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Posts Tagged ‘elephants’

To me, there is no question that the Galerie de Paléontologie et d’Anatomie comparée of Paris’s Muséum national d’Histoire naturelle (MNHN) is the mecca of organismal anatomy, as their homepage describes. Georges Cuvier got the morphological ball rolling there and numerous luminaries were in various ways associated with it too; Buffon and Lamarck and St Hiliaire to name but a few early ones. It is easy to think of other contenders such as the NHMUK in London (i.e., Owen), Jena in Germany, the MCZ at Harvard (e.g. Romer) and so forth. But they don’t quite cut the dijon.

As today is John’s Freezer’s 7th blogoversary, and I was just at the MNHN in Paris snapping photos of their mecca, it’s time for an overdue homage to the magnificent mustard of that maison du morphologie. The exhibits have little signage and are an eclectic mix of specimens, but this adds to its appeal and eccentricity for me. I’ve chosen some of my favourite things I saw on exhibit on this visit, with a focus on things that get less attention (NO MESOZOIC DINOSAURS! sorry), are just odd, or otherwise caught my fancy. It’s a photo blog post, so I shall shut up now, much as I could gush about this place. I could live here.

Need plus-grand images? Clic!

Stomach-Churning Rating: 7/10 for some potentially disturbing anatomical images such as viscera, preserved bits, models of naughty bits etc.

Greetings. Note the stomach-churning rating above, please.

Right. We’ll get the amazing first view as one steps into the gallery done first. Mucho mecca. Anatomy fans simply must go here at least once in their life to experience it, and one cannot ever truly absorb all the history and profound, abundant details of morphology on exhibit.

Less-often-seen views from the balcony; one more below.

Indian Rhinoceros from Versailles’s royal menagerie; came to the MNHN in 1792.

Brown bear hindlimb bones.

Brown bear forelimb bones and pelvis.

Two baby polar bears; part of the extensive display of ontogeny (too often missing in other museums’ exhibits).

Asian elephant from Sri Lanka.

Lamb birth defect. Like ontogeny, pathology was a major research interest in the original MNHN days.

Wild boar birth defect.

Fabulous large Indian gharial skull + skeleton.

“Exploded” Nile crocodile skull to show major bones.

Let’s play name-all-the-fish-skull-bones, shall we?

Rare sight of a well-prepared Mola mola ocean sunfish skeleton.

Diversity of large bird eggs.

Asian musk deer (male), with tooth roots exposed.

Freaky gorilla is here to say that now the really odd specimens begin, including the squishy bits.

Freaky tamandua, to keep freaky gorilla company. Displaying salivary glands associated with the tongue/pharynx. These are examples of anatomical preparations using older analogues of plastination, such as papier-mâché modelling. I’m not completely sure how the preservation was done here.

Tamandua preserved head, showing palate/tongue/pharynx mechanism.

Chimp ears. Because.

Why not add another chimp ear?

Many-chambered ruminant stomach of a sheep.

Simpler stomach of a wolf. Not much room for Little Red Riding Hood, I’m afraid.

Expansive surface area of a hippo’s stomach; but not a multi-chambered ruminant gut.

Cervical air sacs of a Turquoise-fronted Amazon parrot.

Heart and rather complex pulmonary system of a varanid lizard.

It’s pharynx time: Keratinous spines of a sea turtle’s throat. All the better to grip squids or jellies!

Pharynx convergent evolution in a giraffe: keratinous spines to help grip food and protect the pharynx from spiny acacia thorns while it passes down the long throat.

Tongue/hyoid region of the pharynx of a varanid, showing the forked tongue mechanism.

Palaeontological awesomeness on the upper floor (the 2nd part of the gallery’s name). Here, the only Siberian woolly mammoth, I’m told, to have left Russia for permanent display like this. Frozen left side of face, here, and 2 more parts below.

Mammuthus primigenius freeze-dried lower ?left forelimb.

Skeleton that goes with the above 2 parts. It’s big.

But “big” is only relative- my large hand for scale here vs. a simply ginormous Mammuthus meridionalis; full skeleton below.

Four-tusked, moderate-sized Amebelodon elephantiform.

Naked woolly rhinoceros Coelodonta.

Extinct rhino Diaceratherium, with a pathological ankle (degenerative joint disease). I love spotting pathologies in specimens- it makes them stand out more as individuals that lived a unique life.

Glyptodont butt and thagomizer, to begin our tour of this business-end weaponry.

Eutatus leg bones, from a large fossil armadillo; Argentina. Really odd morphology; Xenarthrans are so cool.

Giant ground sloth (Megatherium) foot; ridiculously weird.

Giant ground sloth hand is full of WTF.

Metriorhynchus sea-crocodile from the Cretaceous: hind end.

Odobenocetops one-tusked whale that I still cannot get my head around, how it converged so closely on the morphology of a walrus.

Thalassocnus, the large marine sloth… few fossils are so strange to me as this one. But modern sloths swim well enough so why not, evolution says!

Rear end of the sea-sloth.

Megaladapis, the giant friggin’ lemur! Not cuddly.

A basilosaurid whale Cynthiacetus, one of the stars of the show, as the denouement of this post. Plan your visit now!

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One of my favourite museums in the world, and certainly one of the best natural history museums in the UK, is Cambridge’s Museum of Zoology, AKA “University Museum of Zoology at Cambridge” (UMZC). It is now nearing a lengthy completion of renovations; the old museum exhibits and collections were excellent but needed some big changes along with the re-fabbed “David Attenborough Building” that houses them. As a longtime fan of the exhibits and user of the collection (and microCT scanner), I hurried to see the new museum once it officially opened.

And that makes a great excuse to present a photo-shoot from my visit. This focuses on the “mammal floor” below the entrance- the upper floor(s?) are still being completed and will have the birds, non-avian tetrapods, fish, etc. But the UMZC is strong in mammals and so it is natural for them to feature them in this chock-full-o-specimens display. Less talk, more images. Here we go!

All images can be clicked to mu-zoom in on them.

Stomach-Churning Rating: 3/10; bones and taxidermy and innocuous jars.

The building. The whale skeleton that hung outside for years is now cleaned up and housed right inside; you walk under it as you enter.

Entrance.

First view past the entryway: lots of cool specimens.

View from the walkway down into the ground/basement level from the entry. As specimens-per-unit-volume goes, the UMZC still scores highly and that is GOOD!

Explanation of frog dissection image below.

Gorgeous old frog dissection illustration; such care taken here.

Leeuwenhoek’s flea woodcut; I think from Arcana Naturae Detecta (1695). There is an impressive display of classic natural history books near the entryway.

Dürer/other rhino art image and info.

Darwin was famed for collecting beetles when he should have been studying theology at Cambridge as a youth, and here is some of his collection. Dang.

Darwin’s finches!

Darwin kicked off some of his meticulous work with volumes on barnacles; specimens included here; which helped fuel insights into evolution (e.g. they are “retrograde” crustaceans, not mollusks).

Darwin’s voyage: fish & other preserved specimens.

I think this is a solitaire weka (flightless island bird; see Comment below). I’ve never seen them displayed w/skeleton + taxidermy; it’s effective here.

Eryops cast. More early tetrapods will surely be featured on the upper floor; this one was on the timeline-of-life-on-Earth display.

I LOVE dioramas and this seabird nesting ground display is very evocative, especially now that I’ve visited quite a few such islands.

Mammal introduction; phylogenetic context.

Monotreme glory.

UMZC is well endowed with thylacines and this one is lovely.

“TAZ FEEL NAKED!”

Narwhal above!

Rhinocerotoidea past, present, and fading glory. 😦

Ceratotherium white rhino. The horn is not real; sadly museums (and even zoos) across the world have to worry about theft of such things, given that some people think these horns are magic.

Ceratotherium staring match. You lose.

Ceratotherium stance.

Foot of a Sumatran rhino juxtaposed with a horse’s for Perissodactyla didaction.

A tapir. As a kid, I used to wander around the house pretending to be a tapir but I did not know what noise they’d make so I’d say “tape tape tape!”.

Big Southern Elephant Seal.

Squat little fur seal.

Hippopotamus for the lot of us. (baby included)

Hippo facedown.

Skull of a dwarf Madagascar hippo.

Cave bear and sabretooth cat make an impressive Ice Age demo.

It’s a wombat.

Ain’t no don like a Diprotodon! (also note its modern miniature cousin the wombat, below)

Diprotodon facial.

Diprotodon shoulder: big clavicles bracing that joint region.

Diprotodon knee: even in big marsupials, the “parafibula”/lateral sesamoid of the knee is still generally present. And why it is there/what it does deserves much more study.

Diprotodon hip. I just find this animal’s anatomy fascinating head-to-tail.

Diprotodon front foot. Absolutely freakish.

Diprotodon hind foot. Even weirder.

Your view after having been trampled in a supine position by a Diprotodon. Not a good way to go.

Diprotodon got back.

Elephant seal’s butt continues my series of photos of big animals’ bottoms.

Asian elephant’s butt view.

African elephant butt.

Sectioned elephant skull to show pneumatic resonating chambers.

Paenungulates: hyraxes, Sirenia, elephants & kin (evolutionary demo).

AND MY HYRAX!
Sorry. Had to.

Megatherium side view.

Megatherium. Yeah!

Megatherium hindlegs fascinate me. Well-heeled.

Tamandua duo.

Silky anteater; wonderful.

Armadillos.

Anteaters round out a fab display on Xenarthra.

The UMZC has everything from aardvarks to zebus. Here, conceptualized with other Afrotheria.

Golden moles: the more I read about them, the more they fascinate me.

We can all use some more solenodons in our lives!

Example of the phylogenetic context used throughout exhibits.

If you’ve got a good Okapi taxidermy, you’d better use it.

It’s a giraffe. Did you guess right?

Gerenuk showing off its bipedal capacity.

Warthogs have an inner beauty.

Pangolin. Glad to see it back on exhibit.

Nice little brown bear.

Double-barrelled shot of hyenas.

Colugo!

Nice to see some Scandentia featured.

My brain says this is a springhare (Pedetes) so I am going with what my brain says and anyway I really like this display.

When I saw this I thought, “That’s a nice… rodent thingy.” And so “rodent thing” it shall be labelled here. Enjoy the rodent thingy. Some serious taxidermy-fu in action.

Moonrats– now there’s something you seldom see a full display of. Well done!

That’s part I of this sneak peek at the evolving exhibits- I will put up a part II once the upper floor exhibits open. I highly encourage a visit!

For Mike: gimlet

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Back in November 2016 I got an exciting email from colleague Dr. Richard Thomas, who was building a team of experts for a proposed documentary on Jumbo the elephant; the famed proboscidean of the Victorian era (and arguably most famous elephant of all time, first international celebrity animal, etc.). I knew him from social media and from our mutual interests in chicken anatomy and evolution. And that exciting email, for once, worked out! Over coming months I chatted with the film producers and they could see a place for me in the programme, contributing my expertise in elephant (postcranial) anatomy, locomotion, health/welfare etc. Lo and behold, in May 2017 I met Sir David Attenborough at Heathrow and we flew out to New York City to film with the skeleton at the American Museum of Natural History. And to cap it off, I got to meet another childhood science communication hero: Professor David Suzuki of CBC’s “The Nature of Things“– my adrenaline levels were sky high!

Brooklyn neighborhood by our hotel. Lots to do!

The show has aired in the UK and is coming very soon to Canada and the world (details below). Here’s my part of the story.

Stomach-Churning Rating: 3/10– bad bones but no blood.

We filmed from 15-19 May 2017 at the AMNH’s warehouse of mammalian skeletal remains, which is housed deep in the Brooklyn Army Terminal; a picturesque site in and of itself. And it is a site with a lot of history— WWI and II, Elvis and more.

It was a hectic week of the usual documentary stuff: repeat the same lines and motions again and again from different angles and with different paces and intonations (I cannot help in these cases but think about the Simpsons “Fallout Boy” episode), from ~9am-5pm, with plenty of downtime watching setup or other bits being filmed. I’m used to all that. But having the time to peer around the collection and chat to Richard and colleague Dr. Holly Miller (handling the tissue isotopes side of the story) about Jumbo’s skeleton was a lot of fun during downtime and filming itself. Not to mention the utter joy of studying one of the most famous museum specimens ever, and an animal widely held to be one of the largest of its kind, with much mystery surrounding its history despite its fame. (Wikipedia does a fair job of summarizing some of this)

Here are some photos to tell the story:

Photo of the team, courtesy of Infield Fly Productions (CBC production, “Jumbo: The Life of An Elephant Superstar”.

The Brooklyn Army Terminal, with a view of the harbour beyond.

Inside the terminal: old army staging area and an evocative wooden Liberty/tank artwork.

Army terminal cat. Shipping still comes through the terminal so I guess there are plenty of rats and handouts from cat-lovers to keep it going. I miss our cats when I travel so this moment was appreciated.

Whale skulls and other specimens inside the AMNH warehouse.

First view of Jumbo’s remains.

Photo opp with Sir David.

Photo opp with Prof Suzuki.

That’s the setup. I’ve done ~15 other documentary episodes/shows but this was like nothing else– simply an awesome experience.

Now the delivery: we set to studying those bones. We’d seen photos before, and Henry Fairfield Osborn had illustrated the specimen as his type of “Elephas africanus rothschildi” (Sudanese elephant; no longer valid but those were different times– it’s now just a nicely preserved Loxodonta africana africana), so we knew some of what to expect.

Looking at Osborn’s classic monograph. Oddly he didn’t address the GLARING MASSIVE PROBLEMS WITH THE TEETH!

Skull with terrible tooth pathologies– and let’s play spot Mumbo, my daughter’s toy elephant! He might even appear in some TV footage!

We had noted some serious issues with some bones (pathologies). I won’t spoil the message here but will show some images. I know some experts have voiced issues with how the tooth pathologies/growth were explained in some footage but I can’t address that here; it’s not my expertise. The important point to me is that the teeth are incredibly messed up and that can easily be linked to bad diet and other management/health issues, as the documentary explains.

Jumbo’s torso in left side view. Glorious preservation.

Right forelimb, showing that the “growth plates” (epiphyses”) were not all fused, consistent with Jumbo still growing– as expected for an African male elephant in his 20’s.

Right elbow with some pathologies consistent with degenerative joint disease.

Surprisingly, Jumbo’s feet were not in nasty condition in terms of pathologies. I’d expected to see that. They’d been painted and drilled for mounting, but were not riddled with arthritic changes that I could see.

Strange bony plaque on the left pelvis (hip) region; something I’d never seen before in any elephant (and I’ve seen many). Why? The programme offers a reasonable explanation.

Jumbo’s right hip, with bad erosion of the bone and thus presumably the overlying cartilage. Ouch!

Strange extra prong on one right rib in Jumbo- we didn’t figure that out. It could conceivably be natural variation.

So, poor Jumbo suffered some jumbo-sized problems, and in complex ways. That’s just scratching the surface of what his skeleton tells us, and there’s plenty more in the show plus plenty more we can say later– there’s real science that came out of this programme! I was surprised to find how little had been stated anywhere in the scientific literature about Jumbo’s pathologies.

Sad as Jumbo’s skeletal story is, the broader story of his life and death is sadder still. For purposes of time I don’t think any of the three versions of the show will get to delve into how Jumbo’s mother may have been slashed to death by a broadsword, as the story below describes was the ancient practice:

I’d hate to be “so pestered by a popinjay”, too.

Adding insult to injury, we can reflect on how Jumbo was taken from the Sudan to the east (across the Suez), then on boat to Italy and then overground to Paris, where he lived for a little while until the zoological garden sold him to London. Luckily Jumbo avoided becoming a meal to starving Parisians during the Prussian siege of 1870-1. So he did not become elephant consommé like some of his co-captives did. The more one learns about Jumbo’s life and the life of elephants in captivity in the 1800s, the more harrowing the tale becomes.

Jumbo is THE celebrity elephant. His name has come to mean ‘big’ and ‘bombastic’, from applications to jumbo jets to hot dogs and other (darkly ironic) forms of consumption and extravagance. He has had a jumbo effect on Western culture, but also symbolizes the complex human-elephant relationship, such as the inspiration for “Dumbo’s” own sad story. We love elephants but our fascination with them can also be their undoing, such as poaching for the ivory trade or mistreatment in captivity. Jumbo’s story writ large is also the story of elephants, and our story to learn from. If anything comes out of my participation in the Jumbo documentary for the public’s benefit, I hope it is increased empathy for how we interact with elephants. They are like us in many ways (maybe over-emphasized with anthropomorphism in many accounts), but also unlike us (maybe even unfathomable) in not only their size and anatomy but also in aspects of their prodigious intellect, emotions and social structure. Elephants aren’t just jumbo spectacles. They are jumbo responsibilities for humans now that we dominate the planet so much.

Want to catch a version of the Jumbo show? I’ll try to keep this list up to date:

BBC iplayer now: https://www.bbc.co.uk/iplayer/episode/b09jcxrj/attenborough-and-the-giant-elephant

BBC One: 5:05pm on January 31st

CBC: 8pm on January 7th– trailer is here:

http://www.cbc.ca/player/play/1115035715562

And the international version is coming soon, plus the above versions surely will circulate globally in some ways.

Have a jumbo time (in a good way) in the rest of 2017 and onwards into 2018!

-John

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Nice GIF of the human biceps in action- By Niwadare - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=38718790

GIF of the human biceps (above) and its antagonist triceps (below) in action- By “Niwadare” – own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=38718790

Last year on Darwin Day I debuted “Better Know A Muscle” (BKAM), which was intended to be a series of posts focusing on one cool muscle at a time, and its anatomical, functional and evolutionary diversity and history. A year later, it’s another post on another muscle! Several dozen more muscles to go, so I’ve got my work cut out for me… But today: get ready to FLEX your myology knowledge! Our subject is Musculus biceps brachii; the “biceps” (“two-headed muscle of the arm”). Beloved of Arnie and anatomists alike, the biceps brachii is. Let’s get pumped up!

Stomach-Churning Rating: 7/10. Lots of meaty elbow flexion!

While the previous BKAM’s topic was a hindlimb muscle with a somewhat complex history (and some uncertainties), the biceps brachii is a forelimb muscle with a simpler, clearer history. Fish lack a biceps, just having simple fin ab/adductor muscles with little differentiation. Between fish and tetrapods (limb-bearing vertebrates), there was an explosion in the number of muscles; part of transforming fins into limbs; and the biceps is thenceforth evident in all known tetrapods in a readily identifiable anatomical form. In salamanders and their amphibian kin, there is a muscle usually called “humeroantebrachialis” that seems to be an undivided mass corresponding to the biceps brachii plus the brachialis (shorter humerus-to-elbow) muscle:

Most of the humerobrachialis muscle (purplish colour), in dorsal (top) view of the right forelimb of the fire salamander Salamandra salamandra (draft from unpublished work by my team).

Most of the humerobrachialis muscle (purplish colour), in dorsal (top) view of the right forelimb of the fire salamander Salamandra salamandra (draft from unpublished work by my team).

In all other tetrapods; the amniote group (reptiles, mammals, etc.); there is a separate biceps and brachialis, so these muscles split up from the ancestrally single “humeroantebrachialis” muscle sometime after the amphibian lineage diverged from the amniotes. And not much changed after then– the biceps is a relatively conservative muscle, in an evolutionary (not political!) sense. In amniote tetrapods that have a biceps, it develops as part of the ventral mass of the embryonic forelimb along with other muscles such as the shorter, humerus-originating brachialis, from which it diverges late in development (reinforcing that these two muscles are more recent evolutionary divergences, too).

Biceps brachialis or humerobrachialis, the “biceps group” tends to originate just in front of the shoulder (from the scapula/coracoid/pectoral girdle), running in front of (parallel to) the humerus. It usually forms of two closely linked heads (hence the “two heads” name), most obviously in mammals; one head is longer and comes from higher/deeper on the pectoral girdle, whereas the other is closer to the shoulder joint and thus is shorter. The two heads fuse as they cross the shoulder joint and we can then refer to them collectively as “the biceps”. It can be harder to see the longer vs. shorter heads of the biceps in non-mammals such as crocodiles, or they may be more or less fused/undifferentiated, but that’s just details of relatively minor evolutionary variation.

The biceps muscle then crosses in front of the elbow to insert mainly onto the radius (bone that connects your elbow to your wrist/thumb region) and somewhat to the ulna (“funny bone”) via various extra tendons, fascia and/or aponeuroses. The origin from the shoulder region tends to have a strong mark or bony process that identifies it, such as the coracoid process in most mammals (I know this well as I had my coracoid process surgically moved!). The insertion onto the radius tends to have a marked muscle scar (the radial tuberosity or a similar name), shared with the brachialis to some degree. A nice thing about the biceps is that, because it may leave clear tendinous marks on the skeleton, we sometimes can reconstruct how its attachments and path evolved (and any obvious specializations; even perhaps changes of functions if/when they happened).

Here are some biceps examples from the world of crocodiles:

Crocodile's right forelimb showing the huge pectoralis, and the biceps underlying it on the bottom right.

Crocodile’s right forelimb showing the huge pectoralis, and the biceps underlying it; on the bottom right (“BB”- click to embiceps it).

Crocodile left forelimb with biceps visible (

Crocodile left forelimb with biceps visible (“BB”) on the left.

Crocodile biceps muscle cut off, showing the proximal and distal tendons (and long parallel muscle fibres) for a typical amniote vertebrate.

Crocodile biceps muscle cut off, showing the proximal (to right) and distal (to left) tendons (and long parallel muscle fibres) for a typical amniote vertebrate.

What does the biceps muscle do? It flexes (draws forward) the shoulder joint/humerus, and does the same for the elbow/forearm while supinating it (i.e. rotating the radius around the ulna so that the palm faces upwards, in animals like us who can rotate those two bones around each other). In humans, which have had their biceps muscles studied by far the most extensively, we know for example that the biceps is most effective at flexing the elbow (e.g. lifting a dumbbell weight) when the elbow is moderately straight. These same general functions (shoulder and elbow flexion; with some supination) prevail across the biceps muscle of [almost; I am sure there are exceptions] all tetrapods, because the attachments and path of the biceps brachii are so conservative.

And this flexor function of the biceps brachii stands in contrast to our first BKAM muscle, the caudofemoralis (longus): that muscle acts mainly during weight support (stance phase) as an antigravity/extensor muscle, whereas the flexor action of biceps makes it more useful as a limb protractor or “swing phase” muscle used to collapse the limb and draw it forwards during weight support. However, mammals add some complexity to that non-supportive function of the biceps…

Hey mammals! Show us your biceps!

Jaguar forelimb with biceps peeking out from the other superficial muscles, and its cousin brachialis nicely visible.

Jaguar forelimb with biceps peeking out from the other superficial muscles, and its cousin brachialis nicely visible, running along the front of the forearm for a bit.

Elephant's left forelimb with the biceps labelled.

Elephant’s left forelimb with the biceps labelled.

Longitudinal slice thru the biceps of an elephant, showing the internal tendon.

Longitudinal slice thru the biceps of an elephant, showing the internal tendon that helps identify where the two bellies of the biceps fuse.

In certain mammals; the phylogenetic distribution of which is still not clear; the biceps brachii forms a key part of a passive “stay apparatus” that helps keep the forelimb upright against gravity while standing (even sleeping). The classic example is in horses but plenty of other quadrupedal mammals, especially ungulate herbivores, show evidence of similar traits:

Giraffe biceps cut away proximally to show the

Giraffe biceps cut away proximally to show the “stay apparatus” around the shoulder joint (upper right).

Zooming in on the

Zooming in on the “stay apparatus”; now in proximal view, with the biceps tendon on the left and the humeral head (showing some arthritic damage) on the right, with the groove for the biceps in between.

Hippo's humerus (upper left) and biceps muscle cut away proximally, displaying the same sort of

Hippo’s humerus (upper left) and biceps muscle cut away proximally, displaying the same sort of “stay apparatus” as in the giraffe. Again, note the stout proximal and distal tendons of the biceps. The proximal tendon fits into the groove of the humerus on the far left side of the image; becoming constrained into a narrow circular “tunnel” there. It’s neat to dissect that region because of its fascinating relationships between bone and soft tissues.

The biceps brachii, in those mammals with a stay apparatus, seems to me to have a larger tendon overall, especially around the shoulder, and that helps brace the shoulder joint from extending (retracting) too far backward, whilst also transmitting passive tension down the arm to the forearm, and bracing the elbow (as well as distal joints via other muscles and ligaments). It’s a neat adaptation whose evolution still needs to be further inspected.

Otherwise, I shouldn’t say this but the biceps is sort of boring, anatomically. Whether you’re a lizard, croc, bird or mammal, a biceps is a biceps is a biceps; more or less-ceps. But the biceps still has a clear evolutionary history and Darwin would gladly flex his biceps to raise a pint in toast to it.

So now we know a muscle better. That’s two muscles now. And that is good; be you predator or prey. Let’s shake on it!

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Tonight is the debut of the ballyhooed BBC1 programme “Attenborough and the Giant Dinosaur“, featuring Sir David and The Titanosaur-With-No-Name, at 6:30pm. Furthermore, this week I presided over a showing of “T. rex Autopsy” to our RVC undergrad Zoological Society, with a very enjoyable Q&A afterwards. So it seemed timely for me to do a post about a theme that links these two documentaries that I helped with, my own research, and science communication and palaeontological research more generally. But first let’s get this out of the way:

It was great.

It was great. I could gush more but that’s not what this post is about.

Stomach-Churning Rating: ~7/10; mainly the elephant leg dissection that’s not far below, which is a bit messy.

For the titanosaur documentary with Sir David, and the incomparable Ben Garrod as well, we had an old elephant “friend” of mine (subject of many biomechanics studies we’d done) walk across a pressure pad to demonstrate how the elephant locomotion works and some of the basic similarities with how a giant sauropod dinosaur might walk:

A broader feature of that documentary, which elephants are linked into, is how we can use the skeleton to reconstruct some general aspects of the soft tissue anatomy, and thereby the physiology or even behaviour, of a giant titanosaur. Which brings me to this post’s subject: We dig up dinosaurs all the time, but what about digging into dinosaurs and using what’s preserved to reconstruct what isn’t? 

The "G-suit" compressive stocking that the fascia wrapped around elephant, and other large mammals, creates, and the underlying, interwoven muscles and tendons (hindlimb of a young Asian elephant).

Some of the “G-suit” compressive stocking that the fascia wrapped around elephant, and other large mammals, creates, and the underlying, interwoven muscles and tendons (hindlimb of a young Asian elephant that sadly died in captivity). Did some larger dinosaurs have something like this? I’d expect so.

Another view, more superficially, of that G-suit/stocking under the thick, tight skin of an elephant's leg.

Another view, more superficially, of that G-suit/stocking under the thick, tight skin of an elephant’s leg. You’ll hear more about this in the Attenborough show…

Once the documentary airs, I may be able to share some more images from it showing what they did for the titanosaur, but this BBC photo gives a good idea.

Once the documentary airs, I may be able to share some more images from it showing what they did for the titanosaur, but this BBC photo gives a good idea. Here, blood vessels and other tissues surrounding the skeleton. How would a titanosaur pump blood around its body? A good question.

I’ve covered the science behind these reconstructions before, along with the art (in numerous posts, actually). Here I want to inspect how it’s communicated through the media: what are good (and not so good?) ways to cover it, especially now that displaying raw anatomy is more tolerable on TV and other media? I’m not writing about Thanksgiving dinner dinosaur dissections; not really; or in technical terms how we build a dinosaur to dissect/depict internally (digitally or physically).

I wanted to focus more on the end product; the imagery or even physical object; and how it conveys what we think we know about dinosaur anatomy. I’ll do that via examples, using photos of dinosaur anatomy that I’ve collected over the years from museums or other media. There won’t be any profound points or long musings; it’s mainly a photo blog:

What your (inner?) child most needs is a dinosaur to dissect yourself! Why not a T. rex toy like this?

What your (inner?) child most needs is a dinosaur to dissect yourself! Why not a T. rex toy like this?

I could quibble, but for the price they did a good job.

For the price (~$30 in USA), the 4D Vision dinosaurs deliver a pretty good bargain, and the anatomy is satisfactory. I’ve been collecting this series. I could quibble, but hey: it’s a dinosaur you get to build/dissect yourself, and with many major organs in reasonable positions! Not so easy to put/keep together, but it’s fine. I would not pay a ton for it, though.

Poster of Velociraptor's anatomy I've had since grad school, adorning my office. For ~1996, it's damn good, mostly... (placeholder photos until I get to the office tomorrow and take better ones!)

Poster of Velociraptor’s anatomy I’ve had since grad school, adorning my office. For ~1996 (no feathers; “zombie hands“), it’s damn good, mostly… Closer views below (sorry, photo quality is crap– taking photos of wall poster turned out to be harder than I expected! Bad lighting.) :

Closeup of the leg muscles- hey, not bad!

Closeup of the leg muscles- hey, not bad! Pretty much the right muscles in the right places more or less, and plausible proportions. No air sacs in the torso, but again, this is mid-1990’s science shown. BUT…

I was happy with this poster until I got it home and read this final bit of text... Oh, America! You silly place.

I was happy with this poster until I got it home from the western-USA museum I bought it at and read this final bit of text… Oh, America! You silly place. (And unfortunately, these dinosaurs are not from the very end of the Cretaceous anyway, so “global catastrophe” is not implicated.)

Ornithomimid in Barcelona natural history museum. This was unexpected and got me excited when I first saw it.

Ornithomimid in Barcelona natural history museum. This was unexpected and got me excited when I first saw it.

Looking down onto the opened torso of the Barcelona ornithomimid. Strikingly realistic!

Looking down onto the opened torso of the Barcelona ornithomimid. Strikingly realistic! Breastbone, heart, liver, intestines; not unreasonable positions and sizes. No feathers, but again hey– this was made in the earlier days.

Skinned Albertosaurus from the Drexel Academy of Sciences. I forget where I got this pic but I like the display.

Albertosaurus from the Drexel Academy of Sciences. I forget where I got this pic but I like the display– this is an impressive full-scale physical model. The transition from skeleton-only on the left to skinned in the middle to fully-fleshed and popping out atcha on the right is clever.

?T. rex? leg, photo that I took ages ago as a PhD student, if memory serves. Can anyone remind me where this was? California Academy of Sciences?

?T. rex? leg, photo that I took ages ago as a PhD student, if memory serves. Can anyone remind me where this was? California Academy of Sciences? I am embarrassed that I cannot recall. I remember geeking out about it. It has a toy-ish look, but I reckon they had to build this to withstand kids touching it.

Perhaps the best example I've seen in a museum: the AMNH's sauropod with internal organs and their functions projected onto it. Bravo!

Perhaps the best dino-dissection example I’ve seen in a museum: the AMNH’s sauropod Mamenchisaurus with internal organs and their functions projected onto it, in the “World’s Largest Dinosaurs” exhibit. Bravo! I stood and watched it for quite a while.

This is far from comprehensive– just several kinds of imagery that I mostly like. There’s the tension between showing too much realism, which science simply can’t back up, and being too cartoonish, losing the viewer’s immersion in the time-travelling fantasy. I do, however, like other kinds of more abstract, schematic depictions of dinosaur anatomy that simplify the details to focus on the basics of what organs should have been where and how they may have worked, such as this depiction from T. rex Autopsy, which also took the other extreme favouring ultra-realism (but with physical models, not so much with the CGI):

AIr flow through a T. rex: simplified but clear.

Air flow through a T. rex: simplified but clear. CGI used to explain, not abused. The real air sac anatomy would be too complex to show. You may see something similar with the titanosaur show.

That’s enough for now. I’ve stuck with relatively recent examples; of course in my particular field I also think back to Romer’s wonderful 1920’s drawings, which I covered in this post.

So, blog readers, help me out here: what examples of dinosaur internal, squishy anatomy from museums, documentaries or other not-entirely-done-by-nitpicky-scientists venues do you like, or not like so much? What works for you, or at least is memorable in some way?

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I was recently featured on Daily Planet, a great Canadian science show on TV that lamentably is not broadcast more globally. It is always high quality science communication, aided by the superb hosts Ziya Tong and Dan Riskin (and a talented crew!). What were we doing? Dissecting an elephant’s foot, of course!

Stomach-Churning Rating: 9/10; no-holds-barred dismantling of elephant feet, from the video onwards, and this post is heavy on moist, goopy photos afterwards, with some nasty pathologies. Not nice at all. I’ll give you a chance to turn around while contemplating the cart that we use to carry elephant feet around campus (each foot is 20-30kg; up to 70lbs; so we need the help!), before the video.

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Here is a snippet of the full segment from Daily Planet:

And here is more of some of my recent dissections. I’ll walk you through two dissections, via photos. This goes back to the roots of this blog: unflinching, gritty examinations of real anatomy! Of course, no elephants were harmed for this work. They died at EU zoos/parks and were sent to me for postmortem examination and research, so we hope that this benefits the future care of elephants. We’re currently finishing up a grand overview paper that describes all of the odd pathologies we’ve observed in elephant feet, for the benefit of zoo keepers and vets who are trying to detect, diagnose and monitor any foot problems.

As the post’s title alludes, elephant feet (and more proximal parts of the limbs) are no stranger to this blog. If you’ve forgotten or are unfamiliar, here are some of my past proboscidean-posts: on elephant foot pathologies (a close sister post to this one), our “six-toed” elephants paper, how to make a computer simulation of an elephant’s limb (umm, paper yet to come!), how we boil and bleach bones to clean them up, and a few others. Last but not least, there was the post that went viral in the early #JohnsFreezer/WIJF days: dissecting an elephant with the “Inside Nature’s Giants” show.

There are two feet in this post, both front right feet (manus is the technical term; singular and plural). The first one is the messier (unhealthy and bloodier, less fresh and clean) one, from the show/video. It is an Asian elephant (Elephas maximus). I kick off with photos I took after the filming, so the foot is already deconstructed:

Skinned foot, oblique front/inside view.

Skinned foot, oblique front/inside view. The wrist is on the right side of the photo; the toes on the left.

Sole ("slipper"), with a hole on the fourth toe showing where the abscess is that let infection in/pus drain out.

Sole (“slipper”), with a hole on the fourth toe showing where the abscess is that let infection in/pus drain out. The slipper here is upside-down.

Top-down view of the sole of the foot, once the slipper is removed.

Top-down view of the sole of the foot, once the slipper is removed; flipped over and rotated 90 degrees clockwise from the above photo. Some of the fat pad of the foot is on the right side of the image; it’s very hard to separate from the keratinous sole of the foot.

Looking down into the fourth toe's abscess on the other side of the above view.

Looking down into the fourth toe’s (ring finger) abscess on the other side of the above view.

Looking down into the third (middle) toe, same view as above. Some redness and greyness where this toe had some of its own pathological issues.

Looking down into the second toe (index finger), same view as above. Some redness and greyness where this toe had some of its own pathological issues like infection and a smaller abscess.

Looking up from the slipper at the fat pad and toes of the foot, where they interface with the sole/slipper. The fat pad is toward the bottom and left side; the five toes are on the upper/right side (knobby subcircular regions on the perimeter of the foot).

Looking up from the slipper (removed) at the fat pad and toes of the foot, where they interface with the sole/slipper. The fat pad is toward the bottom and left side; the five toes are on the upper/right side (knobby subcircular regions on the perimeter of the foot). The very bad infection on the fourth toe is visible on the bottom right.

The sproingy fat pad is worth a video!

And one good wiggle deserves another!

A view down onto the wrist joint. The carpal (wrist) bones are visible at the bottom of the image, whereas the flexor (palmar) tendons and muscles on the back of the "hand" are at the top. There is a LOT of musculotendinous tissue on the back side of an elephant's foot.

A view down onto the wrist joint. The carpal (wrist) bones are visible at the bottom of the image, whereas the flexor (palmar) tendons and muscles on the back of the “hand” are at the top. There is a LOT of musculotendinous tissue on the back side of an elephant’s foot. As you will see in my dissection of the second foot, further below!

Looking down onto the medial (inner/"thumb") border of the foot, where I've exposed the prepollex, or false "sixth finger" by removing the first metacarpal (knuckle) bone.

Looking down onto the medial (inner/”thumb”) border of the foot, where I’ve exposed the prepollex, or false “sixth finger”, by removing the first metacarpal (knuckle) bone.

Removed the prepollex from the foot. The white oval structure is the top of the prepollex; white is cartilage, whereas the red "islands" are blood vessels that have invaded the cartilage and are starting to turn it into patches of bone. So this prepollex is at a very early stage of bone formation, still almost entirely cartilaginous, whereas some older elephants have the prepollex largely formed of bone.

I’ve removed the prepollex from the foot. The white oval structure (bottom right) is the top of the conical prepollex, where it connected to the rest of the foot. White is cartilage, whereas the red “islands” are blood vessels that have invaded the cartilage and are starting to turn it into patches of bone. So this prepollex is at a very early stage of bone formation, still almost entirely cartilaginous, whereas some older elephants have the prepollex largely formed of bone. The fleshy pink tissue adhering to the surface of the prepollex here is a remnant of “abductor” muscle that connects it to the thumb and thus could allow some active control of the prepollex’s mobility.

Well, that was one very pathological elephant’s foot; one of the worst I have ever seen. Every foot I dissect is different and tells me a unique story about that animal’s development, history and health. This one told a very sad tale. What does a somewhat normal elephant’s foot look like? I thawed one out for comparison, and to thin out my overstuffed freezer stock. This one starts off from an intact (if severed) foot so you can witness the stages of dissection:

Whole foot. African elephant (Loxodonta africana).

Whole foot. African elephant (Loxodonta africana). You may spot in later photos that the second and fourth toes’ nails are cracked longitudinally. This happens sometimes in elephants without any obvious health problems such as infection, but if it lasts long enough and conditions are bad enough (e.g. unsanitary conditions getting bacteria into the crack; spreading the crack to let them into the foot tissue), it could worsen.

Nice clean sole.

Nice clean sole. No abscesses or other problems. You can faintly see the cracked toenails here.

Gorgeous white cartilage surfaces of the wrist joints. Nice and healthy-looking. A young animal, in this case.

Gorgeous white cartilage surfaces of the wrist joints. Nice and healthy-looking. A young animal, in this case.

Removing the skin; nice soft whitish connective tissue underneath.

Removing the skin; nice soft whitish connective tissue underneath.

Skinned foot; rear view. The yellowish fat pad is wonderfully visible through the connective tissue sheath.

Skinned foot; rear view. The yellowish fat pad is wonderfully visible through the connective tissue sheath.

Skinned foot; front view. The thin, broad extensor tendons that would draw the fingers forward in life are visible here as longitudinal lines along the foot's surface, running to the toes.

Skinned foot; front view. The thin, broad extensor tendons that would draw the fingers forward in life are visible here as longitudinal lines along the foot’s surface, running to the toes.

Ahh, my favourite thing! I've cut around the prepollex and am pointing at it. It's almost impossible otherwise to see through all the fatty tissue of the fat pad that surrounds it.

Ahh, my favourite thing! I’ve cut around the prepollex and am pointing at it. It’s almost impossible otherwise to see through all the fatty tissue of the fat pad that surrounds it.

Removing the prepollex. It's tiny and enmeshed in connective tissue; harder to see than in the first elephant (photos above).

Removing the prepollex. It’s tiny and enmeshed in connective tissue; harder to see than in the first elephant (photos above).

There is the prepollex! Maybe 12cm long. A little bit of cartilage (white) visible where it connected to the foot. These "sesamoid bones" vary tremendously in elephants I've inspected. I am still getting my head around that, after >10 years of staring at them in >75 feet!

There is the prepollex! Maybe 12cm long. A little bit of cartilage (white) visible where it connected to the foot. These “sesamoid bones” vary tremendously in elephants I’ve inspected. I am still getting my head around that, after >10 years of staring at them in >75 feet!

Gap left by removal of the prepollex, on the median border of the foot; thumb region. Imagine having a little extra thumb growing off the base of your thumb and sticking toward your palm. That's what elephants have.

Gap left by removal of the prepollex, on the median border of the foot; thumb region. Imagine having a little extra thumb growing off the base of your thumb and sticking toward your palm. That’s what elephants have.

Here, removing the slipper/sole of the foot, from the back side forwards. Hard work!

Here, removing the slipper/sole of the foot, from the back side forwards. Hard work!

The slipper. Compare with the image above (same orientation). Nothing wrong here that I could see.

The slipper. Compare with the image above (same orientation). Nothing wrong here that I could see.

Front view of the toes, where they connect to the toenails. This specimen was so fresh that they were surprisingly easy to cut through and remove the foot from the sole.

Front view of the toes, where they connect to the toenails. This specimen was so fresh that they were surprisingly easy to cut through and remove the foot from the sole.

Looking up at the palm. You can see the bulbous fat pad (yellower tissue) bulging out in the centre of the palm, and segments of it extending between each finger, separated by fibrous tracts. I love this anatomy. I can stare at it for hours and still be fascinated after all these years. So complex!

Looking up at the palm. You can see the bulbous fat pad (yellower tissue) bulging out in the centre of the palm, and segments of it extending between each finger, separated by fibrous tracts. I love this anatomy. I can stare at it for hours and still be fascinated after all these years. So complex!

Looking down onto the inside of the toenails, toes 3 and 4. Healthy, relatively intact tissue; no swelling or bleeding or other pathology.

Looking down onto the inside of the toenails, toes 3 and 4. Healthy, relatively intact tissue; no swelling or bleeding or other pathology.

Skinned foot, oblique front/inside view again, as above.

Skinned foot, oblique front/inside view again, as above.

Fat pad removed, looking up through where it was at the palm of the "hands", where the tendons and ligaments connect to the five toes. Each arc-like structure is a toe; the "thumb" (first toe) is on the upper left.

Fat pad removed, looking up through where it was at the palm of the “hands”, where the tendons and ligaments connect to the five toes. Each arc-like structure is a toe; the “thumb” (first toe) is on the upper left.

Elephant's-eye-view looking down onto the fat pad, where the palm of the foot in the image below would be placed in life.

Elephant’s-eye-view looking down onto the fat pad, where the palm of the foot in the image below would be placed in life (i.e. the limb would be coming down vertically, perpendicular to the plane of the image). The fat pad of the foot is visibly thicker toward the back of the foot (bottom of the image), as you’d expect, because the toes occupy most of the front parts.

Palmar tendons and muscles; the common digital extensor muscle group. Clenches the toes. Not a small muscle, either!

Palmar tendons and muscles; the common digital extensor muscle group, which clenches the toes. Not a small muscle, either!

Tendons of the digital flexor muscle exposed.

Tendons of the digital flexor muscle exposed.

Removed the digital flexor muscle so the three major tendons can be seen (the two short side branches to the first and fifth toes have been cut off).

I removed the digital flexor muscle so the three major tendons can be seen (the two short side branches to the first and fifth toes have been cut off).

Forefoot with flexor tendons removed, revealing the channels that they coursed through.

Forefoot with flexor tendons removed, revealing the channels that they coursed through.

Closeup of the glistening channels for the flexor tendons. They are lined with lubricative tissue to help the tendons glide through them. And the tendons do need to be able to glide- although elephant feet look very solid from the outside, and are to an extent, but we've done studies showing that they do move if you apply even a moderate load to them in a cadaver, and thus would move in life, too.

Closeup of the glistening channels for the flexor tendons. They are lined with lubricative tissue to help the tendons glide through them. And the tendons do need to be able to glide- although elephant feet look very solid from the outside, and are to an extent, but we’ve done studies showing that they do move if you apply even a moderate load to them in a cadaver, and thus would move in life, too.

Let’s finish off with some osteology, shall we? First the unhealthy Asian elephant, then the healthy African elephant; same front right feet, just the bones (from my CT scans):

Ouch, indeed!

Much better. And that’s the end!

Wow, that was an elephantine post! I wanted to take yet another opportunity to share the amazing anatomy of elephant feet with you. You’re all now qualified experts if you made it this far!

Any questions?

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This is the mammoth image I remember, from a 1971 book, with no artist credited. It's actually not as good as I remember, by modern standards at least.

This is the mammoth image I remember, from a 1971 book, with no artist credited. It’s actually not as good as I remember, by modern standards at least.

Mammoths and I go way back, not quite to the Ice Age but at least to the late 1970s with my family’s visits to the University of Wisconsin Geology Museum, and Milwaukee Public Museum, to name two prominent places that inspired me. And one of my favourite science books had a colourful mammoth painting on the cover (above), an image that has stayed with me as awesomely evocative.

Stomach-Churning Rating: 3/10. But there’s a butt below, but that’s too late for you now. And there’s poo and other scatological (attempts at) humour. Otherwise, bones and a baby mammothsicle.

Fast forward to the 2000’s and I’m studying mammoths, along with their other kin amongst the Proboscidea (elephants and relatives). I even bumped into a frozen mammoth in Sapporo, Japan, nine years ago–

Yep. That's what it looks like. Nope, not the front end. That orifice is not the mouth. This is the XXXXX mammoth.

Yep. That’s what it looks like. Nope, not the front end. That dark orifice is not the mouth. This is a mammoth that was found on Bolshoi Lyakhovsky island, in the east Siberian arctic (New Siberian Islands archipelago), in 2003. Just think of finding this and being all excited then realizing, “Jackpot! Wait… Oh man, I just found the ass. I’ve discovered a mammoth bunghole, dammit.” Still, it’s pretty damn amazing, as frozen Ice Age buttocks go. I’d love to find one. I would not be bummed.

found on Bolshoi Lyakhovskiy island in 2003

What I know now that I didn’t realize as a kid, is that a mammoth is an elephant in all but name. Mammoths are more closely related to Asian elephants than either is to African elephants, and all of these elephants are members of the group Elephantidae. If we saw a smallish Columbian mammoth, we’d probably mostly look upon it as similar to a slightly hairy Asian elephant (but a scientist would be able to spot the distinctive traits that each has). Only woolly mammoths adopted the uber-hirsute state that we tend to think of as a “mammoth” trait. Think about it: a big animal would benefit most from a thick hairy insulation in an extremely cold habitat, and Columbian mammoths ranged further south than Woolly ones. No mammoths were radically different from living elephants, unless you count the dwarf ones. But as a kid, like most people do, I saw them as something else: an exotic monster of the past, eerily unlike anything today, and bigger too. And mammoths have the added mystique of the extinct.

Now I see mammoths as neither exotic nor that far in the past. Giant ground sloths, now those are still alien and exotic to me. I don’t get them. I know elephants pretty well, and I can understand mammoths in their light and in light of mammoth fossils. Various mammoth species persisted as late as maybe 10,000 (for the Woolly and Columbian species; the latter seeming to vanish earlier) to <4000 (for isolated Siberian forms) years ago, into quasi-historic times. And only some mammoths got larger than African elephants (Loxodonta) do, such as Columbian mammoths (~10,000 kg or more maximal body mass; Loxodonta is closer to 7-10 tonnes at best).

Lately, coincidence has brought me new knowledge of – and even greater interest in – mammoths.

First, a fortunate last-minute visit to Waco, Texas’s “Mammoth Site” (see my Flickr photo tour here) two weeks ago during a short visit to give a talk in that fine central Texan city.

Second, the subject of today’s post: the Natural History Museum’s new special exhibit “Mammoths: Ice Age Giants“, which is open until 7 September. The exhibit was created by the Field Museum in Chicago, but the NHM has given it a special upgrade under the expert guidance of mammoth guru Prof. Adrian Lister of the NHM, who was very kind to give me a tour of the exhibit.

What follows is primarily a photo-blog post and review of the exhibit, but with some thoughts and facts and anecdotes woven through it. Dark setting, glass cases, caffeination, crowds, and mobile phone camera rather than nice SLR in hand means that the quality isn’t great in my images– but all the more reason to go see the exhibit yourself! All images can be clicked to em-mammoth them.

On entry, one views a mammoth skeleton with a timelapse video backdrop that shows how the landscape (somewhere in USA) has changed since ~10,000 BCE.

On entry, one views a mammoth skeleton with a timelapse video backdrop that shows how the landscape (somewhere in USA) has changed since ~10,000 BCE.

The first part of the exhibit does a nice job of introducing key species of Proboscidea (elephants and their closest extinct relatives), with a phylogeny and timescale to put them into context, starting with the earliest forms:

The first part of the exhibit does a nice job of introducing key species of Proboscidea: from early species like Moeritherium...

from species like the tapir-sized Moeritherium

Skull of Moeritherium, reconstructed. Not that different from an early sirenian (seacow) in some ways, and general shape.

Skull of Moeritherium, reconstructed. Not that different from an early sirenian (seacow) in some ways, and general shape, whereas still quite a long way from a modern elephant in form– but the hints of tusks and trunk are already there.

...To the early elephantiform Phiomia, here shown as a small animal but I'm told it actually got quite large. And continuing with giant terrestrial taxa...

…To the early elephantiform Phiomia, here shown as a smallish animal but I’m told it actually got quite large. And continuing with giant terrestrial taxa…

I was awed by this reconstruction of the giant early elephantiform relative Deinotherium, with the short, swollen trunk and downturned tusks-- so bizarre!

I was awed by this reconstruction of the huge early elephantiform-relative Deinotherium, with the short, swollen trunk and downturned tusks– so bizarre!

Looking down onto the roof of the mouth of a NHM specimen of Deinotherium.

Looking down onto the roof of the mouth of an NHM specimen of Deinotherium. Big, sharper-edged, almost rhino-like teeth; far from the single mega-molars of modern elephants.

The lower jaw (top) and fairly straight tusk (bottom) of the widespread, early elephantiform Gomphotherium.

The lower jaw (top) and fairly straight tusk (bottom) of the widespread, early elephantiform Gomphotherium.

The big "shovel-tusker" elephantiform Amebelodon. This was one of the earliest stem elephants I learned of as a kid; the odd tusks still give me a sense of wonder.

The big “shovel-tusked” elephantiform Amebelodon. This was one of the earliest stem elephants I learned of as a kid; the odd tusks still stir wonder in me.

Amebelodon lower jaw, sans shovel tusks.

Amebelodon lower jaw, sans shovel tusks. Extended chin looks like some sort of childrens’ fun-slide. To me, anyway.

Next, there are some fun interactive displays of elephant biomechanics!

How would a mammoth hold up its head? This lever demonstration shows how a nuchal ligament helps.

How would a mammoth hold up its head? This lever demonstration shows how a nuchal ligament helps. Tension on the nuchal ligament is a force that acts with a large lever (represented by the big neural spines on the vertebrae around the shoulders, forming the mammoths’ “hump” there), creating a large moment (i.e. torque; rotational force) that holds the head aloft.

I love this robotic elephant trunk demonstration. It captures some of the weirdness of having a muscular hydrostat attached to your lip.

I love this robotic elephant trunk demonstration. It captures some of the weirdness of having a muscular hydrostat attached to your lip and nostrils. Not so easy for a human to control!

But forget the myths about elephants having 40,000 to 150,000 muscles in their trunk. They have three muscle layers: a circumferential one, an oblique one and a longitudinal one. Like any muscles, especially ones this large, the layers each consist of many muscle fibres. That’s where the 40-150k myth comes from, but muscle fibres (cells) are at a more microscopic level than whole muscles (organs). Elephants do have excellent control of their trunks, but it’s not magical. It’s just different.

Then we come to the centrepiece of the exhibit, the ~42,000 year old Woolly mammoth (Mammuthus primigenius) baby “Lyuba“, which the NHM added to the original exhibit in this new version, as a star attraction — and a big win. Adrian Lister related to me how he’d never seen Lyuba in person before (access to it was tightly guarded for years). So when the NHM received the crate and held a press event to open it and reveal Lyuba, a journalist asked Adrian to act excited, to which he responded something like, “I don’t need to act! I’m very excited!” I would be, too! Full story on Lyuba’s arrival, by NHM site here. A key paper on Lyuba by Fisher et al. is here.

Studies of tooth growth in Lyuba reveal her gestation period (like living elephants, around 22 months), season of birth (early spring), and age at death (1 month), among other information.

Studies of tooth growth in Lyuba reveal her gestation period (like living elephants, ~22 months), season of birth (early spring), and age at death (~1 month), among other information.

Here we can see the right ear, which was gnawed off along with the tail by dogs of the reindeer herders that found and retrieved Lyuba. Regardless, there's loads of anatomy preserved! A hump of juvenile "brown fat" atop the head, very strange flanges on the trunk (also visible in 1 other frozen mammoth specimen, but here preserved very clearly!), and more visible postcranially...

Here we can see the right ear, which was gnawed off along with the tail by dogs of the reindeer herders that found and retrieved Lyuba in 2006. Regardless, there’s loads of anatomy preserved!

A hump of juvenile “brown fat” sits atop the head and neck of Lyuba. This probably was  metabolized during growth to warm the baby; brown fat is packed with mitochondria and thereby conducts what is called “non-shivering thermogenesis”. Furthermore, Lyuba has very strange flanges on the trunk (also visible in 1 other frozen mammoth specimen, but here preserved very clearly! What were they used for?). More details are visible postcranially…

The body was naturally “freeze-dried”, with the addition of later rounds of soaking in formalin and ethanol, leaving the body dessicated and stiff, permanently stuck in a lifelike pose as seen below:

Whole view from an exhibit panel (you cannot photograph the specimen but these are fair game!). Here we see hair on the right forearm and remnant of the ear, and the labia and nipples showing it is a female mammoth are also preserved. The head-hump is lost during growth, and the shoulder changes to change the Asian elephant-like convex curvature of the back into the characteristic humped-shoulder form of a mammoth. But ontogeny still reveals the evolutionary connection of Elephas and Mammuthus.

Whole view from an exhibit panel (you cannot photograph the specimen but these are fair game!). Here we see hair on the right forearm and remnant of the ear, and the labia and nipples showing it is a female mammoth are also preserved. The head-hump is lost during growth, and the shoulder changes to change the Asian elephant-like convex curvature of the back into the characteristic humped-shoulder form of a mammoth. But ontogeny still reveals the evolutionary connection of Elephas and Mammuthus.

Lyuba and scientists studying her, which also shows how rigid the carcass is.

Lyuba and scientists studying her, which also shows how rigid the carcass is; one can almost stand it up. Inside the digestive tract, researchers found chewed up plant material that was probably dung eaten by the baby to gain vital bacterial digestive flora, and Lyuba had plenty of body fat and ingested milk, indicating that she did not starve to death. Rather, vivianite in the respiratory tract indicates drowning as the cause of her demise. Perfusion of the body by these vivianites may have helped to preserve the body.

Answering an question the public may be wondering about: is the hype about cloning a mammoth very soon true? Nope. Well addressed, including what to me is the urgent question: would cloning a mammoth be ethical?

Answering a question the public may be wondering about: is the hype about cloning a mammoth very soon true? Nope. Well addressed, including what to me is the urgent question: would cloning a mammoth be ethical?

The fourth part of the exhibit takes on a largely North American focus to first illustrate what mammoths were like biologically, and second to wow the visitor with some huge beasts in full body, full scale glory, as we shall see!

Mammoth hair! These samples and recent molecular studies show that mammoths were not ginger-coloured as we long thought, but rather the ginger color comes as the dark grey-brown-black colour fades postmortem, as a preservational artefact. I didn't know that; cool.

Mammoth hair! These samples and recent molecular studies show that mammoths were not ginger-coloured as we long thought, but rather the ginger color comes as the dark grey-brown-black colour fades postmortem, as a preservational artefact (story here). I didn’t know that; cool.

Mammoth chow!

Mammoth chow! I liked this addition to the exhibit. This brought mammoth ecology closer to home for me.

Mammoth poop!

Mammoth poop!

After the biology explanations, let there be megafauna!

Mammoth skull! A nice one, too.

Mammoth skull! A nice one, too.

Top predators of Ice Age North America: Arctodus (short-faced bear) and Homotherium (sabre-toothed cat).

Top predators of Ice Age North America: Arctodus (short-faced bear– does the short face mean they were happy, unlike a long face? Sorry but they never are shown as very happy, unless it is the joy of whupass) and Homotherium (the other sabre-toothed cat; not the longer-toothed Smilodon).

Skulls of North American megafauna: left to right, top to bottom: horse, short-faced bear, giant sloth, then camel, sabretooth,  rabbit, direwolf (viva Ned Stark!), and pronghorn antelope.

Skulls of North American (mega)fauna: left to right, top to bottom: horse, short-faced bear, giant ground sloth, then camel, sabretooth cat, rabbit, direwolf (viva Ned Stark!), and pronghorn antelope.

Mastodon skeleton!

Mastodon (Mammut americanum) skeleton!

Mammoths seem to have been wiped out by a combination of climate change and habitat fragmentation, combined with what this item symbolizes: human hunting. This beautiful piece is the main part of an atlatl, or javelin-hurling lever. It would give Ice Age hunters the extra power they'd need to penetrate mammoth hide and cause mortal injuries.

Mammoths (and perhaps mastodons, etc.) seem to have been wiped out by a combination of climate change and habitat fragmentation, combined with what this item symbolizes: human hunting. This beautiful piece is the main part of an atlatl, or javelin-hurling lever. It would have given Ice Age hunters the extra power they’d need to penetrate mammoth hide and cause mortal injuries. It is also a great tie-in to my recent post on the British Museum’s odd-animals-in-art.

Finally, the exhibit surveys the kinds of mammoths that existed- there is a huge reconstruction of a Columbian mammoth near the mastodon (above), then smaller kinds and discussions of dwarfism, which is another strength of NHM mammoth research:

Woolly mammoth lower jaw (right) and its likely descendant, the pygmy mammoth of the Californian coastline, Mammuthus exilis.

Woolly mammoth lower jaw (right) and its likely descendant, the pygmy mammoth of the Californian coastline, Mammuthus exilis.

The world's smallest mammoth (left), molar tooth compared with that of its much larger ancestor Palaeoloxodon. The status of Mammuthus creticus as a dwarf mammoth from Crete was cemented by Victoria Herridge and colleagues, including Adrian Lister at the NHM.

The world’s smallest mammoth (left), molar tooth compared with that of its much larger ancestor Palaeoloxodon. The status of Mammuthus creticus as a dwarf mammoth from Crete was cemented by Victoria Herridge and colleagues, including Adrian Lister at the NHM.

Pygmy mammoth reconstruction. Shorter than me. I want one!

Pygmy mammoth reconstruction. Shorter than me. I want one!

In the end, from all that proboscidean diversity we were left with just 2 or 3 species (depending on your species concepts; it's probably worth calling the African forest elephant its own species, Loxodonta cyclotis). The exhibit closes with a consideration of their conservation and fate. Ironically, this elephant skull could not be mounted with its tusks on display, because that would be commercializing ivory usage-- even though the whole point of the exhibit's denouement is to explain why elephants need protection!

In the end, from all that glorious proboscidean diversity we were left with just 2 or 3 species of elephantids today (depending on your species concepts; it’s probably worth calling the African forest elephant its own species, Loxodonta cyclotis). The exhibit closes with a consideration of their conservation and fate. Ironically, this elephant skull could not be mounted with its tusks on display, because that would be commercializing ivory usage– even though the whole point of the exhibit’s denouement is to explain why elephants need protection!

Reactions to the exhibit: the photos tell the tale. It’s undeniably great, in terms of showing off the coolness of mammoths, other proboscideans and Ice Age beasties, to the general public. I felt like the factual content and learning potential was good. It didn’t feel at all like pandering to the lowest common denominator like some other exhibits I’ve seen (cough, Dino Jaws, cough). I loved the reconstructions, which were top quality in my opinion. I could have done with some more real skeletons, yet more realistically the exhibit hall was already large and full of cool stuff. But give me a break: Lyuba. This trumps everything. Going to see a real friggin’ frozen mammoth baby buries the needle of the awesomeness meter on the far right. That’s pretty much all I need to say. The spectacle was a spectacle.

This exhibit shows a lot of work, a lot of thought, and a personalized NHM touch that reflects the actual research (even very recent work!) that NHM staff like Prof. Lister are doing with collaborators around the globe. What more could we want, a herd of cloned mammoth babies frolicking around and tickling guests with their flanged trunks? Don’t hold your breath.

You’ve got just over 2 months to see the exhibit. Don’t come complaining on September 8 “BBBBBbbbut I didn’t know, I didn’t think it would be that cool! I just thought there’d be a guy in a Snuffleupagus suit signing autographs!” You have a duty as a Freezerino to go bask in the frozen glory of these Ice Age critters. There may be an exam at the end. 🙂

Is the exhibit kid-friendly? More or less. The text is more targeted at teenager-level or so, but the visual impact is powerful without it. I’d warn a sensitive child about the withered baby mammoth body before showing it to them, so they aren’t caught off guard and scarred by the experience. I saw plenty of kids in the exhibit and they all seemed happy. Parents may want to linger longer and absorb all the interesting information, whereas kids may blitz through or goof around, so plan accordingly if you’re inbound with sprogs.

You know what I was eyeing up in the gift shop...

You know what I was eyeing up in the gift shop…

Aside: The frozen mammoths get me wondering- what else does the Siberian (or extreme northern Canadian/Scandinavian) permafrost conceal? There are a lot of awesome Ice Age megafauna I’d cut my left XXXXX off to study quasi-intact… think about how amazing it would be to find a giant ground sloth (not bloody likely), sabretooth cat, or other species. There’s a lot of north up north. A lot of space and ice. A lot could happen. And climate change will make discoveries like this more likely, while the melting (and humanity) lasts…

Wool we ever find the Lyuba of woolly rhinos? It could happen.

Wool we ever find the Lyuba of woolly rhinos (Coelodonta)? Cast of a mummified woolly rhino from the NHM’s entry hall. More of these finds are likely, I’d say.

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A very short post here to plug BBC Radio 4’s excellent second series of “Just So Science”. These are 15 minute stories involving a reading of parts of Rudyard Kipling’s great British/natural history stories, and then examining how the science of today informs us about the real lives of animals, without resorting to just-so stories a la Kipling (co-opted as a term in evolutionary biology, too!). I was featured last year on rhinos.

I’m featured this year on kangaroos (now available online) and elephants (also available online now). I just listened to the kangaroo episode and it was good fun. I’ve studied the biomechanics of kangaroos a bit, in as-yet unpublished work featured here in a BBC News story (video from that work is below), and we’ve done other work on their bone morphology and how it relates to body size that is sure to come out in not too long.

Don’t blink! Or, for your enjoyment, a looping GIF:

kangaroo hop

My freezers feature heavily in one bit, in which you can hear me vent my frustrations about an unlabelled bag and stacks of specimens– where is the wallaby? And what’s that crinkling noise?

Best beloved, it is the sound of science. Just so. Enjoy!

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Welcome back to my two-part British Museum series; I covered crocodiles before. Here, I celebrate the less common creatures depicted in human art, design and culture. And we begin back in Egypt, with a bit of crocodile to provide a nice segue:

With the head and torso of a hippo, the legs of a lion and the tail of a crocodile, the Egyptian goddess Taweret just rocks. More info here- https://www.britishmuseum.org/explore/highlights/highlight_objects/aes/b/breccia_statue_of_taweret.aspx

With the head and torso of a hippo, the legs of a lion and the tail of a crocodile (not easily visible here), the Egyptian goddess Taweret just rocks. More info here.

Anatomy in art is best when the anatomy is actually used as a substrate for art, as in this later piece from Egypt, and another piece that follows it:

Scapula (shoulder blade) from an ox, from Roman Egypt. Click to embovine for closer examination and explantion.

Scapula (shoulder blade) from an ox, with Roman enscriptions. Click to embovine for closer examination and explanation.

~8000 BC red deer antler headdress from England (click to enstaggen for closer examination and text details).

~8000 BC red deer antler headdress from England (click to enstaggen for closer examination and text details in upper left). Picturing an Ice Age shaman wearing this gives me a sense of awe.

Human anatomy in our artwork, to my mind, reaches its pinnacle in Aztec religious masks like this, which was too cool to omit:

Use of a human skull to make a stunning mask decorated with obsidian, representing Tezcatlipoca, the Smoking Mirror and master of creation/destruction; slayer of Quetzalcoatl. Badass dial turned to 11!

Use of a human skull to make a stunning mask decorated with obsidian, representing Tezcatlipoca, the Smoking Mirror and master of creation/destruction; slayer of Quetzalcoatl. Badass dial turned to 11! He is also sometimes represented as a jaguar.

Continuing the mask theme, the following masks show off sawfish, sharks and other species from the region:

Awesome diversity of ceremonial fish masks from Africa.

Awesome diversity of ceremonial fish masks from Africa.

Lions find their way into plenty of artwork such as European royal heraldry. Yet the huge depictions of an Assyrian lion hunt in the British Museum are not only anatomically impressive but also evocative of a time long past, when Asian lions ranged far across human territories. In viewers today, however, they may inspire more sympathy for the fleeing lions than awe for the lordly charioteers, horsemen and archers that pursue them.

Assyrian lion hunt Royal Lion Hunt

I finish with some statues and other depictions of animals that are more globally uncommon than lions:

You don't see tapirs much in art but here seems to be one, as a bronze statuette from ~400s AD in China.

You don’t see tapirs much in art but here seems to be one, as a bronze statuette from ~400s AD in China.

Statue of the Indian elephant diety Ganesha from ~750 AD. As the placard explains, Ganesha got his elephant's head when Shiva freaked out and cut off the human one, then promised to make amends by substituting the head of the next animal he saw.

I love Indian artwork for its plethora of proboscideans. Here, a statue of the Indian elephant diety Ganesha from ~750 AD, engaged in a dance. As the placard explains, Ganesha got his elephant’s head when Shiva freaked out and cut off the human one, then promised to make amends by substituting the head of the next animal he saw.

North Chinese (~11-12th century) ceramic plate depicting a funky, vaguely humanoid dancing bear tied to a pole.

More dancing! North Chinese (~11-12th century) ceramic plate depicting a funky, vaguely humanoid dancing bear tied to a pole. The anatomical exaggerations here make the piece more memorable and vaguely demonic, but not so much as the next item.

The dance is over, thanks to ass demons. That’s right, ass demons. Many Burmese were surely frightened or inspired by these terracota warriors from 1400s AD. These warriors represented king Mara’s forces that attempted to disrupt the Buddha’s meditation. As ass demons would tend to do. (I hate it when that happens)

I hope you enjoyed this brisk dance through atypical animals and their anatomy in artwork! Coming next, a look at one of the greatest anatomists ever.

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…a daily picture of anatomy! And today it is four pictures; da-da-dee! ♫

Welcome back again, again to Freezermas! 

Today I’m shimmying down your interwebz with a late delivery. I’ve promised before to show how we clean up our nasty gooey skeletons to preserve them for future research to use. This is the intended final destination of all critters that are tenants of my freezers– the freezer is just a lovely holiday home, but bony heaven is the end result. I’ve accumulated a little museum of the bones of exotic animals I’ve studied, using these cleaned specimens. Here is how I do that preservation– there are four basic steps, and I’ll show them in four photos.

Stomach-Churning Rating: 8/10; first just dry bones, but then some gooey bones and by the end we ratchet it up to bloody organs.

Step 1) We get the deceased animal from various zoos and other EU sources, CT/MRI scan it, and dissect it. That’s what most of this blog focuses on, so I won’t show that. But I will show the end result, and then how I get to that:

ele-rhino-bones

Those are some elephant and rhino bones, some of which you saw on the 2nd day of Freezermas. Elephant bones are super greasy; it’s almost impossible to get rid of that brown grease visible in this photo (upper LH side) without making the bones brittle and over-bleached. The bones of the whiter white rhino on the right show what I’m usually aiming for. How do I get this done? Well, here’s an example for an elephant shank:

Cookin' up elephant shank

I take the elephant shank and make soup.  (above) An Asian elephant’s patella, tibia and fibula were dissected, frozen for many years (queued up for cleaning; much freezer burn occurred on this specimen— it was jerky-fied), and then thawed. I put large specimens in this Rose cooker unit, which is a big ham cooker with a heater unit at the bottom. My baby, a Rapidaire MKV 5-ham unit is shown; oooh, ahhh!

The Rose cooker is filled up with tap water and been set it at around 60-90C. Then I let it cook away! A brothy soup develops, and sometimes it smells rather nice (my favourite aroma is giraffe leg). Sometimes… it’s not so nice. We check it every few hours to top up the water and remove stray tissue, and then change the water every day or so.

An elephant shank like this will take 2-3 days of cooking, longer if only switched on during work hours. The key thing is not to let it cook dry, which happened once with a faulty Rose cooker that did not do its normal auto-shutoff when the water ran low… showing up to work to encounter some fire trucks and unhappy college Health & Safety rep is not a good way to start your day, trust me!

This step is only slightly different for smaller (<30cm) specimens. Rather than the Rose cooker, we use the lovingly named “Croc Crock”, which isn’t visually impressive but you can see it here. As the name indicates, we’ve mainly used it for small crocodiles, and it is a crock pot. (a helpful thing is to add some detergent to the water for these small specimens; then bleaching isn’t so necessary)

Step 2) Then I empty out the water through the bottom spout, do the very nasty job of cleaning out the fat and other tissue that has accumulated (think 20 gallons of goo), hose off the bone, and set it in a ~10% bleach solution for at least a day, or up to a week or so for an elephant bone. Once it’s cleared up, I leave it out to dry (for big elephant bones, copious amounts of grease may be emerging for a few weeks). And then…

Elephant shank bones

Step 3) I varnish the dry bones with a clear varnish, and let them dry. Here is how that elephant shank turned out. Pretty good! Finally, they get to join their friends:

The bone shelves

Step 4) The prepared bones are labelled, given a number/name that I file in a world class comprehensive electronic database (cough, get on that John, cough!), and they become part of my humble mini-museum, shown above. Voila! The chef’s job is finished. Let science be served!

Happy Freezermas! Sing it: “On the fourth day of Freezermas, this blo-og gave to me: one tibiotarsus, two Darwin pictures, three muscle layers, a-a-and four steps of bone cookery!” ♪

Oh it’s Valentine’s day, so, err, have a heart today. Have four, actually!

giraffe heart - 1 white-rhino-heart-Perez Windfall-ele 054

chicken-heart

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