature of Things“– my adrenaline levels were sky high!

Brooklyn neighborhood by our hotel. Lots to do!

The show has aired in the UK and is coming very soon to Canada and the world (details below). Here’s my part of the story.

Stomach-Churning Rating: 3/10– bad bones but no blood.

We filmed from 15-19 May 2017 at the AMNH’s warehouse of mammalian skeletal remains, which is housed deep in the Brooklyn Army Terminal; a picturesque site in and of itself. And it is a site with a lot of history— WWI and II, Elvis and more.

It was a hectic week of the usual documentary stuff: repeat the same lines and motions again and again from different angles and with different paces and intonations (I cannot help in these cases but think about the Simpsons “Fallout Boy” episode), from ~9am-5pm, with plenty of downtime watching setup or other bits being filmed. I’m used to all that. But having the time to peer around the collection and chat to Richard and colleague Dr. Holly Miller (handling the tissue isotopes side of the story) about Jumbo’s skeleton was a lot of fun during downtime and filming itself. Not to mention the utter joy of studying one of the most famous museum specimens ever, and an animal widely held to be one of the largest of its kind, with much mystery surrounding its history despite its fame. (Wikipedia does a fair job of summarizing some of this)

Here are some photos to tell the story:

Photo of the team, courtesy of Infield Fly Productions (CBC production, “Jumbo: The Life of An Elephant Superstar”.

The Brooklyn Army Terminal, with a view of the harbour beyond.

Inside the terminal: old army staging area and an evocative wooden Liberty/tank artwork.

Army terminal cat. Shipping still comes through the terminal so I guess there are plenty of rats and handouts from cat-lovers to keep it going. I miss our cats when I travel so this moment was appreciated.

Whale skulls and other specimens inside the AMNH warehouse.

First view of Jumbo’s remains.

Photo opp with Sir David.

Photo opp with Prof Suzuki.

That’s the setup. I’ve done ~15 other documentary episodes/shows but this was like nothing else– simply an awesome experience.

Now the delivery: we set to studying those bones. We’d seen photos before, and Henry Fairfield Osborn had illustrated the specimen as his type of “Elephas africanus rothschildi” (Sudanese elephant; no longer valid but those were different times– it’s now just a nicely preserved Loxodonta africana africana), so we knew some of what to expect.

Looking at Osborn’s classic monograph. Oddly he didn’t address the GLARING MASSIVE PROBLEMS WITH THE TEETH!

Skull with terrible tooth pathologies– and let’s play spot Mumbo, my daughter’s toy elephant! He might even appear in some TV footage!

We had noted some serious issues with some bones (pathologies). I won’t spoil the message here but will show some images. I know some experts have voiced issues with how the tooth pathologies/growth were explained in some footage but I can’t address that here; it’s not my expertise. The important point to me is that the teeth are incredibly messed up and that can easily be linked to bad diet and other management/health issues, as the documentary explains.

Jumbo’s torso in left side view. Glorious preservation.

Right forelimb, showing that the “growth plates” (epiphyses”) were not all fused, consistent with Jumbo still growing– as expected for an African male elephant in his 20’s.

Right elbow with some pathologies consistent with degenerative joint disease.

Surprisingly, Jumbo’s feet were not in nasty condition in terms of pathologies. I’d expected to see that. They’d been painted and drilled for mounting, but were not riddled with arthritic changes that I could see.

Strange bony plaque on the left pelvis (hip) region; something I’d never seen before in any elephant (and I’ve seen many). Why? The programme offers a reasonable explanation.

Jumbo’s right hip, with bad erosion of the bone and thus presumably the overlying cartilage. Ouch!

Strange extra prong on one right rib in Jumbo- we didn’t figure that out. It could conceivably be natural variation.

So, poor Jumbo suffered some jumbo-sized problems, and in complex ways. That’s just scratching the surface of what his skeleton tells us, and there’s plenty more in the show plus plenty more we can say later– there’s real science that came out of this programme! I was surprised to find how little had been stated anywhere in the scientific literature about Jumbo’s pathologies.

Sad as Jumbo’s skeletal story is, the broader story of his life and death is sadder still. For purposes of time I don’t think any of the three versions of the show will get to delve into how Jumbo’s mother may have been slashed to death by a broadsword, as the story below describes was the ancient practice:

I’d hate to be “so pestered by a popinjay”, too.

Adding insult to injury, we can reflect on how Jumbo was taken from the Sudan to the east (across the Suez), then on boat to Italy and then overground to Paris, where he lived for a little while until the zoological garden sold him to London. Luckily Jumbo avoided becoming a meal to starving Parisians during the Prussian siege of 1870-1. So he did not become elephant consomm√© like some of his co-captives did. The more one learns about Jumbo’s life and the life of elephants in captivity in the 1800s, the more harrowing the tale becomes.

Jumbo is THE celebrity elephant. His name has come to mean ‚Äėbig‚Äô and ‚Äėbombastic‚Äô, from applications to jumbo jets to hot dogs and other (darkly ironic) forms of consumption and extravagance. He has had a jumbo effect on Western culture, but also symbolizes the complex human-elephant relationship, such as the inspiration for “Dumbo’s” own sad story. We love elephants but our fascination with them can also be their undoing, such as poaching for the ivory trade or mistreatment in captivity.¬†Jumbo’s story writ large is also the story of elephants, and our story to learn from. If anything comes out of my participation in the Jumbo documentary for the public’s benefit, I hope it is increased empathy for how we interact with elephants. They are like us in many ways (maybe over-emphasized with anthropomorphism in many accounts), but also unlike us (maybe even unfathomable) in not only their size and anatomy but also in aspects of their prodigious intellect, emotions and social structure. Elephants aren’t just jumbo spectacles. They are jumbo responsibilities for humans now that we dominate the planet so much.

Want to catch a version of the Jumbo show? I’ll try to keep this list up to date:

BBC iplayer now: https://www.bbc.co.uk/iplayer/episode/b09jcxrj/attenborough-and-the-giant-elephant

BBC One: 5:05pm on January 31st

CBC: 8pm on January 7thРtrailer is here:

http://www.cbc.ca/player/play/1115035715562

And the international version is coming soon, plus the above versions surely will circulate globally in some ways.

Have a jumbo time (in a good way) in the rest of 2017 and onwards into 2018!

-John

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It has been almost three months since my last post here, and things have fallen quiet on our sister blog Anatomy to You, too. I thought it was time for an update, which is mostly a summary of stuff we’ve been doing on my team, but also featuring some interesting images if you stick around.¬†The relative silence here has partly been due to me giving myself some nice holiday time w/family in L.A., then having surgery to fix my right shoulder, then recovering from that and some complications (still underway, but the fact that I am doing this post is itself evidence of recovery).

Stomach-Churning Rating: 4/10; semi-gruesome x-rays of me and hippo bits at the end, but just bones really.

X-ray of my right shoulder from frontal view, unlabelled

X-ray of my right shoulder from frontal view, unlabelled

Labelled x-ray

Labelled x-ray

So my priorities shifted to those things and to what work priorities most badly needed my limited energy and time. I’ve also felt that, especially since my health has had its two-year rough patch, this blog has been quieter and less interactive than it used to be, but that is the nature of things and maybe part of a broader trend in blogs, too. My creative juices in terms of social media just haven’t been at their ~2011-2014 levels but much is out of my control, and I am hopeful that time will reverse that trend. Enough about all this. I want to talk about science for the rest of this post.

My team, and collaborators as well, have published six¬†recent studies that are very relevant to this blog’s theme- how about we run through them quickly? OK then.

  1. Panagiotopoulou, O., Pataky, T.C., Day, M., Hensman, M.C., Hensman, S., Hutchinson, J.R., Clemente, C.J. 2016. Foot pressure distributions during walking in African elephants (Loxodonta africana). Royal Society Open Science 3: 160203.

Our Australian collaborators got five African elephants together in Limpopo, South Africa and walked them over pressure-measuring mats, mimicking our 2012 study of Asian elephants. While sample sizes were¬†too limited to say much statistically, in qualitatively descriptive terms we didn’t find striking differences between the two species’ foot pressure patterns. I particularly like how the centre of pressure of each foot (i.e. abstracting all regional pressures down to one mean point over time) followed essentially the same pattern in our African and Asian elephants, with a variable heelstrike concentration that then moved forward throughout the step, and finally moved toward the outer (3rd-5th; especially 3rd) toes as the foot pushed off the ground, as below.

African elephant foot COP traces vs. time in red; Asian elephant in orange. Left and right forefeet above; hindfeet below.

African elephant foot COP traces vs. time in red; Asian elephant in orange-yellow. Left and right forefeet above; hindfeet below.

Gradually, this work is moving the field toward better ability to use similar techniques to compare elephant foot mechanics among species, individuals, or over time– especially with the potential of using this method (popular in human clinical gait labs) to monitor foot (and broader musculoskeletal) health in elephants. I am hopeful that a difference can be made, and the basic science we’ve done to date will be a foundation for that.

  1. Panagiotopoulou, O., Rankin, J.W., Gatesy, S.M., Hutchinson, J.R. 2016. A preliminary case study of the effect of shoe-wearing on the biomechanics of a horse’s foot. PeerJ 4: e2164.

Finally, about six years after we collected some very challenging experimental data in our lab, we’ve published our first study on them. It’s a methodological study of one horse, not something one can hang any hats on statistically, but we threw the “kitchen sink” of biomechanics at that horse (harmlessly!) by combining standard¬†in vivo¬†forceplate analysis with “XROMM” (scientific rotoscopy with biplanar fluoroscopy or “x-ray video”) to conduct dynamic analysis¬†of forefoot joint motions and forces (with and without horseshoes on the horse), and then to use these data as input values for finite element analysis (FEA) of estimated skeletal stresses and strains. This method sets the stage for some even more ambitious comparative studies that we’re finishing up now. And it is¬†not in short supply¬†of cool biomechanical, anatomical images so here ya go:

fig5-vonmises

Above: The toe bones (phalanges) of our horse’s forefoot in dorsal (cranial/front) view, from our FEA results, with hot colours showing higher relative stresses- in this case, hinting (but not demonstrating statistically) that wearing horseshoes might increase stresses in some regions on the feet. But more convincingly, showing that we have a scientific workflow set up to do these kinds of biomechanical calculations from experiments to computer models and simulations, which was not trivial.

And a cool XROMM video of our horse’s foot motions:

  1. Bates, K.T., Mannion, P.D., Falkingham, P.L., Brusatte, S.L., Hutchinson, J.R., Otero, A., Sellers, W.I., Sullivan, C., Stevens, K.A., Allen, V. 2016. Temporal and phylogenetic evolution of the sauropod dinosaur body plan. Royal Society Open Science 3: 150636.

I had the good fortune of joining a big international team of sauropod experts to look at how the shapes and sizes of body segments in sauropods evolved and how those influenced the position of the body’s centre of mass, similar to what we did earlier with theropod dinosaurs. My role was minor but I enjoyed the study (despite a rough ride with some early reviews) and the final product is one cool paper in my opinion. Here’s an example:

fig6a-bates-sauropod-com-evol

The (embiggenable-by-clicking) plot shows that early dinosaurs shifted their centre of mass (COM) backwards (maybe related to becoming bipedal?) and then sauropods shifted the COM forwards again (i.e. toward their forelimbs and heads) throughout much of their evolution. This was related to quadrupedalism and giant size as well as to evolving a longer neck; which makes sense (and I’m glad the data broadly supported it). But it is also a reminder that not all sauropods moved in the same ways- the change of COM would have required changes in how they moved. There was also plenty of methodological nuance here to cover all the uncertainties but for that, see the 17 page paper and 86 pages of supplementary material…

  1. Randau, M., Goswami, A., Hutchinson, J.R., Cuff, A.R., Pierce, S.E. 2016. Cryptic complexity in felid vertebral evolution: shape differentiation and allometry of the axial skeleton. Zoological Journal of the Linnean Society 178:183-202.

Back in 2011, Stephanie Pierce, Jenny Clack and I tried some simple linear morphometrics (shape analysis) to see how pinniped (seal, walrus, etc) mammals changed their vertebral morphology with size and regionally across their backbones. Now in this new study, with “Team Cat” assembled, PhD student Marcela Randau collected her own big dataset for felid (cat) backbones and applied some even fancier techniques to see how cat spines change their shape and size. We¬†found that overall the vertebrae tended to get relatively more robust in larger cats, helping to resist gravity and other forces, and that cats with different ecologies across the arboreal-to-terrestrial spectrum also changed their (lumbar) vertebral shape differently. Now Marcela‚Äôs work is diving even deeper into these issues; stay tuned‚Ķ

fig2-randau-measurements

Example measurements taken on felid vertebrae, from the neck (A-F) to the lumbar region (G-J), using a cheetah skeleton.

  1. Charles, J.P., Cappellari, O., Spence, A.J., Hutchinson, J.R., Wells, D.J. 2016. Musculoskeletal geometry, muscle architecture and functional specialisations of the mouse hindlimb. PLOS One 11(4): e0147669.

RVC PhD student James Charles measured the heck out of some normal mice, dissecting their hindlimb muscle anatomy, and using microCT scans produced some gorgeous images of that anatomy too. In the process, he also quantified how each muscle is differently specialized for the ability to produce large forces, rapid contractions or fine control. Those data were essential for the next study, where we got more computational!

mouse-mimics

  1. Charles, J.P., Cappellari, O., Spence, A.J., Wells, D.J., Hutchinson, J.R. 2016. Muscle moment arms and sensitivity analysis of a mouse hindlimb musculoskeletal model. Journal of Anatomy 229:514‚Äď535.

James wrangled together a lovely musculoskeletal model of our representative mouse subject’s hindlimb in the SIMM software that my team uses for these kinds of biomechanical analyses. As we normally do as a first step, we used the model to estimate things that are hard to measure directly, such as the leverages (moment arms) of each individual muscle and how those change with limb posture (which can produce variable gearing of muscles around joints). James has his PhD viva (defense) next week so good luck James!

mouse-simm

The horse and mouse papers are exemplars of what my team now does routinely. For about 15 years now, I’ve been building my team toward doing these kinds of fusion of data from anatomy, experimental biomechanics, musculoskeletal and other models, and simulation (i.e. estimating unmeasurable parameters by telling a model to execute a behaviour with a given set of criteria to try to perform well). Big thanks go to collaborator Jeff Rankin for helping us move that along lately. Our ostrich study from earlier this year shows the best example we’ve done yet with this, but there’s plenty more to come.

I am incredibly excited that, now that my team has the tools and expertise built up to do what I’ve long wanted to do, we can finally deliver the goods on the aspirations I had back when I was a postdoc, and which we have put enormous effort into pushing forward since then. In addition to new analyses of horses and mice and other animals, we’ll be trying to push the envelope more with how well we can apply similar methods to extinct animals, which brings new challengesРand evolutionary questions that get me very, very fired up.

Here we are, then; time has brought some changes to my life and work and it will continue to as we pass this juncture. I suspect I‚Äôll look back on 2016 and see it as transformative, but it hasn‚Äôt been an easy year either, to say the least. ‚ÄúDraining‚ÄĚ is the word that leaps to mind right now‚ÄĒbut also ‚ÄúFocused‚ÄĚ applies, because I had to try to be that, and sometimes succeeded. I’ve certainly benefited a lot at work from having some talented¬†staff, students and other collaborators cranking out cool papers with me.

I still have time to do other things, too. Once in a while, a cool critter manifests¬†in The Freezers. Check out a¬†hippo foot¬†from a CT scan! It’s not my best scan ever (noisy data) but it shows the anatomy fairly well, and some odd pathologies such as tiny floating lumps of mineralized soft tissue here and there. Lots to puzzle over.

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Tonight is the debut of the¬†ballyhooed BBC1 programme “Attenborough and the Giant Dinosaur“, featuring Sir David and The Titanosaur-With-No-Name, at 6:30pm. Furthermore, this week I presided over a showing of “T. rex Autopsy” to our RVC undergrad Zoological Society, with a very enjoyable Q&A afterwards. So it seemed timely for me to do a post about a theme that links these two documentaries that I helped with, my own research, and science communication and palaeontological research more generally. But first let’s get this out of the way:

It was great.

It was great. I could gush more but that’s not what this post is about.

Stomach-Churning Rating:¬†~7/10; mainly the elephant leg dissection that’s not far below, which is a bit messy.

For the titanosaur documentary with Sir David, and the incomparable Ben Garrod as well, we had an old elephant “friend” of mine (subject of many biomechanics studies we’d done) walk across a pressure pad to demonstrate how the elephant locomotion works and some of the basic similarities with how a giant sauropod dinosaur might walk:

A broader feature of that documentary, which elephants are linked into, is how we can use the skeleton to reconstruct some general aspects of the soft tissue anatomy, and thereby the physiology or even behaviour, of a giant titanosaur. Which brings me to this post’s subject:¬†We dig up dinosaurs all the time, but what about digging into dinosaurs and using what’s preserved to reconstruct what isn’t?¬†

The "G-suit" compressive stocking that the fascia wrapped around elephant, and other large mammals, creates, and the underlying, interwoven muscles and tendons (hindlimb of a young Asian elephant).

Some of the “G-suit” compressive stocking that the fascia wrapped around elephant, and other large mammals, creates, and the underlying, interwoven muscles and tendons (hindlimb of a young Asian elephant that sadly died in captivity). Did some larger dinosaurs have something like this? I’d expect so.

Another view, more superficially, of that G-suit/stocking under the thick, tight skin of an elephant's leg.

Another view, more superficially, of that G-suit/stocking under the thick, tight skin of an elephant’s leg. You’ll hear more about this in the Attenborough show…

Once the documentary airs, I may be able to share some more images from it showing what they did for the titanosaur, but this BBC photo gives a good idea.

Once the documentary airs, I may be able to share some more images from it showing what they did for the titanosaur, but this BBC photo gives a good idea. Here, blood vessels and other tissues surrounding the skeleton. How would a titanosaur pump blood around its body? A good question.

I’ve covered the science behind these reconstructions before, along with the art (in numerous posts, actually). Here I want to inspect how it’s communicated through the media: what are good (and not so good?) ways to cover it, especially now that displaying raw anatomy is more tolerable on TV and other media? I’m not writing¬†about Thanksgiving dinner dinosaur dissections; not really; or in technical terms how we build a dinosaur to dissect/depict internally (digitally or physically).

I wanted to focus more on the end product; the imagery or even physical object; and how it conveys what we think we know about dinosaur anatomy. I’ll do that via examples, using photos of dinosaur anatomy that I’ve collected over the years from museums or other media. There won’t be any profound¬†points or long musings; it’s mainly a photo blog:

What your (inner?) child most needs is a dinosaur to dissect yourself! Why not a T. rex toy like this?

What your (inner?) child most needs is a dinosaur to dissect yourself! Why not a T. rex toy like this?

I could quibble, but for the price they did a good job.

For the price (~$30 in USA), the 4D Vision dinosaurs deliver a pretty good bargain, and the anatomy is satisfactory. I’ve been collecting this series. I could quibble, but hey: it’s a dinosaur you get to build/dissect yourself, and with many major organs in reasonable positions! Not so easy to put/keep together, but it’s fine. I would not pay a ton for it, though.

Poster of Velociraptor's anatomy I've had since grad school, adorning my office. For ~1996, it's damn good, mostly... (placeholder photos until I get to the office tomorrow and take better ones!)

Poster of Velociraptor’s anatomy I’ve had since grad school, adorning my office. For ~1996 (no feathers; “zombie¬†hands“), it’s damn good, mostly…¬†Closer views below (sorry, photo quality is crap– taking photos of wall poster turned out to be harder than I expected! Bad lighting.) :

Closeup of the leg muscles- hey, not bad!

Closeup of the leg muscles- hey, not bad! Pretty much the right muscles in the right places more or less, and plausible proportions. No air sacs in the torso, but again, this is mid-1990’s science shown. BUT…

I was happy with this poster until I got it home and read this final bit of text... Oh, America! You silly place.

I was happy with this poster until I got it home from the western-USA¬†museum I bought it at and read this final bit of text… Oh, America! You silly place. (And unfortunately, these dinosaurs are not from the very end of the Cretaceous anyway, so “global catastrophe” is not implicated.)

Ornithomimid in Barcelona natural history museum. This was unexpected and got me excited when I first saw it.

Ornithomimid in Barcelona natural history museum. This was unexpected and got me excited when I first saw it.

Looking down onto the opened torso of the Barcelona ornithomimid. Strikingly realistic!

Looking down onto the opened torso of the Barcelona ornithomimid. Strikingly realistic! Breastbone, heart, liver, intestines; not unreasonable positions and sizes. No feathers, but again hey– this was made in the earlier days.

Skinned Albertosaurus from the Drexel Academy of Sciences. I forget where I got this pic but I like the display.

Albertosaurus from the Drexel Academy of Sciences. I forget where I got this pic but I like the displayРthis is an impressive full-scale physical model. The transition from skeleton-only on the left to skinned in the middle to fully-fleshed and popping out atcha on the right is clever.

?T. rex? leg, photo that I took ages ago as a PhD student, if memory serves. Can anyone remind me where this was? California Academy of Sciences?

?T. rex? leg, photo that I took ages ago as a PhD student, if memory serves. Can anyone remind me where this was? California Academy of Sciences? I am embarrassed that I cannot recall. I remember geeking out about it. It has a toy-ish look, but I reckon they had to build this to withstand kids touching it.

Perhaps the best example I've seen in a museum: the AMNH's sauropod with internal organs and their functions projected onto it. Bravo!

Perhaps the best dino-dissection example I’ve seen in a museum: the AMNH’s sauropod Mamenchisaurus with internal organs and their functions projected onto it, in the “World’s Largest Dinosaurs” exhibit. Bravo! I stood and watched it for quite a while.

This is far from comprehensive– just several kinds of imagery that I mostly like. There’s the tension between showing too much realism, which science simply can’t back up, and being too cartoonish, losing the viewer’s immersion in the time-travelling fantasy. I do, however, like other kinds of more abstract, schematic depictions of dinosaur anatomy that simplify the details to focus on the basics of what organs should¬†have been¬†where and how they may have worked, such as this depiction from T. rex Autopsy, which also took the other extreme favouring ultra-realism (but with physical models, not so much with the CGI):

AIr flow through a T. rex: simplified but clear.

Air flow through a T. rex: simplified but clear. CGI used to explain, not abused. The real air sac anatomy would be too complex to show. You may see something similar with the titanosaur show.

That’s enough for now. I’ve stuck with relatively recent examples; of course in my particular field I also think back to Romer’s wonderful 1920’s drawings, which I covered in this post.

So, blog readers, help me out here: what examples of dinosaur internal, squishy anatomy from museums, documentaries or other not-entirely-done-by-nitpicky-scientists venues do you like, or not like so much? What works for you, or at least is memorable in some way?

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Goat morphology is cool! (from work with local artist)

I posted the above photo once before, but didn’t explain any of the fun details of artist-designer¬†Thomas Thwaites‘s visit to the RVC to dissect a goat with us. Now his show has just finished in London, celebrating the end of his project and the near-completion of his book about his experience trying to live life as a goat. This week, I went to his east side gallery and had some time to chat with Thomas about his transhuman experiences. Because¬†the project has a strong biomechanics, anatomy, art and science theme to it, I’m posting a photo-blog post about all of that. It’s goat to be seen to be believed! I for one wouldn’t mind being a goat right now; I could use a break from¬†my decrepit body…

Stomach-Churning Rating: Too late, there’s the goat pic above and more like it below. I’d give those a 8/10; no kidding. The puns make it worse, too.

The context

The context. Thomas never did get to gallop (sorry, spoiler!) but he did manage a trot, and some other capricious behaviours. I forgot to ask him if he’d tried the Goat Simulator. I have; it’s good for an hour of fun hircosity.

Starting the dissection at the RVC.

Starting the dissection at the RVC, to get inside a goat.

Hide.

Hide.

Fore- and hindlimbs.

Fore- and hindlimbs; comparative design for inspiring prosthetics.

Dissections!

Dissections on display!

Prototype goat-suits. Their mobility was too limited.

Prototype goat-suits. Their mobility was too limited.

The prototype in the foreground could not move without falling down.

The prototype in the foreground could not move without falling down.

Goat-suit shots.

Inhabited-goat-suit shots.

The Goat-Suit: custom made prothetics, a helmet, and some form-fitting casts.

The final Goat-Suit: custom prosthetics, a helmet, and some form-fitting casts.

Thomas Thwaites with the goat-suit.

Thomas Thwaites with the goat-suit.

The forelimb prosthesis. I was worried it would hurt his wrists but apparently it transferred the loads mainly to the forearms.

The forelimb prosthesis. I was worried it would hurt his wrists but apparently it transferred the loads mainly to the forearms. It was made by a prosthetics clinic up in Salford.

Showroom

Photos from rambling around the Swiss Alps in the goat-suit with goats.

Trip-trap-trip-trap...

Trip-trap-trip-trap… (but no trolls)

Goat-suit in action!

Goat-suit in action! With Goat-Pro camera, I see.

Acceptance?

Acceptance?

And the goat that we had dissected, skeletonized at RVC and re-articulated by Thomas:

Do goats wish they were human?

Do goats wish they were human?

What are you looking at?

What are you looking at?

Close-up of goat head.

Close-up of goat head and shoulders.

Goat hooves-on-hips

Goat hooves-on-hips; a gruff pose.

So like us.

So like us.

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