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I’ve been meaning to revisit a Rankin-Bass (yes, of The Hobbit animated film fame!) classic stop-motion film, “The Year Without a Santa Claus” (1974). I grew up on it, and now I can share it with my daughter because she’s of an age at which it now won’t scare the shit out of her. Rankin-Bass also did that uber-classic Crimbo flick with Rudolph and the Abominable Snowman– they knew how to handle cold-themed programming, those folks did!

I still think of the “Bumble” almost every freaking time I reach up high to grab something for someone that is vertically challenged– i.e. this scene:

Abominable Snowman

I’m OK with being the Bumble. He’s pretty cool.

ThunderCats was rambunctiously rocking, too– snarf. The Last Unicorn, too. Rankin-Bass, R.I.P., sniff… Anyway, back to “The Year Without a Santa Claus”, and the topic for today.

The film has some fabulous big band music, especially in this sequence with smooth operator Mr. Snow Miser (and that blowhard Heat Miser; you know who this blog favours!). If you’ve never experienced it, or like me it’s been >25 years since you’ve seen it, check it out via the magic of YouTube:

Summer is coming to our northern hemisphere, and winter is coming to the south, so let’s all celebrate the cold/hot dichotomy together now.

Here is the whole film (50 min):

(for once I agree with a YouTube commenter: the Misers steal the show!)

No scientists were harmed in the making of that film. But there was no science in my post, either…

ICVM is coming

I’m writing my talks for the ICVM conference and need some breaks, for which social media is very therapeutic. But I’ll be sharing at least one of my talks from that conference here on this blog, so stay tuned– the blog will be featured prominently in that talk!

Sneak peak here, of the intro slide, to whet your appetites I hope–

ICVM2013-Hutchinson-morphology2

Extra bonus plug: Dr. Monica Daley, Senior Lecturer at the RVC’s Structure & Motion Lab, has a team that is blogging about their research-in-progress on using experimental studies of living birds to help build better legged robots — and using the robots to understand the birds, too! Check out their new ATRIAS blog here– http://atriasatrvc.wordpress.com/ and the wonderful video just posted, of Greg the Guineafowl’s excellent running!

(video by Dr. Yvonne Blum, postdoc with Dr. Daley’s research team; I take no credit)

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A photo blog post for ya here! I went to Dublin on a ~28 hour tour, for a PhD viva (now-Dr Xia Wang; bird feather/flight evolution thesis) earlier this month. And I made a beeline for the local natural history museum (National Museum of Ireland, Natural History building) when I had free time. So here are the results!

Stomach-Churning Rating: Tame; about a 1/10 for most, but I am going to break my rule about showing human bodies near the end. Just a warning. The bog bodies were too awesome not to share. So that might be 4/10-8/10 depending on your proclivities. They are dry and not juicy or bloody, and don’t look as human as you’d expect.

Simple Natural History museum entrance area.

Simple Natural History museum entrance area.

Adorable frolicking topiaries outside the NHM.

Adorable frolicking topiaries outside the NHM.

Inside, it was a classical Victorian-style, dark wood-panelled museum stuffed with stuffed specimens. It could use major refurbishment, but I do love old-fashioned exhibits. Get on with it and show us the animals; minimize interpretive signage and NO FUCKING INTERACTIVE COMPUTER PANELS! So by those criteria, I liked it. Some shots of the halls: hall2 hall1 hall3 hall4 hall5 hall6 And on to the specimens!

Giant European deer ("Irish elk"). I looked at these and thought, "why don't we see female deer without antlers ever? then noticed one standing next to these; photo was crappy though. :(

Giant European deer (“Irish elk”). I looked at these and thought, “why don’t we see female deer without antlers ever? then noticed one standing next to these (you can barely see it in back); too bad my photo is crappy.

Superb mounted skeleton of giraffe (stuffed skin was standing near it).

Superb mounted skeleton of giraffe (stuffed skin was standing near it).

A sheep or a goat-y thingy; I dunno but it shows off a nice example of the nuchal ligament (supports the head/neck).

A sheep-y or a goat-y beastie; I dunno but it shows off a nice example of the nuchal ligament (supports the head/neck).

Yarr, narwhals be internet gold!

Yarr, narwhals be internet gold!

Giant blown glass models of lice!

Giant blown glass models of lice!

Who doesn't like a good giant foramanifera image/models? Not me.

Who doesn’t like a good giant foramanifera image/model?

"That's one bigass skate," I murmured to myself.

“That’s one bigass skate,” I murmured to myself.

"That's one bigass halibut," I quipped.

“That’s one bigass halibut,” I quipped.

Tatty basking shark in entry hall.

Tatty basking shark in entry hall.

Irish wolfhound, with a glass sculpture of its spine hanging near it, for some reason.

Irish wolfhound, with a glass sculpture of its spine hanging near it, for some reason.

Stand back folks! The beaver has a club!

Stand back everyone! That beaver has a club!

Skull of a pilot whale/dolphin.

Skull of a pilot whale/dolphin.

Nice anteater skeleton and skin.

Nice anteater skeleton and skin.

Nice anteater skeleton and skin.

Nice wombat skeleton and skin.

Sad display of a stuffed rhino with the horn removed, and signage explaining the problem of thefts of those horns from museum specimens of rhinos worldwide.

Sad display of a stuffed rhino with the horn removed, and signage explaining the problem of thefts of those horns from museum specimens of rhinos worldwide.

But then the stuffed animals started to get to me. Or maybe it was the hangover. Anyway, I saw this…
creepy proboscis (1) creepy proboscis (2)

A proboscis monkey mother who seemed to be saying “Hey kid, you want this yummy fruit? Tough shit. I’m going to hold it over here, out of reach.” with a disturbing grimace. That got me thinking about facial expressions in stuffed museum specimens of mammals more, and I couldn’t help but anthropomorphize as I toured the rest of the collection, journeying deeper into surreality as I progressed. What follows could thus be employed as a study of the Tim-Burton-eseque grimaces of stuffed sloths. Click to emslothen.

sloths (1) sloths (5)sloths (4) sloths (3) sloths (2)

Tree anteater has a go at the awkward expression game.

Tree anteater has a go at the awkward expression game.


This completed my tour of the museum; there were 2 more floors of specimens but they were closed for, sigh, say it with me… health and safety reasons. Balconies from which toddlers or pensioners or drunken undergrads could accidentally catapult themselves to their messy demise upon the throngs of zoological specimens below. But the National Museum’s Archaeology collection was just around the block, so off I went, following whispered tales of bog bodies. There will be a nice, calm, pretty photo, then the bodies, so if peaty ~300 BCE cadavers are not your cup of boggy tea, you can depart this tour now and lose no respect.

Impressive entrance to the National Museum's Archaeology building.

Impressive entrance to the National Museum’s Archaeology building.

The bog bodies exhibit is called “Kingship and Sacrifice“. It is packed with cylindrical chambers that conceal, and present in a tomb-like enclosed setting, the partial bodies of people that were killed and then tossed in peat bogs as honoraria for the ascension of a new king. The peaty chemistry has preserved them for ~2300 years, but in a dessicated, contorted state. The preservation has imparted a mottled colouration and wrinkled texture not far off from a Twix chocolate bar’s. Researchers have studied the bejesus out of these bodies (including 3D medical imaging techniques) and found remarkable details including not just wounds and likely causes of death (axes, strangling, slit throats etc) but also clothing, diet, health and more.

Here they are; click to (wait for it)… emboggen:

BogBodies (1) BogBodies (2) BogBodies (3) BogBodies (4) BogBodies (5) BogBodies (6)

Did you find the Celtic armband on one of them?

Finally (actually this happened first; my post is going back in time), I visited UCD’s zoology building for the PhD viva and saw a few cool specimens there, as follows:

Giant deer in UCD zoology building foyer.

Giant deer in UCD zoology building foyer, with a lovely Pleistocene landscape painted on the wall behind it.

Sika deer in awkward posture in Univ Coll Dublin zoology building's foyer.

Sika deer in an awkward posture (what is it supposed to be doing?) in Univ Coll Dublin zoology building’s foyer.

The pose of this ?baboon? struck me as very peculiar, and menacing- reminiscent of a vampire bat's pose, to me.

The pose of this ?baboon?mandrill struck me as very peculiar and menacing- reminiscent of a vampire bat’s pose.

A whole lotta chicken skeletons in a UCD teaching lab.

A whole lotta chicken skeletons in a UCD teaching lab.

After the viva we went out for some nice Chinese food and passed some Dublin landmarks like this:

Trinity College entrance, I think.

Trinity College entrance, I think.Former Irish Parliament; now the Bank of Ireland.

And we wandered into a very posh Irish pub called the Bank (on College Green), which displayed this interesting specimen, as well as some other features shown below:

Replica of illuminated old Gaelic manuscript.

Replica of illuminated 9th Century gospel manuscript “The Book of Kells”, with gorgeous Celtic art.

Vaults near toilets in the Bank pub.

Vaults near toilets in the Bank pub. Almost as cool as having giant freezers down there.

Nice glass ceiling of the Bank pub.

Nice glass ceiling of the Bank pub.

And Irish pub means one big, delicious thing to me, which I will finish with here– much as I finished that night off:

Ahhh...

Ahhh… ice cold.

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So in my last post I promised to put up the videos of my cat biomechanics footage online (cut scene from “The Secret Life of the Cat” documentary). Here I deliver on that promise.

Note that all this footage was filmed at 250 frames/second, so it is 10 times faster than conventional UK/EU (PAL format) video and thus it plays 10x slower if replayed at PAL format speeds. Hence it is often called “slo-mo”/slow motion video. However, most experts would call it high speed video due to the high frame rate that gives us higher temporal resolution, ideal for studying fast movements.

It was cold that day; indeed the Colchester Zoo area where we filmed the tiger videos below had been snowed in earlier; so the posting of these videos on my freezer-based blog is DEFINITELY apropos.

First, the cat (named Ricochet, not Rocket, I now recall; I’m sure you’re all ineffably outraged at this mistake in my prior post) that we filmed to show how a standard; if rather shy; cat walks:

Second, here I am goofing off. High speed video is so fun! OK actually I was testing the video camera to ensure it worked; we only got one chance with each of 2 tigers. As you can imagine it’s not easy to get a tiger back in its indoor enclosure when it’s nice and sunny outside! So my gear needed to work, and it did, despite the cameraman’s bum being in the shot here:

Third, a tiger whom we filmed at Colchester Zoo. It nonchalantly strolled out of its indoor enclosure upon release. No drama. It was a bit unnerved by our presence but took its time.

Finally, this is the video that we were really hoping for with the tiger; a dramatic turn and gallop out of the “tiger chute” into its main enclosure:

Pretty nice! And thanks to the magic of blogging, you get to see it, rather than having it banished forever to the purgatorial cutting room floor!

Here are some parting shots of the male tiger happily checking out his snowy paddock upon release, and then…

Tiger outdoors

I turned around and he was checking me out; I was just on the other side of the fence. That was a fun surprise! Some close-up time with a curious tiger.2013-03-12 12.38.13

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This is a rant, but stick with me and this rant might have a silver lining toward the end, or at least a voice of reason within the roiling cloud of bitter blog-scowling. And there are pictures of cats.

My little tiger.

My little tiger, Karmella.

Like probably almost anyone in the 21st century that does research in a field of biology, I grew up watching nature documentaries on TV, and that influenced me to become a scientist. Doubtless it remains a powerful influence on other people, despite the massive de-science-ification of certain cable channels ostensibly, or at least potentially, dedicated to communicating science and nature (Animal Planet and History Channel, we’re looking at you).

But now I’ve seen behind the curtain. There’s still magic to behold there (e.g. working with early episodes of Inside Nature’s Giants), to be sure. However, some of my experiences have led me to become increasingly discontented with the relationship between TV documentaries and scientists.

Black leopard with motion capture markers on it, and glowing eyes; from our past studies.

Black leopard with glowing motion capture markers and eyes; eerie image from our past studies.

Here’s a common flow of events, and how they sometimes veer into frustration or worse:

Once a month or so, especially concentrated around this time (May-June-ish), I get a call or email from a documentary producer or researcher who is fishing for expert advice as they build a proposal for a documentary. I’m always very happy to talk with them and direct them to the best researchers to speak to, or papers to read, or to aspects of my own work that fit in with their idea for a documentary. Sometimes their idea is a bad one and I’m not afraid to tell them that and try to steer them toward a better idea; on occasion that seems to work, but more often they have their plan already and are reluctant to deviate from it.

About 3/4 of the time, I either never again hear from these nascent documentaries or else hear back maybe one more time (even to meet for coffee or give them a tour of our campus)– presumably, the proposal fails at that stage as it doesn’t excite executives. I’ve easily grown to accept this status quo after some initial disappointments. Much like in science, some ideas just don’t pass the muster of “peer review”, and documentary makers are operating under more of a market economy than science tends to be. Sifting is inevitable, and the time I spend helping people at this stage is quite minimal, plus it’s fun to see the sausage being made in its earliest stages. All fair so far…?

Alexis and technician setting up gear for one of our past studies of how cats move.

Alexis and technician setting up gear for one of our past studies of how cats move.

The frustration naturally ramps up the more one invests in helping documentaries through their gestation period. I’m sure it’s very frustrating and stressful for TV makers, too, to spend days or months on a project and then have the rug pulled out from under them by those on high. Hopefully they are getting paid for their time; all I can speak to is my experience. My experience is that all this early input I regularly provide is pro bono.

I used to mention that my time is not cheap, and I had a policy (after a few disappointments and lost time) that I should get paid around £100/hour for my time, even at the early consulting stage. That fee went straight into my research funds to help send grad students to conferences or buy small consumables; it was definitely worth my effort and felt very fair. Since the 2008 economic downturn, I’ve rapidly abandoned that policy, because it seems clear to me that documentary makers of late tend to be working on more austere budgets. I’m sympathetic to that, and the payoff for a documentary that gets made with my input is often quite substantial in terms of personal satisfaction, PR/science communication, happy university/grant funders, etc. On rare occasions, I still do get paid for my time (albeit essentially never by the BBC); Inside Nature’s Giants was generous in that regard, for example.

How the leopard got glowy spots: motion capture markers from our past studies.

How the leopard got glowy spots: motion capture markers from our past studies.

But at some point a line needs to be drawn, where the helpful relationship between scientists and documentary makers veers from mutualism into parasitism, or just careless disregard. I’ve been featured in roughly eight different TV documentaries since 2004, but there were almost as many (six or so) other documentary spots that went beyond the proposal stage into actual filming (easily 8+ hours of time) and never aired; either being cancelled entirely or having my scenes cut. All too frequently, I don’t hear about this cutting/cancellation until very late and after my inquiries like “Any news about the air date for your programme?”

Several times I’ve heard nothing at all from a documentary after filming, only to watch the programme and reach the end credits to find no sign of me or my team’s research (in one embarrassing case that really soured my attitude, the RVC had broadcast to the college to watch the show to see me in action, and upon watching we found out I was cut. Ouch!). At that point I really do wonder, is it all worth it? Hours or days invested in calls, emails, paperwork, travel, arranging and replicating an experiment, repeating filmed scenes and lines, working to TV producers’ scripts and demanding timetables. All that is totally worth it if the show gets made. But if the odds are ~60/40 or so that I get cut, I think I have cause to do more than shrug. The people I’ve worked with on documentaries can be wonderfully kind and full of thanks and other approbations, and they often impress me with their enthusiasm for the programme and their very hard, tenacious work making it all happen. It is jarring, then, to find out “Oh, you’ve been cut from the show, I’m so very sorry, the executives made that decision and it was a bitter pill for us to swallow, believe me– take care and I hope we can work together again.”

Above: Performance art illustrating what it’s like to have your science filmed for a documentary, then cut; graciously acted out by a cat (R.I.P.).

My aggravation has resurfaced after filming with BBC Horizon’s new documentary on “The Secret Life of the Cat,” airing right now. Alan Wilson’s team, from our lab, is featured prominently there, so that is fantastic for the Structure & Motion Lab (also check out his purrfectly timed Nature paper on cheetah agility vs speed, also from this week!). It’s hopefully going to be a nifty show; I’ve seen some of the behind-the-scenes stuff develop. (EDIT: I’ve seen it now and it was pretty good in terms of imagery and showing off Alan’s team’s technology, but the science was pretty weakly portrayed– even laypeople I’ve spoken to said “Cats avoid each other… duh!” and the evolutionary storytelling didn’t convince me as much as I’d like; it came across as arm-waving, which is a shame if the two featured cat researchers actually have built a scientifically reasonable case for it. One could not tell if the “changes” in 1 village’s cats evidenced by 1 week’s observation were happening within a cat’s lifetime or were truly evolutionary and recent. I don’t think I’ll watch the 2nd segment.)

I was filmed for a segment which probably would have been in the 2nd part of the show airing on Friday night, but I found out last week that it got cut with a week left before airing. I will be watching the show anyway, of course. I’m not that bitter. The segment featuring my team’s research was about how cats of different sizes do not do what other land mammals do, which is to straighten their legs as size increases across evolutionary spans. This helps support their body weight more effectively, but I explained in the filming segment that in cats, the lack of a change of posture in size may have other benefits despite the cost in weight support: it can make them more stealthy, more agile/maneuverable (segue to the cheetah paper cited above!), or even better able to negotiate rough terrain. Hence a domestic cat is in a biomechanical sense in many ways much more like a tiger than it should be for a “typical mammal”– an athlete, specialized for the hunt. And smaller cats are relatively much more athletic than bigger ones because they don’t suffer from the reduced ability to support body weight that bigger cats do. This may be, for example, why cheetahs are not very large compared with tigers or lions; they are at a “happy medium” size for agility and speed. But this all got cut, I am told.

Random cat that sidled up to us during some research into cat movements; so meta!

Random cat that sidled up to us during some research into cat movements; so meta!

For my would-be-part in the show, we recreated experiments that I did with then-postdoc Alexis Wiktorowicz Conroy and others (a paper yet to be published, but hopefully coming very soon) that showed how cats large and small use such similar mechanisms in terms of postures as well as forces and moments (rotational forces). In these recreations, I got an RVC clinician to bring her cat Rocket (?IIRC) Ricochet over to be filmed walking over forceplates with high-speed video recording it. The cat didn’t do much for us; it probably found our huge lab a bit overwhelming; but it did give us at least one good video and force trace for the programme. Next we did the same thing with two tigers at Colchester Zoo, and got some excellent footage, including a tiger launching itself out of its indoor enclosure to come outside, while rapidly making a turn past the camera. The latter tiger “ate” (well, ripped to shreds, literally) the rubber mat that covered my pressure pad, too, which was mostly funny — and the film crew has reimbursed me for that as well as for the drive to/from the zoo. The filming experience was good; the people were nice; but the end result was a bummer.

Advantage of visiting Colchester Zoo: meeting a baby aardvark (not a cat).

Advantage of visiting Colchester Zoo for research:  going behind the scenes and meeting a baby aardvark (that’s not a cat).

My segment, as far as I could tell, had cool footage and added a nice extra (if intellectual) context to the “secret life of cats” theme, so it’s a shame that it got cut. I heard that famed Toxoplasma-and-cat-behaviour researcher Prof. Joanne Webster‘s segment also got cut, so at least I’m in good company. I don’t have those cool videos of slo-mo cats and tigers with me now but will put them up early next week on my Youtube channel; stay tuned. They won’t ever show up on a documentary anyway; typically when footage gets cut it just vanishes into TV-land’s bowels.

So I’m not happy. Not at all. Bitter? Yeah, a bit. Spoiled brat scientist? I’d say that would be an overly cynical perspective on it. I do recognize that I am lucky that the research I do has a strong public appeal sometimes; many scientists will never be in a documentary or get much PR of any kind. But I think anyone has a right to examine their situation in life and ask, applying basic logic, whether it is fair treatment under the circumstances. Hence I have become disillusioned and angry about the relationship of documentary makers and scientists. Not just me, but us scientists in general. We’re unpaid actors playing sizeable roles and with major expertise. We give documentaries some sci-cred, too, simply by appearing onscreen with “Professor Snugglebunny from Smoochbridge University” in the caption. Supposedly, and often truly, we get good PR for it, when our segments don’t get cut or are not edited to obliterate the context or due credit. But it’s those latter instances that raise the question of fairness. If the segment gets cut, we simply have wasted our time. And to a busy scientist, that is like jabbing me with a hot poker.

Serenity now!

Serenity now!

[Aside: I’m waiting to hear what has happened to another documentary I was filmed for, and again spent ~2 days on, Channel 5’s “Nature Shock: Giraffe Feast” which should be airing soon… no word yet if I’ve made the final cut but the show’s airing has been delayed; hopefully not a bad sign. I am crossing my fingers… it seemed like a great show with a cool idea, and my segment raised some fun anatomical and biomechanical issues about giraffes.]

I know I’m not alone. I’m going to end my rant and see what feedback it draws.

But don’t get me wrong— it’s not all sour grapes, not by any means. I’ve still had eight-ish pretty good TV documentary experiences (cough, Dino Gangs, cough!).  I’ve had great experiences working with documentaries; indeed, Inside Nature’s Giants was one of the best experiences of my career to date. And I’m sure many other scientists have had positive experiences. In answer to my provocative “Why bother?” in the headline, there are plenty of good reasons to bother working with documentaries if you are a scientist whose research they want to feature… but only if you have some assurance that it will be worth your while, perhaps? How much of a gamble should we be bothering with? That brings me to my main point, a general query–

But what about the bad? And is it all worth it, in your views, given the risks of wasting time? Do we deserve some scientists’ bill-of-media-rights or something; a documentary-actor-scientists’ guild (90% joking here)? What should our rights be and should we push harder for them? Or do we just sit back and take the good with the bad, biting our lips? (I’m obviously not the type…)

I’d like to hear from not only the seasoned veterans who’ve experienced various ups and downs, but also from anyone that has views, anecdotes; whatever. I’m not aware of anyone collecting horror stories of documentary mishaps and mistreatments experienced by scientists, but that could start here. Please do share; even if you just got a call wondering if you’d want to help a documentary and then never heard back. Who knows where it would lead, but I think it’s helpful to bring these issues to the fore and discuss them openly.

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Just a quickie here! I’m finishing a little sabbatical at Brown University and had a bit of downtime, then ran across this confusing image that seems to have loveable, sometimes-superhero Sesame Street character Grover in it, and also poses a tough but solveable Mystery CT Slice post! So go for it! Can you find Grover? (no points for that) and can you tell us (1) what the image is of (animal/species, region of anatomy, identifiable bits), and (2) what the heck is wrong with this image and why?

Scoreboard is here for easy reference.

Difficulty: fuzzy image, amusing childhood memories.

Stomach-Churning Rating: 1/10 unless you have bad childhood memories associated with Grover.

This is the mystery image below, not the Grover image above! You cheeky monkey.

No rhyming in your answers or you lose 10000000 points! Grover is grumpy today and hates rhymes. He had a bit too much Hefeweissen and polka music last night. Pity the poor creature.

MysteryCT9

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Less words, more pictures in this post, and I’ll get the one lame cake joke out of the way early. I’ve nearly finished my research blitz through the postcranial material of the NHM-Tring’s osteological collection and have made some pit-stops for cake skulls now and then when I see one that pleases me. Now I shall present a survey of some of the species I’ve examined. I’ll proceed up from the base of the crown clade of living birds (Neornithes/Aves; the most recent common ancestor of living birds and all its descendants) and first take a tour of Palaeognathae; the ratites and kin; then move another step up into the Neognathae, first featuring the lineage featuring the ground fowl (Galliformes) and then the waterfowl (Anseriformes). If all this taxonomy and phylogeny is a bit much, check out this page for a brush-up on the bushy branches of bird biodiversity.

First, lots of bones of our cast of currasows, chachalacas, cassowaries and other kooky characters. And then, perhaps, a stop to the excessive alliteration. Finally, I will finish with some examples of species oddity (hat tip to Chris Hadfield).

Stomach-Churning Rating: 2/10- some bony pathologies but still just dry bones. Minimal cake jokes, and no filthy swearing this time.


BRING ON THE BONES:

My photographs are shown with kind permission from the Natural History Museum, London.

Exploded skull of an ostrich/ This takes skill.

Exploded skull of an ostrich, Struthio camelus. This kind of careful preparation takes crazy skill, and creates a thing of rare beauty.

Neat skull of a cassowary, Casuarius casuarius.

Imposing skull of a cassowary, Casuarius casuarius, with a rather worn head casque.

Mummified Owen's Little Spotted kiwi, Apteryx owenii.

Mummified Owen’s Little Spotted Kiwi, Apteryx owenii. The feathers were still soft and fluffy, but I would not call this specimen cuddly.

Dorsal view of the back/hips of the Great Spotted kiwi, Apteryx haasti.

Dorsal view of the back/hips of the Great Spotted Kiwi, Apteryx haasti. I like this photo and am not sure why. The symmetry and shading pleases me, I guess.

Front view of the back/hips of the Great Spotted kiwi, Apteryx haasti.

Front view of the back/hips of the Great Spotted Kiwi, Apteryx haasti, watching over my laptop and watching me while I write this blog on my laptop… so meta(ornithine)!

Wing of a kiwi, showing the fragile bones and feather attachments.

Wing of a kiwi, showing the fragile bones and feather attachments. “Apteryx” = “no wings”… well not quite. Click to emkiwi(?) so you can identify the individual bones, from the humerus right down to the fingers! I love this specimen.

The left leg (in front view) of the elephant-bird, Aepyornis maximus, from Madagascar, with a small moa nearby in left side view.

The titanic left leg (in front view) of the Elephant Bird, Aepyornis maximus, from Madagascar, with a small moa nearby in left side view. There’s so much awesomeness about elephant birds I don’t know where to start, but this is one good place to do so.

Mummified Unulated tinamou, Crypturellus undulatus.

The smaller end of the palaeognath scale: a mummified Undulated Tinamou, Crypturellus undulatus. Somehow the head got stuck into the abdominal cavity underneath the sternum, so this tinamou almost had its head up its arse. A tinamou with head in its proper position looks and sounds like this (video).

And now we take a left turn into the Galloanseres, most basal branch of the neognath birds, to see some of the neglected, strange early branches off from the “main line” that led to the modern diversity of ducks, geeses and swans (Anatinae, Anserinae).

Screamers (Anhimidae) are to Anseriformes as megapodes (see below; brush turkeys) are to Galliformes. By that I mean that both screamers and megapodes are very early branches off the main line of their respective lineages’ evolution, and both are quite strange when seen in that context… an unfair one, frankly; over-focused on the most familiar, “modern” or most speciose group. More about this issue further below.

This was my first hands-on experience with screamer anatomy; I was familiar from reading Tetrapod Zoology and other material about them. Check out the sound that gives them their name here! I’m now a big fan- they have so many strange features: oddly chunky but often very light bones, big feet with long toes, and then these switchblade-wrists, which would make Batman jealous:

Crested screamer, Chauna torquata, showing the wicked spur on the carpometacarpus.

Crested Screamer, Chauna torquata, showing the wicked spur (and smaller one) on the carpometacarpus.

Horned screamer, Anhima cornuta; similar carpometacarpal spur as in Chauna.

Horned Screamer, Anhima cornuta; similar carpometacarpal spurs as in Chauna.

Torso of a screamer seen in top view. Nice narrow body.

Torso of a screamer seen in top view. Nice narrow body, and no uncinate processes (spur-like bony struts that cross the ribs and act as levers for the muscles that move the ribcage during breathing)

The long, gracile, clawed toes of a screamer.

The long, gracile, clawed toes of a screamer. Those toes, especially as they belong to an animal called a screamer, are spooky for me. Note also: very little toe-webbing for a “waterfowl.”

Not to be outdone, on the Galliformes side of Galloanserae, we have some funky headgear in the Maleo (a megapode bird/Megapodiidae; a very basal branch of “brush turkeys” and kin) and curassows (part of the Cracidae; odd South American birds whose males make booming sounds, presumably using their head-casques as resonating chambers?):

Skull of a male maleo, Macrocephalon maleo.

Skull of a male Maleo, Macrocephalon maleo. AR Wallace famously pursued it, and here is its funky call.

Australian brush-turkeys, Alectura lathami i, at the Alma Park Zoo near Brisbane, Australia; they run wild there. Here they are doing what they are best known for: making a mound-like nest.

Australian brush-turkeys, Alectura lathami, at the Alma Park Zoo near Brisbane, Australia; they run wild there. Here they are doing what they are best known for: making a mound-like nest. We were doing kangaroo biomechanics experiments and they were everywhere. I was in awe to see such exotic (to me) birds; locals seemed not so enthused (the birds are loud and make a lot of mess).

Skull of Helmeted curassow, Crax/Pauxi pauxi.

Skull of Helmeted Curassow, Crax/Pauxi pauxi,  showing that resonating chamber. Along with this boom-boom-room, the male uses a piece of food that he holds to draw in the female; if she takes it, then it’s sexy time.

Foot of a Russian Black Grouse, Tetrao tetrix (nothing to do with a certain videogame), with and without flesh.

Foot of a Siberian Black Grouse, Tetrao tetrix (nothing to do with a certain videogame), with and without flesh. Regard the broad, feathered feet, well insulated and with plenty of surface area for prancing around in the snow or moorlands. Tetrao engage in a cool display pattern called lekking, in which the males group together and show off to watching females.

A theme in the section above that is not to be missed is that there is some amazing disparity of anatomical forms in these basal lineages of poultry-relatives. Don’t dismiss the Galloanserae as just boring food-birds! Heaps of not-so-well-studied species exist here, surely with a treasure trove of cool neontological and evolutionary questions waiting for the right person to ask! Darwin’s chickens may get their share of neglect, but that pales in comparison to how little we understand about many basal Galloanserae.

What a lot of people think of as a “ground fowl” or galliform way of life is more of a way of life somewhat typical of the Phasanidae- chickens, pheasants and their familiar kin. Megapodes, curassows, guans, grouse and other Galliformes do not necessarily do things in the “typical” ground fowl way, much as the earlier branches of the Anseriformes don’t always look/act like “proper water fowl” (i.e. Anatidae). The phenomenon at play here is one of the great bugaboos in biology: essentialism— the often implicit misconception that variation away from some abstract ideal is negligible, uninteresting or just not conceivable due to mental blinders. When we say something like “the chicken is a fascinating species” we are sliding down the essentialistic slope. There is no “the chicken.” Not really. Oh dear, speaking of slippery slopes, I’d best stop here before I start talking about species concepts. And no one wants that to happen! Anyway, essentialism still pervades a lot of modern scientific thinking, and has its place as a conceptual crutch sometimes. But in biology, essentialism can be very insidious and misleading. It burrows in deep into the scientific mind and can be hard to root out. Unfortunately, it is entrenched in a lot of science education, as it makes things easier to teach if you sweep aside the exceptions to the essentialist “rules” in biology. I catch myself thinking in static, essentialist ways sometimes. The punishment is no cake for a week; so awful. 🙂

And speaking of “normal” or “typical,” morphology is of course often not that way even within a species, age class or gender. Pathology is a great example; by definition it is abnormal. It is a shattering of the “essence” of animals, brought on by some malady.

Next I’ve highlighted some of the amazing pathologies I’ve seen in the Tring skeletons. There have been so many I’ve been unable to keep track of them– some of these birds had the stuffing beaten out of them, and I’m not talking about Thanksgiving turkeys. Some were captive animals, in which the pathology might be blamed on living an inappropriate environment, but some were wild-caught — given the extreme pathologies, it’s a wonder those even survived to be found, but perhaps less a surprise that they were caught.


BONES GONE BONKERS:

View of left knee of a specimen of the Highland guan, Penelopina nigra, showing some nasty osteoarthritis around the whole joint.

View of left knee of a specimen of the Highland Guan, Penelopina nigra, showing some nasty osteoarthritis around the whole joint. Eew.  A happier Guan sounds like this.

Femora and tibiae of the Blue-throated Piping Guan, Aburria cumanensis. Amazing pathology involving the left femur (broken, rehealed) and tibiotarsus (secondary infection?).

Femora and tibiotarsi of the Blue-throated Piping Guan, Aburria cumanensis. Amazing pathology involving the left femur (broken, rehealed) and tibiotarsus (secondary infection?). Interestingly, the non-fractured limb also showed some pathology, perhaps indicating general infection and/or arthritis in reaction to the severe damage to the other leg, or just increased load-bearing on that leg.

Little Chachalaca, Ortalis motmot, showing a broken and rehealed right femur and the tibiotarsus.

Little Chachalaca, Ortalis motmot, showing a broken and rehealed right femur and the tibiotarsus. As in the guan above, this animal was not walking for many weeks; its femur had snapped in two, but somehow melted back together. The tibiotarsus didn’t look too great, either; lumpy and bendy. In better times, the Chachalaca does the cha-cha like this.

These two specimens blew my mind. On the right is a normal Tetrao tetrix (Black grouse); on the left is one hybridized with another (unknown) species.

These two specimens blew my mind. On the left is a normal Tetrao tetrix (Black Grouse); on the right is one hybridized with another (unknown) species.

In the picture above, what amazed me first was the very unusual flattened pelvis/synsacrum of Tetrao, which characteristically is light and wide. But in the hybrid this morphology was completely gone; the pelvis had a more standard “galliform” (read: Phasianid)-like shape, deeper and narrower and more solid in build. I am guessing that the hybrid was a cross with a pheasant like Phasianus itself, whose anatomy would be more like this. Somewhere in here there is a fantastic evo-devo/morphometrics project waiting to happen.

That’s my quick specimen-based tour of “basal birds”. Beyond these two clades of Palaeognathae and Galloanseres, there lies the forebidding territory of Neoaves: much of living avian diversity, and extremely contentious in its phylogenetic relationships. I’m tackling them next for my research on the evolution of the patella/kneecap. But first, I’ll be at the NHM-Tring today for a whirlwind tour through the respectably speciose “normal” Galloanseres clades of Phasianidae and Anserinae+Anatidae, so off I go! (It’s my wife’s birthday celebration, so cake may have to wait for later this time)

So what do you think? What’s your favourite neglected “primitive” bird group (more apropos: early branching avian lineage that may still be very specialized, rare and poorly understood), or cool factoid about palaeognaths and basal neognaths?

No quaggas were harmed during the writing of this post.

No quaggas were harmed during the writing of this post. Polly wanna quagga?

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Bovids to the right of me, pinnipeds above, what's a guy to do but squee?

Bovids to the right of me, pinnipeds above, what’s a guy to do but squee?

I’ve been doing some osteological studies of the patella (bone in the major tendon in front of the knee; termed a sesamoid) that have included frequent visits to the Natural History Museum’s avian skeleton collection at Tring. It’s a cute little town, northeast of London, in the green county of Hertfordshire where I live and work. The museum at NHM-Tring is a great old school multi-storey display packed with skeletons and stuffed animals in dark wood cabinets, with many critters hanging from wrought iron railings or other suspensions above (see above). I blogged about the Unfeathered Bird exhibit (and book) that just finished up its tour there yesterday. And I’ll be blogging later, as I keep promising, about the cool things I’ve learned during the past year of my studies of the form, function, development and evolution of the patella.

As an aside, I heartily recommend doing research at the NHM-Tring. It’s away from the bustle (and arduous Tube trip) of the South Kensington NHM, and the curatorial staff are immensely helpful… and there is something else that makes the trip even more enjoyable, but you must read more below to find out about it.

Stomach-Churning Rating: 2/10; 150-year-old dry bones. But an advance warning to (1) diabetics and (2) pun-haters, for reasons that will become evident.

Dr Heather Paxton and Dr Jeffrey Rankin, postdoc researchers working on our collaborative BBSRC chicken biomechanics grant (see thechickenofthefuture.com), explain their science to an attentive Darwin.

Dr Heather Paxton and Dr Jeffery Rankin, postdoc researchers working on our collaborative BBSRC chicken biomechanics grant (see thechickenofthefuture.com), use the Structure & Motion Lab whiteboard to explain their science to an attentive Darwin.

Today I have a short pictorial exhibit of something wonderful I ran into while patellavating in the NHM collections. As often happens while doing museum research, I had a serendipitous encounter with a bit of history that blew my mind a little, and had me geeking out. These things happen because museum collections are stuffed with specimens that, to the right eyes or the right mindset, pack a profound historical whallop. As a scientist who is pretty keen on chickens (Gallus gallus), there are probably no museum specimens of chickens that would get me more excited about than the chickens Darwin studied in his investigations of artificial selection. In fact, most museum specimens of domestic chickens would not be that interesting to me, especially after seeing these ones.

Darwin wielded the analogy between artificial selection and his conceptual mechanism of natural selection in the first ~4 chapters of On the Origin of Species to clobber the reader with facts and try to leave them with no doubt that, over millennia, nature could craft organisms in vastly more complex and profound ways than human breeders could mould them over centuries. While people most often speak of Darwin’s pigeons when referring to Darwin and avians or artificial selection and variation, his chickens appear in The Origin and other writings quite often, too (most prominently, The Variation of Animals and Plants Under Domestication in 1868– more about that here). For example, from my 1st edition facsimile of The Origin from Harvard University Press, pp. 215-216:

Natural instincts are lost under domestication… It is not that chickens have lost all fear, but fear only of dogs and cats, for if the hen gives the danger-chuckle, they will run… and conceal themselves in the surrounding grass or thickets; and this is evidently done for the instinctive purpose of allowing, as we see in wild ground-birds, their mother to fly away. But this instinct retained by our chickens has become almost useless under domestication, for the mother-hen has almost lost by disuse the power of flight.”

Well told, Mr D!

I am also reminded of how chickens and Darwin have had darker relationships, such as this sad story. Or how evolution via Darwinian mechanisms crosses paths with pop culture in fowl ways, such as how tastes-like-chicken evolved, or how some say that chickens, over great periods of time, have been naturally selected in such a way that they are now heritably predisposed to cross roads, or that the amniote egg preceded the evolution of the genus Gallus by some 325+ million years. I see I am drifting and drifting further away from the topic at hand, so let me segue back to Darwin’s chickens. We’ll take this corridor there:

Inside the avian osteology collection at Tring. Sterlie at it might seem, places like this are  fertile breeding grounds for scientific discovery.

Inside the avian osteology collection at Tring. Sterile at it might outwardly seem, places like this are fertile breeding grounds for scientific discovery. And a sterile-looking collection means well cared-for specimens that will persevere for future discoveries.

So anyway, when museum curator Jo Cooper said to me something like “I have some of Darwin’s chickens out over on the other counter, do you want to have a look or shall I put them away?” my answer was quick and emphatic. YES! But only after lunch. I was hungry, and nothing stops me from sating that hunger especially when the sun is out and there are some fine pubs within walking distance! I settled on the King’s Arms freehouse, and had a delicious cheeseburger followed by a spectacularly good apple-treacle-cake with ice cream, expediently ingested while out on their sunny patio. Yum! I cannot wait to have that cake again. What a cake! Darwin’s bushy eyebrows would have been mightily elevated by the highly evolved flavour, which would have soothed his savage stomach ailments. He would have been like:

Damn, Emma! Holy s___ this is great apple-cake; here, try some! There is grandeur in this tasty cake, with its several flavours, having been originally cooked into a few baking trays or into one; and that, whilst this pub has gone on serving fine food according to the fixed hygiene laws of Tring, from so simple a beginning endless foods most beautiful and most wonderful have been, and are being, devoured.” And Emma, cake then firmly in hand, would have said something like, “My dear Charles, I shall try this enticing dessert, and I am glad to see you so enthused about something other than barnacles. Write a letter to Huxley or Lyell about that cake later. You need to focus on concocting an ending to that big species book of yours, not cakes. It’s been 20 bloody years, dude; cake can wait. End the book on a high note.” And so it must have happened.

Working at a museum collection is like having an extra home/office for a day or more. You get familiar with the environment while working there, and start to settle in and enjoy the local environs while taking work breaks. Or I do, anyway. So this post is also partly about how cake and other provisions are an important part, or even a perk, of life as a visiting museum researcher. Put in some good solid work, then it’s cake time, but where are the cakes? You explore, and you discover them– opening the door of an unfamiliar shop or pub near a museum can be like opening a museum cabinet to discover the goodness inside. Just don’t get them mixed up. Museum specimens: for research; subjects for science. Cakes: for eating; fuel for scientists. Got it?

But I digest digress. This post is not about my lunch. Not so much, anyway, although I did enjoy the cake quite a bit. Back to the chickens. Here, try some!

Darwins-chickens (1)Darwins-chickens (6)

Darwins-chickens (5) Darwins-chickens (4)

Above: Views of Darwin’s chickens laid out at the NHM-Tring.  (all photos in this post can be clucked to emchicken them)

The chickens, much like the pub lunch, did not disappoint in the least. Here I had before me Darwin’s own personal specimens, which I envisioned him dissecting and defleshing himself, studying them in deep introspection, then handing them over to the museum for curation once his lengthy researches were complete (all the ones I studied dated back to around 1863-1868, so they were curated shortly after The Origin was published (1859)). Perhaps the museum gave him some fine sponge-cake in return. There was at least one male and female adult of each of numerous breeds, many of them still bearing the dried flesh of centuries past. This was great for me, as the patella often gets removed and clucked chucked in the bin with its tendon when museum specimens of birds are prepared (much as elephant “sixth toe” sesamoids are). All of the specimens had their honking huge patellae on display, so that’s what a lot of my photos feature. I do so lament that I did not take a photo of the cake. Did I tell you about that cake? Oh… Check out these examples of Darwin’s chickens:

XXXX breed in right side view, with the patella indicated by a red arrow. It is still attached to the tibiotarsus by the patellar tendon (often misnamed the patellar "ligament", but it is just a continuation of the proximal tendon).

African rooster (wild variety? Darwin’s label was not clear) in right side view, with the patella indicated by a red arrow. That patella is still attached to the tibiotarsus by the patellar tendon (often misnamed the patellar “ligament”, but it is just a continuation of the proximal tendon).

Darwin's handwritten label and the well-endowed patella of the Spanish Cock. What? Oh, you. Stop it.

Darwin’s handwritten label and the well-endowed patella of the Spanish Cock. What? Oh, you. Stop it. That has nothing to do with cake, and only cake-related humour is allowed in this post.

Some other fascinating features exhibited by Darwin’s chickens, which he doubtless mulled over while nibbling on fine cakes, included the following:

The hindlimb of a Polish Silver Laced breed, nicely showing the ossified tendons (red arrow) along the tarsometatarsus. Why these tendons turn into bone is one of the great unsolved mysteries of bone biology/mechanics and avian evolution. Check out the famed feather crest here.

The hindlimb of a Polish Silver Laced breed, nicely showing the ossified tendons (red arrow) along the tarsometatarsus. Why these tendons turn into bone is one of the great unsolved mysteries of bone biology/mechanics and avian evolution.

Check out the famed feather crest of the Silver (Laced) Polish here; it gets so extreme in males that they have a hard time seeing, and can get beaten up by other cockerels when kept in mixed breed flocks.

Here on this blog, and of course on the companion blog “Towards the Chicken of the Future,” domestic chickens and wild junglefowl have often come up, most recently with the Dorking Chicken (another of Darwin’s own specimens that I studied) in the “Mystery Museum Specimen” poetry round of late. Dorkings are HUGE chickens; easily twice the weight of even a broiler chicken, up to 4-5kg. The Dorking-characteristic polydactyly featured in that post is also observed at a relatively high incidence in Silkie and Sultan breeds, I’ve learned. Like this one! (I was so patella-focused, or cake-somnolescent, that I missed it while studying at the museum and only noticed it now while browsing through my photos, bereft of cake)

Nice leg of a Sultan hen. There is an extra toe here as in the Dorking chicken; a duplicate hallux (first toe). This is not, as it might at first seem, a pathological condition as in modern "twisted toe"-suffering domestic chickens.

Nice leg of a Sultan hen. There is an extra toe here as in the Dorking chicken; a duplicate hallux (first toe). This is not, as it might at first seem, a pathological condition as in modern “twisted toe”-suffering domestic chickens.

Malays are another giant breed like the Dorking, but with longer and more muscular legs and longer necks, looking much more like a classic, badass wild junglefowl than a fancy, pampered chicken. But here, undressed to the bare bones, it just looks like a skinny chicken leg, albeit perhaps a bit svelte compared to the Dorking or Sultan.

Hindlimb of a Malay breed of chicken, which Wikipedia nicely tells the story of its misnomer (it may originate from Pakistan, not Malaysia!). Can you find the nice patella? Check out Darwin's lovely label, too.

Hindlimb of a Malay breed of chicken, which Wikipedia nicely tells the story of its misnomer (it may originate from Pakistan, not Malaysia!). Can you find the nice patella? Check out Darwin’s lovely label, too.

You may have come across wild-eyed news stories 5 years ago about “OMG Darwin was sooooooo wrong about chickens!”, referring to his writings on the origin of domestic chickens from Red junglefowl. As Greg Laden adeptly wrote, Darwin (say it with me) didn’t really get it very wrong after all. He did quite well, in fact. Some media outlets did get it more wrong, probably inspired by this press release. Oh well; the science they were reporting about definitely was interesting- modern chickens seem to have some of their yellow skin pigmentation-related genes from Grey junglefowl, although they are still largely descendants of Red junglefowl.

Here, have a JUMBLE-fowl, or rather a junglefowl cockerel, with another Darwin label:

Darwin's example of a wild-type chicken; a Red Junglefowl. As he suspected, these Asian birds were the ancestors of domestic chickens, but today evidence suggests that domestication occurred multiple times in Asia and with different wild varieties of junglefowl bred/mixed in different regions.

Darwin’s example of a wild-type chicken; a Red junglefowl. As he suspected, these Asian birds were the ancestors of domestic chickens, but today evidence indicates that domestication may have occurred multiple times in Asia and with different wild varieties of junglefowl bred/mixed in different regions.

Some breeds aren’t so funky inside, of course, but just have cool feather patterns on the outside, like the “pencilling” (dark streaks on white feathers) evident in pencil breeds; also called triple-laced. Like this fine chap below once would have had, before Darwin tore off his feathers and reduced him to a research-friendly naked skeleton:

A Golden Pencil Hamburgh breed of chicken (cockerel), whose skeleton features the leg and a fine articulated patella.

A Golden Pencil(led) Hamburg breed of chicken (cockerel), whose skeleton features the leg and a fine articulated patella.

Also known as the Holland Fowl, several European countries including the UK claim the Hamsburg as an original breed from their respective realm, and no surprise they do- it’s a lovely spangled chicken. Then, later in the 1800’s the Americans got involved in breeding them, too, and it’s all a big mess. They should get together, have some delectable cakes, and just sort it out.

Scaly, still-greasy foot and hindlimb of what Darwin labelled as the male of a "Game" breed.

Scaly, still-greasy foot and hindlimb of what Darwin labelled as the male of a “Game” breed.

We thus close with another leg of another chicken. Darwin was a bit naughty here, or else terminology of breeds has changed a lot since the 1850’s (very possible), as he just labelled this as a “Game” cockerel. Now, Gamefowl is a big category of breeds. I’m guessing this one was either (1) a Cornish/Indian Game variety or (2) an Old or Modern English Game Fowl. Maybe a person who knows their chicken breeding far better than me (that’s not hard!) will opine differently. The latter varieties were popular in Darwin’s time — the (Muffed) Old English version was mated with other breeds (Malay?) to produce the Modern English form as cockfighting “sports” became banned in 1849 and breeder attentions shifted to the polar opposite of producing showy, fancy birds instead. And thus the bufante, feathered-hair-adorned 1980s pop-rock group was created, to sing about mating or moulting or melting with people or something terribly disgusting and probably having nothing at all to do with chickens,  cake, or cockfighting, or other more seemly pursuits.

So, we have come to the end of my photos of Darwin’s chicken leg bones and such. If you’ve learned something here about chicken breeds, patellae, cake, or Darwin, that’s simply frabjous. Enough of those poncey pigeons, already! I’m crying fo… no, I won’t use that pun. Nevermind. Not even remotely cake-related. Let’s give Darwin’s chickens their just desserts, is the point– and a much better pun, too. Darwin’s chickens are an important part of Darwiniana, and an interesting evolutionary study in and of themselves. I’ve certainly become impressed during my researching for this blog post by the diverse, fascinating biology of chicken breeds. My copy of the “Complete Encyclopedia of Chickens” will be getting some more thorough reading shortly.

Today, however, I am off to return to the NHM-Tring and peruse their other, non-chickeny Galliformes and Anseriformes, with a detour to the mythical hoatzin. But… but… there may be a cake detour involved, too. I shall report back in due course. Off I go!

No, hopefully not that cake.

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I have a rant to do, and an anatomy vignette or two, but before I do, here is a puzzleroo: It’s a reconstructed CT scan. I’ve digitally cut off the head to be tricksy. Come on man, I ain’t just whistlin’ Dixie! What is this beastie? Not hard in the leasty.

(your answer needs neither rhyme nor Shakespearean meter, but do take the time and provide the Latin binomen for reala– don’t just call it Peter or Sheila!)

Stomach-Churning Rating: 1/10. It won’t bite.

Difficulty: decapitation.

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This is pinned to the top of the “Mystery Anatomy” page, where it shall stay for easy reference.

MYSTERY ANATOMY RULES: 5 pts for correct, spot-on and FIRST right answer, 4 pts for very close or second, 3 pts for partly right or third in line with right answer, 2 pts for a good try, 1 pt consolation prize for just trying, or for a good joke!

Poetry rounds have special rules as described there, but the general rule is that cleverness gets more points.

If you post as “anonymous” name then it all goes into the same tomb of the unknown anatomist.

If you change your answer, you may lose ~1 pt if I feel frigidly cruel.

Answers posted via Twitter, Facebook, email or whatever do not count! No appeals. I am a frigid dictator. :-)


CURRENT SCORES- In order from top, ice-cool score to lukewarm ones:

(to be reset with start of 2014 game)

END OF 2013 FINAL SCORES FROM HOLIDAY SONG ROUND!!!

The Ice-Cool Eight:

Mark Robinson [38]– 2013 WINNER!

Michael Doube/mdoube [25]

Heinrich Mallison [24]

Jaime A Headden [23]

Stu Pond [20]

Filippo [20]

RH [17]

PaoloV [15]

The Rimey Runners-Up:

hypnotosov [13]

Anath Sheridan [9]

Darren Naish/Eotyrannus [9]

Casey Holliday [8]

Henry Astley [8]

Robin Birrrdegg [8]

Lisa Buckley (@ShamanSciences) [8]

Carolyn Eadie DeBoer [7]

Chris Thomas [7]

Jason Anderson [7]

Mieke Roth [6]

Check out the 5-point Gang of Awesomeness: Chris K, Olle Håstad, 220mya, Jason, Coherentsheaf, nick gardner.

Ever-persistent 4-pointers: William Perez (vetanat), Diane Kelly, Amy Beer, Colleen, Martin Brazeau, Richard Dearden.

Zoinks, 3 points! brooke, Thomas R Holtz, Jr, Christopher Taylor, Andy Farke, dobermunk, .gabi.sobral. (@darkgabi), Dave Hone, Ryan Marek.

And in the still-in-the-running, chilled out 2 pt sector: Nicola newton, Alejandro Otero, Joy Reidenberg, unknown anatomist (oh noes! don’t let them win!), Aldo Matteucci, Dan, Bruce J. Mohn, gingerest, John Collins, Carol, cromercroxHenry, AnJaCo, Ben, pakasuchus, Lorna Steel, Sandra N, Eric Morsschauser.

Finally, the 1pt hoary horde– keep trying! protohedgehog,  mcarnall, rebecca fisher, edward ayton, Welmoed, heather, Jenn, palaeosam, Carol Robbins, Old Geezer, A Person, rjm, Robyn, Morgan, Fiver, Colleen, Amber Alink, himmapaan, AnJaCo, J Gentry, Federico “Dino” Degrange, henstridgesj, smg, Jason Poole, Roger Close, Stephanie Pierce, VIvian (Allen).

Thanks for a good game of Mystery Anatomy!  A new game will begin afresh (afrozen?) in 2014!

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It’s back! Mystery Anatomy is in full swing again after a lovely summer holiday in Antarctica- check out its fabulous tan freezerburn! We now have a new scoreboard page, too, for your convenience.

Today is another poetry round, which means you not only get 1 pt for trying but also can amaze and delight us all– and win extra points for rhapsodizing in sublime eloquence at the marvel of nature you are about to behold!

The poetry form for today is the SONNET. 14 lines as usual, but we’ll relax the form and allow you to be maximally creative– just include some rhyming, but you do not need to stick to iambic pentameter or other rigid, galling forms. You must (1) identify the specimen, (2) explain what’s important/unusual about it, and (3) have fun.

Look upon this foul form, feel its greasy exterior and inhale deeply of the same rancid perfume that might have graced Pliny’s or Caesar’s aquiline nose, while your mind reels at its historical significance, which spurred on one individual of some note to exclaim “I was so ignorant I do not even know there were three varieties… how do they differ?”

Mystery12

Difficulty: The poetry will be the hardest part for some.

Stomach-Churning Rating: 2/10. Again, the main threat here is the poetry.

Proceed, morpho-poets; let this museum specimen be no paltry muse!

Some labels to help those unfamiliar with the wonders of chicken foot anatomy!

Some labels to help those unfamiliar with the wonders of chicken foot anatomy! The position I’ve labelled the “extra toe” in is arbitrary; it might be “toe 1” that is the new toe. That might make more developmental sense, that the identity of “toes” has migrated up the limb to add a new toe– and is the spur in male chickens also spurred on by similar signals? No one knows, I think.

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