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This one goes out to the scientists. These days perhaps more than ever we live and die, career-wise, by the publication. Right or wrong as “publish or perish” may be, personally I enjoy writing papers– it hits my creative and intellectual buttons in fun ways. I also like to read and think about ways to write better papers, and am always improving (and making mistakes to learn from). Here are some I’ve come up with over the years, especially relating to the digital era and other aspects of modern science publishing but also to focus on the “forgotten fringes” of preparing a paper for submission to a journal. These are details that I find many authors forget, or do at the last minute, or don’t consult coauthors on, that matter and should be more of a focus. I won’t focus on good writing style or other important aspects of prose, or many things I’ve covered in my “mission statement” or elsewhere. The points I’ll make here are more specifically tactical and technical.

Stomach-Churning Rating: 0/10; the only anatomy here is that of a manuscript submission. Maybe that will excite you too?

So you’ve analysed some cool data and come up with a good story to encapsulate it, you chose a journal that suits it (and your belief system), and you’re closing in on clicking that serotonin-inducing “Submit” button. Did you think of these things yet?

  • Coauthor order: Did you discuss it earlier when doing the work? Oh dear, you should! Assuming you’re doing a multi-authored manuscript, that’s vital, and I’ve been burned by forgetting to do it properly until too late in the game before. It’s best to establish (1) who is doing what in terms of the research (all the way through writing up and submitting), and (2) who thus is where in author order, before having any draft of a manuscript at all. That may change as the research evolves, but it should be an explicit discussion with all involved—including, perhaps, those *not* listed as coauthors (but acknowledged, or even not), if there is reason they might be expecting otherwise. Yes, these days we all win by collaborating and co-author order may not matter for some coauthors, but it does not hurt to discuss it openly whereas it can lead to ill will if skipped. Think about details like: who’s the corresponding author(s)? You can have 2 at many journals, so maybe spread that around. Who’s the senior author? (that tradition may vary in different countries and fields) Again, you can even explicitly list ~2 senior authors (with asterisks by their names). Credit should be given where it is due; that’s all. Which leads very directly to…
  • Author contributions: This is a huge neglected area. And it matters tremendously, not just in terms of the above socio-political issues (or ego) but in terms of responsibility. If something seems wrong with a paper these days, we must turn to the “Author contributions” section to see who needs to explain what happened; although blame can be far from a simple issue. In cases of accusations of scientific error or misconduct that is vital. More positively, this section, thoughtfully considered, spreads credit around and shows potential employers who has the skills that paid the bills on that paper; or on grant/award applications/nominations who was/were the mastermind(s). If the journal oddly doesn’t have such a section online/in the manuscript format guidelines, add it to the end of the MS anyway! In tandem with item #1 above, this should be openly laid out, discussed, and explicitly agreed on before any submission—and the earlier in the process of research, the better. Detail not just who originated the idea, collected and analysed the data, and wrote the paper but the nitty-gritty of every step (“XX did CT scans… XX did segmentation of the scans…”), if space allows. The author contributions should make sense in terms of item #1, too. Minimally the senior author should be involved in conceiving the study (which IS important!) and editing + approving the final text; otherwise they probably should not be an (senior) author at all. Honorary coauthors, well, I’ve said plenty about those here before and they still make me grind my teeth.
  • Data availability/accessibility: If you’re active in science now you must know about the principles of Open Science, and all journals worth their salt are changing rapidly to adjust to evolving perspectives on this issue. You should be thinking about how you’ll share your data while you collect it. This is “Good Research Practice”. Metadata are data too, and should follow with their data. It takes time and that’s annoying perhaps, but think of this: what is someone going to do if they want to use the data from this paper 50 years from now? If it’s not in the Supplementary/Supporting Information online, or in a big database like Figshare/Dryad/OSF/etc, one may have cause to worry that it will vanish within 5 years. We all still see “data are available on request” in papers these days (that was the old way), and I won’t get into that debate here, but the writing is on the wall that the old ways are fading. Hence evolving one’s research practice to make sharing data part of one’s philosophy and publication practice, AND (here’s the clincher) promoting its value in other aspects of science (e.g. CVs, hiring, promotion, awards…) are only going to be looked back upon fondly by future scientists. We do also need top-down leadership for this sea-change to happen; and it will have a big impact when it settles in.
  • Funding: This is massively important. Be sure to ask all coauthors to specify if anyone needs to be thanked for funding the work. Double-check it for your own funders, and thank whomever did directly or indirectly contribute to the research; even if small amounts. (They all like being thanked, regardless of why they are being thanked, if they deserve it) Many funders don’t allow you to credit a paper to the grant (thus showing productivity) unless they are explicitly thanked here or in the Acknowledgements section. And on that note:
  • Acknowledgements: “Thank broadly!” Slow down and brainstorm here: did you get advice, tools or data from colleagues, undergraduate helpers (who didn’t quite make coauthorship—but we should try to help them get there!), or anyone else? Did you amend your reviewed paper to thank reviewers (or pre-print commenters)? Did you thank museums and other institutions (or even websites) that helped with resources? Be creative in this section because hey, it’s nice to see yourself thanked. I think this section is really important as human beings. Extra little tip: get rid of “We would like to thank” here; just “We thank”. No need to ask for permission or waffle with thanks.
  • Paper keywords: Most journals ask for some keywords to include with the paper, often during the submission process (as with item #2 above). So it is easy for the corresponding author to be the only one involved in this, which is not ideal. I try to add keywords to the manuscript draft (between authors and abstract, as usual) in the early editing process, to consider with the rest of the paper. While database searching is sophisticated these days, a good general strategy still is to choose words that aren’t in the title or strongly featured in the abstract. Broader terms, to draw in readers from overlapping research areas or questions, should be used; e.g. I tend to throw in “biomechanics” or “scaling” or “anatomy” and so on. Keywords should not be an afterthought.
  • References/Bibliography: A lot of people writing papers don’t check their references at all (I forget sometimes too)—errors easily creep in here, especially from naughty reference managers that corrupt formatting or even page numbers and years. I try to clear my head/eyes and skim the references in a near-final draft to add italics where needed, double-check journal details, and tidy up other formatting. Some journals do this for you later, but some do not. It’s wise to ensure it’s done as well as you can; messy references can lead one to doubt other aspects of care that went into the science.
  • Reviewers: Editors have a sucky job, to be honest. Finding and chasing down reviewers is not fun, but it is the service that editors provide, often for free. Please help them and, where feasible, recommend ~5 reviewers (include current emails) without conflicts of interest who can evaluate your paper. Do that in the online submission, or in the cover letter if there isn’t a spot for it there. Always do it; don’t leave it open to editors (even though they may not use any of them!). Rarely, you might have cause to ask for an excluded reviewer(s) if they won’t give you a fair shake or you otherwise have evidence to indicate they have a conflict of interest, so note that on submission and maybe justify it directly (without libel!). Excluded reviewer requests are almost always followed. All of these things should be discussed with coauthors well in advance to agree on them. Google-Scholaring around might find some names you forget. And as you build your list, think about selecting (1) non-white male status quo (i.e. not me), (2) early career researchers, and (3) scientists from outside the USA+UK. Think outside the box—maybe someone from slightly outside your field, with complementary expertise, could give a good perspective? Aim for some fair diversity; like item #3 above, this is increasingly becoming Good Practice, and rightly so.
  • Cover letter: As an editor and author, I don’t like them. Maybe I should more, but I think they tend to be overwrought and/or redundant these days. I don’t think the authors, title, journal, abstract (or even bite-sized summary, perhaps), or anything else mentioned elsewhere in the manuscript submission (e.g. recommended reviewers) should be in a cover letter, usually. The goal is brevity. You may not need to do a cover letter at all; check the journal to see if it is mandatory. The best usage is to explain why the paper fits the journal criteria; and perhaps nothing else. That may not be sufficiently clear in the paper itself. Keep in mind that editors reading cover letters are busy and do not want a 2-page screed about how awesome your paper is; but may want help (~1 succinct paragraph; plain English; very different from the Abstract or don’t bother) deciding if it is right for review. But if the cover letter doesn’t seem necessary, skip it. Get co-author input though, if unsure.
  • Pre-prints: Hey, that’s a new thing for us non-physicists! I don’t have a problem with them; some people do. I also haven’t gotten much out of them before, but that might be my fault or bad luck. But who cares what I think? You should think about them. Maybe try submitting your paper with one and trying it out; disseminate it via social media and see what happens? Almost all journals now allow pre-prints to be submitted before/with the manuscript. There may be little to lose in using them, but as I keep repeating, ensure you talk about it with coauthors first.

Those are some things I keep thinking of as I write, edit and review papers. What else? (the focus here is on the “bookends” surrounding the Abstract/Introduction and the Discussion/Conclusions)

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Busy Bodies

A heads-up: dead people are in this blog post. Yes, I visited a Bodyworlds exhibition again (second link: human exhibit on Flickr) and here is some of what I saw. But first:

Stomach-Churning Rating: 10/10 may be too high (it’s all plastinated anatomy; not gooey bloody stuff) but I’m being wary. There are graphic images of humanity and opinions will vary on the tastefulness; I think they are beautiful. (And to me, Bodyworlds plastination leaves specimens looking more like puppets or statues than disturbing undead) There are images of reproductive anatomy that are not appropriate for children unless parental guidance is along for a “birds and the bees” chat. Got it? OK.

Continue Reading »

Our special guest post this week comes from Dr. Liz Clark of Yale University (you may have heard of it?) in New Haven, Connecticut, USA. She is bringing some biomechanics-fu to echinoderms– the weird marine critters like seastars and sea urchins. Did you see her 9-awesome-things-about-echinoderms blog post on Anatomy to You? You should. And you should check this out– and check out our new paper on this topic, which just came out! Remember: all images below can be clicked to zoom in. That’s so fun!

Eversible Stomach-Churning Rating: 2/10; no Uni sushi here.

I remember the first time I saw one. I was at the Duke Marine Lab staring at a chunk of dredged-up oyster shells in a glass dish, when all of a sudden a mass of big, black spines obscured my view. I looked up from the microscope to see a creature with a round body the size of a nickel and a flurry of long, skinny, spiny arms skulking hurriedly across the dish. It wasn’t quite a spider- the five-fold symmetry gave its echinoderm affinity away- but it wasn’t quite a starfish, either. Starfish appear graceful as their tiny tube-feet make hurried and unseen movements underneath them to transport them slowly across the sand- appearing nearly motionless to the naked eye. This animal, on the other hand, was making rapid, whip-like strikes with its arms so that it clambered forward, rapidly and fearlessly scaling the uneven terrain of the shells in a bold attempt to escape the dish. I was hooked. I had to know who this monster was, and learn as much about it as I could.

Brittle star arm set up to study its ossicle-joint mobility with CT scanning (below).

That was the day I was introduced to the brittle star. The name “brittle star” is a bit of a misnomer, since they are really anything but. Brittleness implies rigidity and stiffness, suggesting they have a delicate nature with the impossibility of repair or to adapt, which couldn’t be farther from the truth. Their long arms are incredibly flexible, each made of around 100 tiny segments that allow them to bend in any direction or loop them around in circles. I bet that their name comes from the ease at which they can cast off their arms, which they do intentionally to escape predators or pesky researchers trying to grab them, which deceitfully suggests fragility when in fact their arms are incredibly sturdy and packed with powerful muscles. They can flawlessly regenerate their arms, and, in the meantime, even after they lose several of them, they adjust their strategy for locomotion so that they keep prowling across the seafloor unphased. Their physical flexibility and ability to repair and adapt in the face of damage makes them anything but brittle. The Japanese name for brittle star roughly translates to “spider-human-hand,” which I think much more accurately captures the ethos of this group.

Brittle stars have internal skeletons, and each segment of their arms are made of a cluster of small skeletal elements (ossicles). Researchers in the past have made the assumption that differences in the shape of these ossicles between species change how they move, but I wasn’t so sure. So, John and I decided to work together to figure it out.

We didn’t dive into the freezer for this one- sorry to disappoint all of the diehard fans of John’s freezer out there (but in my defense can you imagine how tough it would have been to even find them in the sea of rhinos, giraffes, and crocs?!). [JOHN: awwwwwww!! It’s more of a wall keeping in the wildlings, than a sea right now though!] Instead we ordered some brittle stars off the internet! The first thing we did was make some measurements of how flexible the arms of brittle stars are when they’re alive. Then we digitized their skeletons by micro-CT scanning them so we could see the articulations between the ossicles and the segments in 3D. We scanned them in a few different positions so we could see the articulations between the ossicles as their arms bend. Then we incorporated all of that data into a 3D model that allowed us to visualize what’s going on in the inside of brittle star arms as they move them around.

We made several different models using this strategy to see if different ossicle shapes change how their arms move. We looked at the differences between arm ossicles in two different speciesOphioderma brevispina and Ophiothrix angulata, which represent two of the three different major morphologies of brittle star arms.  We also looked at the difference in the movement mechanics at the tip and base of the arms in O. brevispina, since the ossicles at the tip are thin and elongated compared to wide and flat at the base.

We found that the tip of the arm of Ophioderma brevispina was more flexible than the base due, at least in part, to the shape of the ossicles. We also found several major differences between the two species, including the location of their joint center and the degree to which they could laterally flex. However, none of these differences were easily attributable to any specific morphological feature that set Ophiothrix angulata and O. brevispina apart, which cautions against making assumptions of brittle star functional capabilities by only looking at the shape of the ossicles. We also found that some of the smaller ossicles within each segment shift their position to accommodate arm flexion, when they were originally thought to limit the motion of the arm! We only looked at a few individuals of two species, but the methods for model-building we developed provide a framework to incorporate a broad sample of brittle star species in the future. We’re curious if the results we found stand when more brittle stars are brought into the mix!

It was incredible to take the journey from initially being surprised and captivated by the movement of these animals to eventually building 3D digital models to discover how they are able to do so. It made me realize that opportunities to be inspired by the natural world are around every corner, and that there are so many interesting questions out there that are still unanswered. Thanks to John and our other team members Derek Briggs, Simon Darroch, Nicolás Mongiardino Koch, Travis Brady, and Sloane Smith for making this project happen!

I had a spare hour in Cambridge this weekend so I dared the crowds in the revamped UMZC’s upper floor. In my prior visit and post I’d experienced and described the lower floor, which is almost exclusively mammals. This “new” floor has everything else that is zoological (animal/Metazoa) and again is organized in an evolutionary context. And here is my photo tour as promised!

Inviting, soft lighting perfuses the exhibits from the entryway onwards.

All images can be clicked to mu-zoom in on them.

Stomach-Churning Rating: 5/10 for spirit animals, by which I mean dissected/ghostly pale whole specimens of animals in preservative fluids.

The exhibits are on a square balcony overlooking the lower floor, so you can get some nice views. It does make the balcony crowded when the museum is busy, so take that in mind if visiting. Strollers on this upper floor could be really difficult. But the ceiling is very tall so it is not cramped in a 3D sense. The lower floor is more spacious.

Like phylogenies? You got em! Tucked away at the beginning of each major group; not occupying huge valuable space or glaringly obvious like AMNH in NYC but still noticeable and useful. To me, it strikes a good balance; gives the necessary evolutionary context for the displayed specimens/taxa.

Introductory panels explain how names are given to specimens, how specimens are preserved and more.

The exhibits give due focus to research that the UMZC is doing or has been famous for. Hey I recognize that 3D tetrapod image in the lower left! 🙂

There is ample coverage of diversity throughout Metazoa but my camera tended to be drawn to the Vertebrata. Except in some instances like these.

Some larger chelicerates.

Some smaller, shadowy sea scorpion (eurypterid) fossils.

Watch here for more about ophiuroids (brittlestars) in not too long!

A BIG fish brain! Interesting!
Before I go through specimens in evolutionary “sequence”, I will feature another thing i really liked: lots of dissected spirit-specimens that show off cool anatomy/evolution/adaptation (and technical skills in anatomical preparation). Mostly heads; mostly fish.

Salps and other tunicates! Our closest non-vertebrate relatives- and some insight into how our head and gut came to be.

Salp-reflection.

Lamprey head: not hard to spot the commonalities with the salps; but now into Vertebrata.

Hagfish head: as a fellow cyclostome/agnathan, much like a lamprey but never forget the slime glands!

Shark head. Big fat jaws; all the better to bite prey with!

Lungfish (Protopterus) head showing the big crushing tooth plates (above).

Sturgeon vertebrae: tweak some agnathan/shark bits and here you are.

Worm (annelid) anatomy model, displaying some differences from/similarities to Vertebrata. (e.g. ventral vs. dorsal nerve cord; segmentation)

Dissected flipper from a small whale/other cetacean. Still five fingers, but other specializations make it work underwater.

Wonderful diversity of tooth and jaw forms in sharks, rays and relatives. I like this display a lot.

More of the above, but disparate fossil forms!

On with the evolutionary context! Woven throughout the displays of modern animals are numerous fossils, like these lovely placoderms (lineage interposed between agnathans, sharks and other jawed fish).

Goblin shark head.

I seem to always forget what ray-finned fish this is (I want to say wolffish? Quick Googling suggests maybe I am right), but see it often and like its impressive bitey-ness.

Bichir and snakefish; early ray-finned fish radiations.

Armoured and similar fish today.

Armoured fish of the past; some convergent evolution within ray-fins.

Convergence- and homology- of amphibious nature in fish is another evolutionary pattern exemplified here.

Gorgeous fossils of ray-finned fish lineages that arose after the Permian extinctions, then went extinct later in the Triassic.

Note the loooooong snout on this cornetfish but the actual jaws are just at the tip.

Flying fish– those ray-fins are versatile.

Diversity of unusual ray-finned fish, including deep-water and bottom-dwelling forms.

Can you find the low-slung jaws of a dory?

Recent and fossil perch lineage fish.

It’s hard to get far into talking about evolution without bringing up the adaptive radiation of east African cichlid fish, and UMZC researchers are keen on this topic too.

Lobe-fins! Everybody dance!

Rhizodonts & kin: reasons to get out of Devonian-Carboniferous waters.

A Cretaceous fossil coelacanth (skull); not extremely different from living ones’.

Let’s admire some fossil and modern lungfish skulls, shall we? Big platey things  (here, mainly looking at the palate) with lots of fusions of tiny bones on the skull roof.

Eusthenopteron fossils aren’t that uncommon but they are still great to see; and very important, because…

OK let’s stop messing around. The UMZC has one of the best displays of fossil stem-tetrapods in the world! And it should.

Another look at the pretty Acanthostega models.

Acanthostega vs. primate forelimb: so like us.

Ichthyostega parts keep Acanthostega company.

A closer look at the “Mr. Magic” Ichthyostega specimen, which takes some unpacking but is incredibly informative and was a mainstay of our 2012 model. Back of skull, left forelimb, and thorax (from left to right here).

Eucritta, another stem-tetrapod.

Closer look at Eucritta‘s skull.

Weird stem-tetrapod Crassigyrinus, which we’re still trying to figure out. It’s a fabulous specimen in terms of completeness, but messy “roadkill” with too many damn bones.

The large skull of Crassigyrinus, in right side view.

Early temnospondyl (true amphibian-line) skulls and neck.

Nectrideans or the boomerangs of the Palaeozoic.

Cool fossil frogs.

Giant Japanese salamander!

Fire salamanders: not as colourful as the real thing, but here revealing their reproductive cycle in beautiful detail.

Closeup of oviduct in above.

Sexual dimorphism in Leptodactylus frogs: the males have bulging upper arms to (I am assuming) help them hold onto females during amplexus (grasping in mating competitions).

Did I forget that Leptodactylus has big flanges on the humerus in males, to support those muscles? Seems so.

An early stem-amniote, Limnoscelis (close to mammals/reptiles divergence); cast.

Grand sea turtle skeleton.

One of my faves on display: a real pareiasaurian reptile skeleton, and you can get a good 3D look around it.

Details on above pareiasaurian.

Mammals are downstairs, but we’re reminded that they fit into tetrapod/amniote evolution nonetheless.

Let there be reptiles! And it was good.

Herps so good.  (slow worm, Gila monster, glass lizard)

A curator is Dr Jason Head so you bet Titanoboa is featured!

Crocodylia: impressive specimens chosen here.

It ain’t a museum without a statuesque ratite skeleton. (There are ~no non-avian dinosaurs here– for those, go to the Sedgwick Museum across the street, which has no shortage!)

Avian diversity takes off.

Glad to see a tinamou make an appearance. They get neglected too often in museums- uncommon and often seemingly unimpressive, but I’m a fan.

I still do not understand hoatzins; the “cuckoo” gone cuckoo.

Dodo parts (and Great Auk) near the entrance.

Wow. What an oilbird taxidermy display! :-O

There we have it. Phew! That’s a lot! And I left out a lot of inverts. This upper floor is stuffed with specimens; easier there because the specimens are smaller on average than on the lower floor. Little text-heavy signage is around. I give a thumbs-up to that– let people revel in the natural glory of what their eyes show them, and give them nuggets of info to leave them wanting more so they go find out.

Now it’s in your hands– go find out yourself how lovely this museum is! I’ve just given a taste.

I’m a few months late on the six-year anniversary of this blog but finally found some time. (For year 5 go here) It was seemed to be another quiet year on the blog because it was not a quiet year for work or other aspects of life. The DAWNDINOS project got into full swing and there will be a lot more about that soon on that website and maybe here, too.

Freeezersaurus 2 has been mostly vacated now; and Freezersaurus 3 is in place, with the contents shifted– and a mad rush in action to get rid of (boil down + varnish bones of) as many specimens as I can! I have way too many… of course, mostly elephant bits. Here are the last big bits left in Freezersaurus 2; we are intimidated to move them…

Stomach-Churning Rating: 3/10 until the opossum-digested-by-gator at the end, then 9/10, so hang tight!

Year 6 began with a post about a new paper! We published a big synthesis of data on what mammals turn their kneecaps into bone (or not), and how those states evolved. The story turned out pretty interesting and we are still pursuing some angles that it inspired, so stay tuned! Otherwise, the kneecap project (i.e. Leverhulme grant) has ended and staff/students have moved on (but published all their papers on it– well done, Sophie, Kyle and Viv!!), so it will fall quiet on that topic for a while.

Then we published another paper, and it happened to involve more sesamoid-y stuff! But with birds and their ankles, and some tantalizing evidence of soft tissue and organic biomolecular preservation. I’m still a bit amazed this paper happened and am pleased we got to collaborate on it.

Next, I got to ramble on a bit, about another serious topic related to science– this time, on blame.  I had forgotten about that post, and now on re-reading it it has fresh new relevance to me. All the more reason to keep blogging!

Smaller but better: Freezersaurus 3, part of a proud dynasty!

But then, what do you know, we published another kneecap paper! And on ostriches! With some simple but ambitious finite element analysis. We are meaning to get back to this approach… it just scratched the surface of some super cool “mechanobiology” that could shed light on “evo-devo”.

And next, BOOM! The dinosaurs dawned. By which I mean my current ERC grant “DAWNDINOS” began. Do take a look– the website now has some lovely NEW palaeo-art by Bob Nicholls, John Conway and Scott Hartman, with more to come! This project’s inception led to an inspection of caeca in tinamous; the following post.

I managed to have some summer holiday in the midst of the year, and that made an extremely memorable “pilgrimage” to a fossil site possible– “Experiencing the Irish Tetrapod Tracks” was the blog post that emerged from the waters. (That post needs a little revamp in light of some other literature; I will get around to that soon)

DAWNDINOS got a nice new 3D printer and we’re gradually printing up some archosaurs to show.

Holiday ended and back to the freezer I went, to post about how we thaw specimens (and how odd wallaby legs can be). Then we published three papers in quick succession and I played catchup posting about them (Mussaurus forelimbs; mouse vs. human hindlimb simulations; and tetrapod forelimb musculature).

Speaking of mouse hindlimb simulations, I didn’t blog about this related paper that we published earlier in 2018, but it’s very relevant. And GIF-worthy!

But I couldn’t stay away from bird legs for long, and so soon enough I posted “The Bird Knee Challenge“, which still stands.

Jumbo the elephant loomed into view at Christmas-time (plus a documentary about T. rex with Chris Packham, and another about Hannibal’s elephant excursion over the Alps– the latter also playing on PBS in USA); all featuring cameos with me, so I posted about the Jumbo/Attenborough one. That’s another life experience I will treasure.

Next, back to musing about science and humanity– and who’s a more big-name, very relatable human scientist than Darwin? Well, we could debate that endlessly but I posted about Darwin’s human nature for Darwin Day.

That takes me through to March 2017. I’ve posted a little more since then but that counts as Year 7 of this blog, so we’ll catch up with that then. Looking back on ~2017, I posted more blog posts than I thought I did! Maybe it’s just that 2018 feels very quiet to me blog-wise. We’ll see how it shapes up though.

Years ago, my team dissected an alligator (for Allen et al. 2010,2014 papers if you are keeping track) that had an opposum in its stomach, during winter when feeding wasn’t supposed to be happening much. So that came up again this year; and hopefully it does not make anything come up from your stomach. But this is real anatomy in action.

 

If you’re in London, you still have almost one week left to hurry to the Valence House in Dagenham and see a great exhibit on Ray Harryhausen’s dinosaurs and other cool “Dynamation” stop-motion models and art!

This blog post is a photo tour of what I saw, in case you cannot go.

Like it? Click it. Bigger pic.

Stomach-Churning Rating: 1/10 nice stop-motion animation models. Medusa won’t hurt you here.

I loooooooooooove Ray Harryhausen’s work, ever since I was a child and saw “Jason and the Argonauts” and many other films, plus “Clash of the Titans” once it came into theatres. There is the attention to detail in anatomy and locomotion, and the wondrous fantastic nature of even the more mundane creatures he animated, and the rich mythology that he drew from to inspire his creations. Modern CGI is great in a different way, but nothing I can think of in recent special effects truly beats (1) the skeleton battle in ‘Jason, and (2) the Medusa encounter in ‘Clash (to name what might be my top two faves). And so when I learned that several of the original (restored) models from those films were on exhibit in northeastern London, I requested to go there with my family for Fathers Day. Results:

Boom! Ole’ stony-gazed, snaky-haired gorgon of yore.

No deadly bow here, but the rattlesnake tail is.

Medusa concept art by Harryhausen; the “bra” was there for American censors but Ray thought it looked wrong and removed it in the final version.

Look out, Jason! Here come the Children of the Hydra! Yep, original (restored) articulated models. Joints are visible. They look ready to kick some Iolcusian butt!

Context of the exhibit- local chap befriended Harryhausen and convinced him to let him restore his models; and so here we are. On with the dinosaurs! (and other palaeo-things)

Gwangi model made in resin; non-poseable but made around time of the “Valley of Gwangi” film to help design the poseable models.

Gwangi climactic scene in church; concept art by Harryhausen.

Other ‘Gwangi characters: “Eohippus” (Hyracotherium), Ornithomimus and boy.

Cowboy lassoing an Ornithomimus as per the movie scene in ‘Gwangi? Yes please. (Harryhausen original)  Jurassic Park had its T. rex lurching out of a forest to grab a Struthiomimus, intentionally mirroring the scene in ‘Gwangi where the titular AllosaurusTyrannosaurus hybrid chomps the Ornithomimus.

Poseable “Eohippus” original- with real fur! Great Dynamation too; very lifelike in the film.

Original Harryhausen concept art of the “Eohippus” show demo.

Suddenly, Ceratosaurus! (from “One Million Years BC”)

Styracosaurus original resin model. (from “One Million Years BC”)

Old school Polacanthus art by Alan Friswell. SPIKEY!

Old school Iguanodon art by Alan Friswell. MUSCLEY!

Panoply of archosaurs by Alan Friswell: pterodactyl, Tenontosaurus (made for the Frame Store special effects company in 2001) and tyrannosaur head (made at age 9).

Pterodactyl made at age 12, so don’t laugh.

Back to the fantastic beasts– original poseable hydra from ‘Jason!

Original Pegasus from ‘Clash! What a seamless blend of fur and feathers.

Original R2, I mean Bubo, from ‘Clash!

I forget the scene (the 1-eyed fates in ‘Clash?) but I like it. Original Harryhausen concept art.

Lunar leader from “First Men in the Moon.” (original)

Non-original (but based thereon) model by Alan Friswell, of nautiloid thingy from “Mysterious Island”.

Fiji mermaid by Alan Friswell.

“Hand of Glory” by Alan Friswell.

Pithecanthropus by Alan Friswell. Very Harryhausen in spirit.

Oddly, but somehow appropriately, there are ?350 year old whale bones on display in the hall next door, with a mysterious history.

WW2 bomb shelter in a “Victory Garden” outside the House. And the house is supposedly haunted. So take care when you visit…

What can I say? I loved it! Almost a religious experience; like seeing holy relics. Awesome in every sense of awesome.

Downside: you cannot grab the precious Dynamation models and play with them hands-on. I wanted to enact a furious Hydra-Gwangi battle. But alas, only in my imagination…

One of my favourite museums in the world, and certainly one of the best natural history museums in the UK, is Cambridge’s Museum of Zoology, AKA “University Museum of Zoology at Cambridge” (UMZC). It is now nearing a lengthy completion of renovations; the old museum exhibits and collections were excellent but needed some big changes along with the re-fabbed “David Attenborough Building” that houses them. As a longtime fan of the exhibits and user of the collection (and microCT scanner), I hurried to see the new museum once it officially opened.

And that makes a great excuse to present a photo-shoot from my visit. This focuses on the “mammal floor” below the entrance- the upper floor(s?) are still being completed and will have the birds, non-avian tetrapods, fish, etc. But the UMZC is strong in mammals and so it is natural for them to feature them in this chock-full-o-specimens display. Less talk, more images. Here we go!

All images can be clicked to mu-zoom in on them.

Stomach-Churning Rating: 3/10; bones and taxidermy and innocuous jars.

The building. The whale skeleton that hung outside for years is now cleaned up and housed right inside; you walk under it as you enter.

Entrance.

First view past the entryway: lots of cool specimens.

View from the walkway down into the ground/basement level from the entry. As specimens-per-unit-volume goes, the UMZC still scores highly and that is GOOD!

Explanation of frog dissection image below.

Gorgeous old frog dissection illustration; such care taken here.

Leeuwenhoek’s flea woodcut; I think from Arcana Naturae Detecta (1695). There is an impressive display of classic natural history books near the entryway.

Dürer/other rhino art image and info.

Darwin was famed for collecting beetles when he should have been studying theology at Cambridge as a youth, and here is some of his collection. Dang.

Darwin’s finches!

Darwin kicked off some of his meticulous work with volumes on barnacles; specimens included here; which helped fuel insights into evolution (e.g. they are “retrograde” crustaceans, not mollusks).

Darwin’s voyage: fish & other preserved specimens.

I think this is a solitaire weka (flightless island bird; see Comment below). I’ve never seen them displayed w/skeleton + taxidermy; it’s effective here.

Eryops cast. More early tetrapods will surely be featured on the upper floor; this one was on the timeline-of-life-on-Earth display.

I LOVE dioramas and this seabird nesting ground display is very evocative, especially now that I’ve visited quite a few such islands.

Mammal introduction; phylogenetic context.

Monotreme glory.

UMZC is well endowed with thylacines and this one is lovely.

“TAZ FEEL NAKED!”

Narwhal above!

Rhinocerotoidea past, present, and fading glory. 😦

Ceratotherium white rhino. The horn is not real; sadly museums (and even zoos) across the world have to worry about theft of such things, given that some people think these horns are magic.

Ceratotherium staring match. You lose.

Ceratotherium stance.

Foot of a Sumatran rhino juxtaposed with a horse’s for Perissodactyla didaction.

A tapir. As a kid, I used to wander around the house pretending to be a tapir but I did not know what noise they’d make so I’d say “tape tape tape!”.

Big Southern Elephant Seal.

Squat little fur seal.

Hippopotamus for the lot of us. (baby included)

Hippo facedown.

Skull of a dwarf Madagascar hippo.

Cave bear and sabretooth cat make an impressive Ice Age demo.

It’s a wombat.

Ain’t no don like a Diprotodon! (also note its modern miniature cousin the wombat, below)

Diprotodon facial.

Diprotodon shoulder: big clavicles bracing that joint region.

Diprotodon knee: even in big marsupials, the “parafibula”/lateral sesamoid of the knee is still generally present. And why it is there/what it does deserves much more study.

Diprotodon hip. I just find this animal’s anatomy fascinating head-to-tail.

Diprotodon front foot. Absolutely freakish.

Diprotodon hind foot. Even weirder.

Your view after having been trampled in a supine position by a Diprotodon. Not a good way to go.

Diprotodon got back.

Elephant seal’s butt continues my series of photos of big animals’ bottoms.

Asian elephant’s butt view.

African elephant butt.

Sectioned elephant skull to show pneumatic resonating chambers.

Paenungulates: hyraxes, Sirenia, elephants & kin (evolutionary demo).

AND MY HYRAX!
Sorry. Had to.

Megatherium side view.

Megatherium. Yeah!

Megatherium hindlegs fascinate me. Well-heeled.

Tamandua duo.

Silky anteater; wonderful.

Armadillos.

Anteaters round out a fab display on Xenarthra.

The UMZC has everything from aardvarks to zebus. Here, conceptualized with other Afrotheria.

Golden moles: the more I read about them, the more they fascinate me.

We can all use some more solenodons in our lives!

Example of the phylogenetic context used throughout exhibits.

If you’ve got a good Okapi taxidermy, you’d better use it.

It’s a giraffe. Did you guess right?

Gerenuk showing off its bipedal capacity.

Warthogs have an inner beauty.

Pangolin. Glad to see it back on exhibit.

Nice little brown bear.

Double-barrelled shot of hyenas.

Colugo!

Nice to see some Scandentia featured.

My brain says this is a springhare (Pedetes) so I am going with what my brain says and anyway I really like this display.

When I saw this I thought, “That’s a nice… rodent thingy.” And so “rodent thing” it shall be labelled here. Enjoy the rodent thingy. Some serious taxidermy-fu in action.

Moonrats– now there’s something you seldom see a full display of. Well done!

That’s part I of this sneak peek at the evolving exhibits- I will put up a part II once the upper floor exhibits open. I highly encourage a visit!

For Mike: gimlet